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Book history --- anno 1500-1599 --- Hands in art --- Watermarks --- Gloves in art. --- Catalogs. --- 09:676 --- 676.026 --- 745.543 --- Handschriften en oude drukken: papier, watermerken --- Production of pulp, paper and board --- Watermerken --- 745.543 Watermerken --- 676.026 Production of pulp, paper and board --- 09:676 Handschriften en oude drukken: papier, watermerken --- Hands in art - Catalogs. --- Watermarks - Catalogs. --- Filigranes
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Hand --- God --- Religious aspects --- Congresses. --- 22.08*01 --- Bijbelse theologie: God; Godsleer --- 22.08*01 Bijbelse theologie: God; Godsleer --- Hands --- Paw --- Paws --- Arm --- Left- and right-handedness --- Congresses --- Religious aspects&delete& --- Hand - Religious aspects - Congresses. --- God - Congresses.
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Galileo's 1632 book, Dialogue on the Two Chief World Systems, Ptolemaic and Copernican, comes alive for twentieth-century readers thanks to Maurice Finocchiaro's brilliant new translation and presentation. Condemned by the Inquisition for its heretical proposition that the earth revolves around the sun, Galileo's masterpiece takes the form of a debate, divided into four "days," among three highly articulate gentlemen. Finocchiaro sets the stage with his introduction, which not only provides the human and historical framework for the Dialogue but also admits the reader gracefully into the basic non-Copernican understanding of the universe that would have been shared by Galileo's original audience. The translation of the Dialogue is abridged in order to highlight its essential content, and Finocchiaro gives titles to the various parts of the debate as a guide to the principal topics. By explicating his own critical reading of this text that is itself an exercise in critical reasoning on a gripping real-life controversy, he illuminates those universal, perennial activities of the human mind that make Galileo's book a living document. This is a concrete, hands-on introduction to critical thinking. The translation has been made from the Italian text provided in volume 7 of the Critical National Edition of Galileo's complete works edited by Antonio Favaro. The translator has also consulted the 1632 edition, as well as the other previous English translations, including California's 1967 version.Galileo on the World Systems is a remarkably nuanced interpretation of a classic work and will give readers the tools to understand and evaluate for themselves one of the most influential scientific books in Western civilization.
Astronomy --- Galilei, Galileo, --- Solar system --- Early works to 1800. --- Galilei, Galileo --- Early works to 1800 --- ancient world. --- astronomer. --- astronomy. --- biographical. --- copernican. --- copernicus. --- critical thinking. --- cultural context. --- famous person. --- hands on. --- historical context. --- italian history. --- italy. --- literary analysis. --- literary criticism. --- literary studies. --- outer space. --- philosopher. --- philosophy. --- planets. --- ptolemaic. --- ptolemy. --- scientific. --- solar system. --- translation. --- universe. --- western world. --- world history. --- world systems.
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Iconography --- Art --- Drawing --- musical instruments --- relief [sculpture techniques] --- drawing [image-making] --- seamen --- hands [animal components] --- bathing [hygienic activity] --- bullfighting --- dances [performance events] --- musicians --- mothers --- De Verloren zoon --- Prometheus [Mythological character] --- Stein, Gertrude --- Lipchitz, Jacques --- anno 1900-1999 --- France --- Russia --- United States of America
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In his play Bacchae, Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension.
Bacchantes in literature --- Greek drama (Tragedy) --- Mythology, Greek --- Bacchantes dans la littérature --- Tragédie grecque --- Mythologie grecque --- Drama --- Théâtre --- Euripides. --- Dionysus --- Pentheus, --- In literature --- Dionysus (Greek deity) in literature --- Pentheus (Greek mythology) in literature --- Tragedy --- Euripides --- Euripide --- Bacchantes dans la littérature --- Tragédie grecque --- Théâtre --- In literature. --- Dionysos (Divinite grecque) dans la litterature. --- LITERARY CRITICISM / Ancient & Classical. --- Achelous. --- Actaeon. --- Amphitryon. --- Anaxagoras. --- Anthesteria. --- Archelaus of Macedon. --- Artemis. --- Bacchylides. --- Cronos. --- Demeter. --- Democritus. --- Dionysiac poetics. --- Dithyrambus. --- Echidna. --- Evil Mother. --- Golden Age. --- Heracles. --- Heraclitus. --- Icarius. --- Iophon. --- Macedon. --- Melanthus. --- adolescence. --- agriculture. --- anagnorisis. --- boundaries. --- brochos. --- cannibalism. --- carnival. --- catharsis. --- chthonic. --- culture-hero. --- doubling. --- enclosure. --- epiphany. --- flight. --- forest. --- gates. --- hair. --- hands. --- hunt. --- kentron. --- kingship, sacred. --- landscape. --- libation. --- liminal. --- loom. --- male womb. --- metamorphosis. --- mountain. --- myth. --- narthex. --- nature. --- Bacchus --- Bakchos --- Dionís --- Dionisas --- Dioniso --- Dionīss --- Dionisu --- Dioniz --- Dionizi --- Dionizo --- Dionizos --- Dionüszosz --- Dionysos --- Dionýzos --- Diyonizosse --- Διόνυσος --- Дионис --- ديونيسوس --- 디오니소스 --- דיוניסוס --- ディオニューソス --- 狄俄倪索斯 --- Βάκχος --- Діоніс
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