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Chassé-croisé Tzara-Breton: actes du colloque international Paris-Sorbonne, 23-25 mai 1996
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ISBN: 2825110310 Year: 1997 Publisher: Lausanne Age d'Homme

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Trois poètes face à la crise de l'histoire : André Breton, Saint-John Perse, René Char : actes du colloque de Montpellier III (22-23 mars 1996)
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ISBN: 9782738449726 2738449727 Year: 1997 Publisher: Paris: L'Harmattan,

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The surrealist look: an erotics of encounter
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ISBN: 0262032449 Year: 1997 Publisher: Cambridge, Mass. [etc.] MIT Press

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Automatic woman: the representation of woman in surrealism
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ISBN: 080321474X 9780803214743 Year: 1997 Publisher: Lincoln [etc.] University of Nebraska Press

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Contemporary feminist critics have often described Surrealism as a misogynist movement. In 'Automatic Woman', Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as Andre; Breton, Francis Picabia, and Paul Eluard. She labels that image & Automatic Woman& & a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zrn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton's own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists. 'Automatic Woman' is distinguished by Katharine Conley's judicious understanding of how women& and the image of Woman& figured in Surrealism. The book is an important contemporary account of a cultural movement that continues to fascinate, influence, and provoke us.

Literary polemics : Bataille, Sartre, Valéry, Breton
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ISBN: 0804727155 Year: 1997 Publisher: Stanford, Calif. Stanford University Press

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During the 1960s and 1970s, the eruption of theory was presented as an epistemic break, reorganizing the field of questioning both prospectively and retrospectively. In the forefront of this new movement was the influential journal Tel Quel, which both canonized a body of preferred avant-garde texts and nullified prominent figures from preceding generations. In a broad remapping of French modernism, this book shows how the milieu of Tel Quel transferred myths of the powers of literature inherited from Bataille, Sartre, Vale;ry, and Breton to theory, in the process erasing the traces of these myths and their common ground. The author analyses cultural and theoretical positions that structured the literary and critical field from the 1920s to the 1950s to show their strong impact on the formulation and elaboration of theoretical issues in more recent decades.

Keywords

Avant-garde (Aesthetics) --- French literature --- Literature --- History and criticism. --- Philosophy. --- -Breton, Andre --- -Sartre, Jean Paul --- 82.0 --- 840 "19" --- -French literature --- -Literature --- -Belles-lettres --- Western literature (Western countries) --- World literature --- 82.0 Literatuurtheorie --- Literatuurtheorie --- 840 "19" Franse literatuur--20e eeuw. Periode 1900-1999 --- Franse literatuur--20e eeuw. Periode 1900-1999 --- History and criticism --- Philosophy --- Bataille, Georges --- Valery, Paul --- -Philosophy --- Literature and philosophy --- Philosophy and literature --- Aesthetics --- Modernism (Art) --- Theory --- Bataille, Georges, --- Breton, André, --- Sartre, Jean-Paul, --- Valéry, Paul, --- Valéry, P. --- Бретон, Андре, --- Angélique, Pierre, --- Auch, --- Lord Auch, --- Bataiyu, Joruju, --- Bataiyu, G., --- בטאיי, ז׳ורז׳, --- Sartre, Jean-Paul --- Valéry, Paul --- Valéry, Paul, --- Breton, André, --- 20th century --- Avant-Garde (Aesthetics) --- France --- Fan-le-hsi, Pao-lo, --- Ṿaleri, Pol, --- Valery, P. --- Valery, Pōl, --- Varerī, Pōru, --- ואלרי, פול --- ולרי, פול --- ולרי, פול, --- ヴァレリー, ポール, --- Angélique, Pierre --- Lord Auch --- Bataiyu, Joruju --- Bataiyu, G. --- Sartŭr, Zhan-Pol --- Sartr, Zhan-Polʹ --- Sārtar, Jān-Būl --- Sārtar, Zhān-Pūl --- Sha-tʻe --- Sartre, J.-P. --- Sa-tʻe --- Sate --- Sa-tʻe, Jang-Pao-erh --- Sate, Rangbao'er --- Sāt, Chō̜ng-Pō̜n --- Sarutoru --- Sarṭr, G'on Pol --- Chō̜ng-Pō̜n Sāt --- Cārttar, L̲ān̲-Pōl --- Сартp, Жан-Поль, --- סארטר, ג׳אן פול --- סארטר, ג׳אן פון --- סארטר, ז׳אן פול --- סארטר, ז׳אן־פול, --- سارتر، جان پول --- Guillemin, Jacques --- Sārtra, Jyām̐ Pāla --- Breton, André --- Бретон, Андре --- サルトル, ジャン ポール

Histoire du mouvement surréaliste
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ISBN: 2850255602 9782850255601 Year: 1997 Publisher: Paris : Hazan,

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Le surréalisme n'est pas un isme comme les autres. C'est un mouvement qui a traversé le siècle en bouleversant sur son passage les idées et les pratiques, en littérature comme en peinture, en politique comme en photographie, en cinéma comme en poésie. Sans que nous en ayons conscience, notre vie quotidienne est marquée par les acquis et les inventions du mouvement surréaliste. Le travail de l'auteur de ce livre est conçu comme une véritable histoire depuis la fin des années 20, qui voient le surréalisme émerger de Dada jusqu'aux années 60. Tous les aspects du mouvement sont envisagés, les manifestes et les revues, les expositions et les bagarres...L'ensemble est sous-tendu par une iconographie abondante où tableaux, dessins, sculptures et objets se mêlent aux documents rares et souvent inédits.

October : the second decade, 1986-1996
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ISBN: 0262277611 0585023204 9780585023205 0262112264 9780262277617 9780262112260 Year: 1997 Publisher: Cambridge, Mass. : MIT Press,

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Surrealist art : the Lindy and Edwin Bergman collection at the Art institute of Chicago
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ISBN: 0500237115 0500279950 Year: 1997 Publisher: Chicago Art institute of Chicago

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Keywords

Art, Modern --- Art --- Surrealism --- Superrealism --- Surrealism in art --- Arts, Modern --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Catalogs --- Private collections&delete& --- Bergman, Edwin --- Bergman, Lindy --- Cornell, Joseph --- Kōneru, Jozefu, --- Lindenberger, Betty Lindy --- Lindenberger, Lindy --- Bergman, Betty Jane --- Art collections --- Catalogs. --- Art Institute of Chicago --- Chicago. Art Institute --- Art Institute Chicago --- Musée de Chicago --- Shikago Bijutsukan --- Chicago Academy of Fine Arts (1879-1882) --- Art styles --- collages [visual works] --- boxes [containers] --- assemblages [sculpture] --- drawing [image-making] --- painting [image-making] --- private collections --- Surrealist --- Arp, Hans --- Magritte, René --- Richier, Germaine --- Chirico, de, Giorgio --- Dubuffet, Jean --- Ernst, Max --- Bellmer, Hans --- Picasso, Pablo --- Llorens i Artigas, Josep --- Fini, Léonor --- Graham, John D. --- Morise, Max --- Penrose, Roland --- Balthus --- Brauner, Victor --- Mesens, E.L.T. --- Tsjelitsjev, Pavel --- Vail, Laurence --- Miró, Joan --- Lam, Wifredo --- Masson, André --- Tanguy, Yves --- Lindner, Richard --- Breton, André --- Picabia, Francis --- Dalí, Salvador --- Delvaux, Paul --- Motherwell, Robert --- Gorky, Arshile --- Carrington, Leonora --- Schwitters, Kurt --- Matta, Roberto --- Man Ray --- Calder, Alexander --- anno 1900-1999 --- Private collections --- Art, Primitive --- Kōneru, Jozefu --- private collections [object groupings]

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