Listing 1 - 10 of 70 | << page >> |
Sort by
|
Choose an application
Confraternities --- History. --- England --- Cambridgeshire --- History --- Church history --- Middle Ages, 600-1500 --- Social history --- Medieval, 500-1500 --- Cambridgeshire (England) --- Middle Ages, 500-1500
Choose an application
History of civilization --- Art --- anno 500-1499 --- Art medieval. --- Art chrétien --- Art médiéval --- Art chrétien - 500-1500 (Moyen Âge)
Choose an application
Antiquities. --- Archaeology, Medieval --- Archaeology, Medieval. --- Ausstellung. --- Funde. --- Geschichte 500-1500. --- France --- Metz (France) --- Metz (France) --- Metz. --- Antiquities --- History
Choose an application
Military art and science --- Europe --- History --- Middle Ages, 500-1500 --- Congresses --- Military history [Medieval ] --- Europe --- History [Military ] --- Middle Ages
Choose an application
L'objet de ce livre est "l'expérience de la pensée", telle que l'a vécue un type d'homme - l'intellectuel - et telle que l'ont reproduite des groupes d'hommes et de femmes, plus ou moins hétérodoxes, aux XIIIe et XIVe siècles. L'enquête menée par Alain de Libera se veut indépendante de la sociologie historique (perspective illustrée par "Les intellectuels au Moyen age" de J. Le Goff) et porte volontairement sur des discours. Ainsi la censure (en particulier les condamnations parisiennes de 1277 : 219 idées interdites !) est considérée non comme révélatrice de ce qui fut, mais comme fabriquant, en l'énonçant et en la dénonçant, une réalité à venir. Réflexion sur la place du médiévisme dans l'institution du savoir et le rôle équivoque du Moyen Age dans la culture politique contemporaine, ce livre entend aussi déplacer le dialogue de l'Islam et de l'Occident sur le terrain de la tradition intellectuelle, ou plutôt de la transmission de l'idéal intellectuel de l'Orient à l'Occident : la crise de la scolastique, le conflit de la foi et de la raison, de la théologie et de philosophie, ont commencé en Islam, avant d'être importés (avec le modèle de l'intellectuel lui-même) en Occident. -- 4ème de couverture.
Philosophy, Medieval --- Philosophie médiévale --- Morale sexuelle --- Astrologie --- Philosophie arabe --- Intellectuels --- Philosophie médiéviale --- History of philosophy --- anno 500-1499 --- Philosophie medievale --- Philosophie européenne --- Histoire --- Philosophie --- Influence --- Philosophie européenne - Histoire - 500-1500 (Moyen Age) --- Morale sexuelle - Histoire - 500-1500 (Moyen Age) --- Astrologie - Philosophie --- Philosophie arabe - Influence --- Intellectuels - Europe - Histoire - 500-1500 (Moyen Age)
Choose an application
A new generation of American medieval art historians explores how sacred images were perceived during the Middle Ages in Byzantium and Europe. Focusing on the relationship between a particular type of medieval art - the sacred image - and its audience, the contributors consider the part played in this relationship by the image's context, whether on the page of a book or on the wall of a building. The book allows the reader to see the fluidity of the sacred image, showing how factors including audience, purpose, and setting affected the form it took. The essays cover a full range of images, including panel paintings, altarpieces, manuscripts, and wall paintings, and a rich variety of socioreligious settings, private, monastic, and imperial. Also examined are the differences between images produced for a single viewer and those produced for communities; images produced for private contemplation or devotion and those that functioned within a liturgical setting; and the varying ways in which sacred images affected women and men, religious and secular communities, rulers and the ruled
Christian art and symbolism --- Christianity and art --- Icons --- Icons, Byzantine. --- Catholic Church --- History. --- Orthodox Eastern Church --- Cult --- History of doctrines --- History --- Icons [Byzantine ] --- Middle Ages, 600-1500 --- Medieval, 500-1500 --- Orthodox Eastern Church and art --- Catholic Church and art --- Icons, Byzantine --- Middle Ages, 500-1500 --- Icons - History --- Icons - Cult - History of doctrines - Middle Ages, 600-1500 --- Christian art and symbolism - Medieval, 500-1500 --- Christianity and art - Orthodox Eastern Church - History --- Christianity and art - Catholic Church - History
Choose an application
Glass painting and staining --- Glass painting and staining, Gothic --- Christian art and symbolism --- Vitraux --- Vitraux gothiques --- Art et symbolisme chrétiens --- Themes, motives --- Thèmes, motifs --- Stained glass windows --- France --- Glass painting and staining [Gothic ] --- Medieval, 500-1500 --- Glass painting and staining - France - Themes, motives. --- Glass painting and staining, Gothic - France - Themes, motives. --- Christian art and symbolism - Medieval, 500-1500 - France - Themes, motives. --- Themes, motives. --- Middle Ages, 500-1500
Choose an application
Theatrical science --- Drama --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Theater --- History --- Bede the Venerable --- Congresses --- Church history --- Middle Ages, 600-1500 --- Middle Ages, 500-1500
Choose an application
Marriage --- Marriage (Canon law) --- Family --- Wills --- Wills (Canon law) --- Social history --- Law, Medieval. --- History. --- Marriage - Europe - History. --- Family - Europe - History. --- Wills - Europe - History. --- Social history - Medieval, 500-1500.
Choose an application
Theatrical science --- Drama --- English literature --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Theater --- Amusements --- Parishes --- Théâtre --- Spectacles et divertissements --- Paroisses --- History --- History. --- Histoire --- England --- Angleterre --- Social life and customs --- Moeurs et coutumes --- Théâtre --- 16th century --- Medieval, 500-1500 --- 1066-1485 --- Middle Ages, 500-1500
Listing 1 - 10 of 70 | << page >> |
Sort by
|