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Analyse musicale --- Musical analysis --- Muzikale analyse --- Music --- -Musical analysis --- Music theory --- -Music theory --- -Music --- Musical theory --- Theory of music --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music appreciation --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Interpretation (Phrasing, dynamics, etc.) --- History --- -History --- -Theory --- Analysis, appreciation --- Analytical guides --- Instruction and study --- -Interpretation (Phrasing, dynamics, etc.) --- -Analysis, Musical --- -Analysis, appreciation --- Theory --- 19th century --- 20th century --- -Art music --- -History -

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Beginning with the simple question, "Why did audiences grow silent?" Listening in Paris gives a spectator's-eye view of opera and concert life from the Old Regime to the Romantic era, describing the transformation in musical experience from social event to profound aesthetic encounter. James H. Johnson recreates the experience of audiences during these rich decades with brio and wit. Woven into the narrative is an analysis of the political, musical, and aesthetic factors that produced more engaged listening. Johnson shows the gradual pacification of audiences from loud and unruly listeners to the attentive public we know today. Drawing from a wide range of sources--novels, memoirs, police files, personal correspondence, newspaper reviews, architectural plans, and the like--Johnson brings the performances to life: the hubbub of eighteenth-century opera, the exuberance of Revolutionary audiences, Napoleon's musical authoritarianism, the bourgeoisie's polite consideration. He singles out the music of Gluck, Haydn, Rossini, and Beethoven as especially important in forging new ways of hearing. This book's theoretical edge will appeal to cultural and intellectual historians in many fields and periods.

Music --- Music appreciation. --- Music appreciation --- Music, Dance, Drama & Film --- Music History & Criticism, General --- Analytical guides (Music) --- Appreciation of music --- Musical appreciation --- Musical analysis --- Music and society --- History and criticism. --- Social aspects. --- History and criticism --- Social aspects --- Analysis, appreciation --- Analytical guides --- Appreciation --- Instruction and study --- 18th century opera. --- aesthetic factors. --- attentive audience. --- beethoven. --- concert life. --- concerts. --- cultural history. --- engaged listening. --- entertainment. --- gluck. --- gradual pacification. --- haydn. --- hearing. --- imitation. --- intellectual history. --- jacobin ideology. --- musical authoritarianism. --- musical experience. --- napoleon. --- old regime. --- opera. --- paris. --- polite consideration. --- political factors. --- public concerns. --- respectability. --- revolutionary audiences. --- romantic era. --- romanticism. --- rossini. --- social duty. --- studies on the history of society and culture. --- thermidor.