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Event-cities (praxis)
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ISBN: 0262700522 Year: 1996 Publisher: Cambridge (Mass.): MIT press

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Keywords

Architecture, Modern --- -Architecture, Postmodern --- -City planning --- Space (Architecture) --- Architecture and space --- Space and architectural mass --- Space in architecture --- Architecture --- City planning --- Cities and towns --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Postmodern architecture --- Postmodernism --- Modern architecture --- Exhibitions --- Composition, proportion, etc. --- Government policy --- Management --- Tschumi, Bernard --- -Exhibitions --- Architectuur ; 1986-1994 ; Bernard Tschumi --- Architectuurtheorie ; 20ste eeuw ; Bernard Tschumi --- Stedenbouw ; denken over --- Stedenbouw ; openbare plaatsen ; parken ; straten ; pleinen --- Architectuur ; kantoorgebouwen ; bedrijfsgebouwen --- Stedenbouw ; (spoorweg)stations en omgeving --- Architectuur ; Parijs ; Le Parc de la Villette --- Kunst- ; cultuur ; mediacentra --- Videokunst ; video-installaties --- Architectuurgeschiedenis ; 1950 - 2000 --- Tschumi, Bernard, --- Architecture, Postmodern --- 72.038 --- 72.07 --- Environments --- Operagebouwen --- Tschumi, Bernard °1944 (°Lausanne, Zwitserland) --- Architecten. Stedenbouwkundigen A - Z --- Exhibitions. --- City planning. --- Space (Architecture). --- Negative space (Architecture)

Architecture and disjunction
Author:
ISBN: 0262700603 0262200945 9780262200943 9780262700603 Year: 1996 Publisher: Cambridge, Mass. The MIT press

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Avant-garde theorist and architect Bernard Tschumi is equally well known for his writing and his practice. Architecture and Disjunction, which brings together Tschumi's essays from 1975 to 1990, is a lucid and provocative analysis of many of the key issues that have engaged architectural discourse over the past two decades -- from deconstructive theory to recent concerns with the notions of event and program.The essays develop different themes in contemporary theory as they relate to the actual making of architecture, attempting to realign the discipline with a new world culture characterized by both discontinuity and heterogeneity. Included are a number of seminal essays that incited broad attention when they first appeared in magazines and journals, as well as more recent and topical texts.Tschumi's discourse has always been considered radical and disturbing. He opposes modernist ideology and postmodern nostalgia since both impose restrictive criteria on what may be deemed "legitimate" cultural conditions. He argues for focusing on our immediate cultural situation, which is distinguished by a new postindustrial "unhomeliness" reflected in the ad hoc erection of buildings with multipurpose programs. The condition of New York and the chaos of Tokyo are thus perceived as legitimate urban forms.

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