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The music and dance of the Tokelau Islands was affected by the wave of modernization which swept the Pacific following the establishment of the Western powers in the 19th Century. Although remote and isolated these tiny islands were fully involved in the recreation of their traditional music and dance style to reflect the new ideologies and technology. Yet the new form also maintains a strong sense of local identity and the ebullience and vigor of Polynesian dance, music, drumming, singing and text composition. In this study the work of local composers and the social context of performance are acknowledged, the separate elements of music, dance and poetic text are considered as they are interrelated within this form, and the history and geographical spread of the fatele to other islands. Working in the islands and in New Zealand (where the majority of Tokelauans now live) Allan Thomas also charts his growing understanding of the dance and music through more than ten years of fieldwork showing the special features that this modern form presents within studies of traditional musics.
78.37 --- Fātele (Dance) --- Folk music, Tokelauan. --- Folk dancing, Tokelauan --- Folk music --- Ethnic music --- Traditional music --- Folklore --- Music
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A lively tour of the state's music, from the days of string bands through hillbilly, western swing, gospel, bluegrass, and honkey-tonk to through the Nashville Sound and beyond. Through personal interviews with many of the living legends of Kentucky music, Charles K. Wolfe illuminates a fascinating and important area of American culture. The list of country music stars who hail from Kentucky is a long and glittering one. Red Foley, Bill Monroe, Loretta Lynn, Tom T. Hall, the Judds, Dwight Yaokum, Billy Ray Cyrus, Ricky Skaggs, John Michael Montgomery, and Keith Whitely -- all these and many ot
Bluegrass music --- Country music --- Folk music --- Old-time music --- Country and western music --- Hillbilly music --- Western and country music --- Popular music --- Ethnic music --- Traditional music --- Folklore --- Music --- History and criticism.
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Waro Indians --- Music --- History and criticism --- Folk music --- Venezuela --- Folk songs [Warao ] --- Folk songs, Warao --- Warao Indians --- Araote Indians --- Farut Indians --- Guarao Indians --- Guarauno Indians --- Tirativa Indians --- Tivitivi Indians --- Uarau Indians --- Uarauno Indians --- Uarow Indians --- Warau Indians --- Warrau Indians --- Ethnic music --- Traditional music --- Music&delete& --- Indians of South America --- Folklore
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Folk music --- Folk songs, German --- Dictionaries --- German. --- Bio-bibliography --- -Folk music --- -Folk songs, German --- -German ballads and songs --- German folk songs --- Ethnic music --- Traditional music --- Folklore --- Music --- -Dictionaries --- -German --- -Bio-bibliography --- German ballads and songs --- Bio-bibliography&delete& --- Dictionaries&delete& --- German --- Ethnomusicology --- Folk music - Dictionaries - German. --- Folk music - Bio-bibliography - Dictionaries - German. --- Folk songs, German - Dictionaries - German.
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Isicathamiya --- Zulu (African people) --- Folk music --- Folk songs, Zulu --- Zulu (Peuple d'Afrique) --- Musique folklorique --- Chansons folkloriques zouloues --- History and criticism. --- Music --- Histoire et critique --- Musique --- #SBIB:39A5 --- #SBIB:39A73 --- #SBIB:309H142 --- Kunst, habitat, materiële cultuur en ontspanning --- Etnografie: Afrika --- Populaire muziek: functies, muziekgenres, historiek --- Amazulu (African people) --- Isizulu (African people) --- Kafirs (African people) --- Zulus --- Zunda (African people) --- Ethnology --- Nguni (African people) --- Ingoma ebusuku --- Zulu folk songs --- Ethnic music --- Traditional music --- Folklore --- History and criticism --- Music&delete& --- 78.32.3
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Cultural tragedy often accompanies the death of biological species in the South American rain forests. As fragile as the ecosystem is, however, the culture of the Warao Native Americans (inhabitants of the lower Orinoco River delta in Venezuela) continues to thrive. In this lively blend of musicology, anthropology, and environmental awareness, Dale Olsen shows that music holds together much of their existence. For the Warao, who live in a rain forest habitat that remains relatively undisturbed by outside influences, nearly all aspects of life include music; it offers diversion, stability, protection, and power. Olsen divides their musical genres into three categories: music for pleasure, such as dancing; music for utility, including lullabies; and music for theurgy - the largest group, which includes all songs pertaining to cosmology or calling upon supernatural forces. These may include shamanistic songs for curing illnesses or for causing illness and death, as well as songs for love, dreaming, making rain, healing wounds, or for cutting down sacred trees to build large canoes. Olsen provides musical and textual transcriptions of many songs, which are translated, explained, analyzed, and included on an enclosed compact disk. He presents detailed information about Warao musical instruments, relating them to mythology, describing them (with numerous photographs), and placing them in their circum-Caribbean context.
Warao Indians --- Folk music --- Folk songs, Warao --- Music --- Music History & Criticism, National - Folk, Patriotic, Political --- Music, Dance, Drama & Film --- Ethnic music --- Traditional music --- Folklore --- Araote Indians --- Farut Indians --- Guarao Indians --- Guarauno Indians --- Tirativa Indians --- Tivitivi Indians --- Uarau Indians --- Uarauno Indians --- Uarow Indians --- Warau Indians --- Warrau Indians --- Indians of South America --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- History and criticism --- musikkhistorie --- folkemusikk --- folkesanger --- musikk --- Warao --- indianere --- Venezuela --- Søramerika
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