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American literature --- English language --- Stein, Gertrude --- Melville, Herman
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Melville, Herman --- Knowledge --- Art --- Art and literature --- United States --- History --- 19th century --- Visual perception in literature
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Fiction --- Comparative literature --- Cervantes Saavedra, de, Miguel --- Joyce, James --- Flaubert, Gustave --- Kafka, Franz --- Melville, Herman
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American Literature --- English --- Languages & Literatures --- Melville, Herman --- Criticism and interpretation --- Pound, Ezra Loomis --- Lawrence, David Herbert --- Dostoyevsky, Fyodor --- Creeley, Robert White --- Adams, Brooks --- Havelock, Eric A.
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Steinbeck, John --- Knowledge --- Science --- Nature --- Human ecology in literature --- Environmental protection in literature --- Burroughs, John --- Criticism and interpretation --- Melville, Herman --- Journeys --- United States
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Narration (Rhetoric) --- Melville, Herman --- Davis, Rebecca Harding --- Hawthorne, Nathaniel --- Wright, Richard --- Gilman, Charlotte Perkins --- Stein, Gertrude --- Hemingway, Ernest --- Barnes, Djuna --- Mason, Bobbie Ann
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This study offers a complex analysis of the psychodynamic role of shame in Melville's work, with detailed readings of Moby-Dick, Pierre, and "Billy Budd." Its concrete application of the rich analytic framework supplied by work of such theorists as Heinz Kohut, Leon Wurmser, Silvan Tomkins, and Donald Nathanson implicitly challenges the contemporary reliance on an often abstract poststructuralist model of psychoanalysis.
Psychoanalysis and literature --- Psychological fiction, American --- Novelists, American --- Evil eye in literature. --- Shame in literature. --- Evil eye in literature --- Shame in literature --- American Literature --- English --- Languages & Literatures --- Literature and psychoanalysis --- Psychoanalytic literary criticism --- Literature --- American novelists --- American psychological fiction --- American fiction --- History --- History and criticism. --- Psychology. --- History and criticism --- Psychology --- Melville, Herman, --- Melville, Herman --- Melvill, German --- Melville, Hermann --- Meville, Herman --- Melvil, Cherman --- Mai-erh-wei-erh, Ho-erh-man --- Melṿil, Herman --- Tarnmoor, Salvator R. --- מלוויל, הרמן, --- מלויל, הרמן, --- ميلڤيل، هرمن، --- 麥爾維爾, --- Virginian spending July in Vermont, --- Melvill, Herman, --- Knowledge
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American psychological fiction --- Amerikaanse psychologische roman --- Boze oog in de literatuur --- Evil eye in literature --- Honte dans la littérature --- Jettatura --- Mauvais oeil dans la littérature --- Psychological fiction [American ] --- Psychologische roman [Amerikaanse ] --- Roman psychologique américain --- Schaamte in de literatuur --- Shame in literature --- Melville, Herman --- Knowledge --- Psychology --- Psychoanalysis and literature --- United States --- History --- 19th century --- History and criticism --- Novelists [American ]
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Amerikaanse letterkunde --- Littérature américaine --- Litterature americaine --- Eau --- Literature --- Melville (herman) --- Hawthorne (nathaniel), 1804-1864 --- Twain (mark) --- Faulkner (william), 1897-1962 --- Baldwin (james) --- Neal (john) --- Erdrich (louise) --- Dickey (james) --- Atwood (margaret), 1939 --- -Morrison (toni), 1931 --- -Nabokov (vladimir), 1899-1977 --- Plath (sylvia), 1932-1963 --- Toomer (jean), 1894-1967 --- Wharton (edith), 1862-1937 --- U.s. --- 19th century --- 20th century --- House of the seven gables, the --- Love medicine --- Tracks --- Deliverance
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The Complicity of Imagination examines the rich and complex relationship between four nineteenth-century authors and the culture and politics of seventeenth-century England. Challenging the notion that antebellum Americans were burdened by a sense of cultural inferiority in both their thought and their writing, this 1997 study portrays an American Renaissance whose writers were deeply enough read in the literature and controversies of seventeenth-century England to appropriate its cultural artifacts for their own purposes. By exploring the broader cultural implications of intertextual relationships, this book demonstrates how literary texts participate in the artistic, political and theological tensions within American culture.
American literature --- English literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- English influences. --- History and criticism. --- Appreciation --- Emerson, Ralph Waldo, --- Fuller, Margaret, --- Melville, Herman, --- Thoreau, Henry David, --- Thoreau, Henry David --- Thoreau, Henry D. --- Toro, Genri Devid, --- Thoreau, Henry, --- Toro, Henri Dejvid, --- Thorō, Enry Deēvint, --- So-lo, --- Toro, Henri Daṿid, --- Thoreau, David Henry, --- Sorō, Henrī Deividdo, --- טהארא, הענרי דייוויד --- טהארא, הענרי דײװיד --- תורו, הנרי דוד --- תורו, הנרי דוד, --- 梭罗, --- ソロー ヘンリー・デイヴィッド, --- Melville, Herman --- Melvill, German --- Melville, Hermann --- Meville, Herman --- Melvil, Cherman --- Mai-erh-wei-erh, Ho-erh-man --- Melṿil, Herman --- Tarnmoor, Salvator R. --- מלוויל, הרמן, --- מלויל, הרמן, --- ميلڤيل، هرمن، --- 麥爾維爾, --- Virginian spending July in Vermont, --- Melvill, Herman, --- Fuller, Margaret --- Fuller, Margarita, --- Fuller, S. Margaret --- Fuller, Sara Margarita, --- Fuller, Sarah Margaret, --- Ossoli, Margaret Fuller, --- Ossoli, Sara Margarita, --- Ossoli, Sarah Margaret Fuller, --- Imarsana, Rāfa Vālḍō, --- Emerson, R. W. --- Emerson, Waldo, --- Emerson, R. Waldo --- Ėmerson, Ralʹf Uoldo, --- Ai-mo-sheng, --- Emarsan̲, --- אמרסון, רלף ולדו, --- עמערסון, ראלף וואלדא, --- Knowledge --- England. --- England --- Civilization --- History and criticism --- Theory, etc. --- Fuller, Sarah Margaritt, --- Arts and Humanities --- Literature
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