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Handel, George Frideric, --- Handel, George Frideric --- Haendel, Georges-Frédéric, --- Gendelʹ, Georg Fridrikh, --- Khendel, G. F. --- Khendel, Georg Fridrikh, --- Händel, Georg Friedrich, --- Handel, G. F. --- Haendel, G. F. --- Haendel, Georg Friedrich, --- Gendelʹ, G. F. --- Handel, Geʼorg-Fridrikh, --- Hendelis, G. F., --- Henderu, Georuku Furīdorihhi, --- Haendel, George Frideric, --- Handel, George Frederick, --- Hendel, George Frideric, --- Handel, George Fredrick, --- הנדל, --- Handel, F. G., --- Criticism and interpretation. --- Criticism and interpretation --- Critique et interprétation --- 78.21.1 Handel --- Händel, G. F. --- Haendel, Georg Friedrich --- Händel, Georg Frideric --- Handel, George Frideric, - 1685-1759 - Criticism and interpretation --- Händel --- Handel, George Frideric, - 1685-1759
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Handel is recognised as one of the principal creative figures in Baroque music. In this Companion acknowledged experts on Handel make their expertise accessible to the interested general reader and music lover. All the genres in which Handel composed are considered including oratorio, chamber cantata, opera, and church music, as well as works for the keyboard and orchestra. The wide-ranging, specially-commissioned essays cover topics from Handel's composing methods to his treatment of the Italian language and matters of performance practice. The background to Handel's musical career is a major theme of the volume. The opening chapters deal with his musical education in Germany and the circumstances in Italy during his time there. Most of Handel's career was based in London and important topics here include contemporary concert life and theatre management, the British and Italian musicians among whom he worked, and the librettists for the English oratorios.
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Zonder onderwerpscode: muziek --- Musicians --- Musical notation --- History --- Music printing --- 16th-20th centuries
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