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Painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Conservation and restoration&delete& --- Exhibitions --- Kunsthistorisches Museum Wien --- Exhibitions. --- Art --- restoration [process] --- Kunsthistorisches Museum [Vienna] --- Conservation and restoration

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Art --- Doria Pamphilj Gallery [Rome] --- Painting, Dutch --- Painting, Flemish --- Painting --- Peinture hollandaise --- Peinture flamande --- Peinture --- Exhibitions --- Expositions --- Galleria Doria Pamphilj --- Painting, Modern --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Modern painting --- Paintings, Modern --- Galleria Doria --- Galleria Doria-Pamphili --- Exhibitions. --- Painting [Flemish ] --- Painting [Modern ] --- 17th-18th centuries --- Flanders (Belgium) --- Painting [Dutch ] --- Netherlands --- Italy --- Rome --- Hollandse school --- Vlaamse school

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Difference (Philosophy) --- Matter. --- Painting. --- Matter --- Painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Atoms --- Dynamics --- Gravitation --- Physics --- Substance (Philosophy) --- Philosophy --- Merleau-Ponty, Maurice --- -Aesthetics --- Difference (Philosophy). --- Merleau-Ponty, Maurice, --- Aesthetics. --- Merleau-Ponty, Jean Jacques Maurice, --- Merlō-Ponty, Mōris, --- Ponty, Jean Jacques Maurice Merleau-, --- Ponty, Maurice Merleau-, --- מרלו־פונטי, מוריס,

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Painting --- Musée des beaux-arts [Strasbourg] --- anno 1500-1799 --- Italy --- Musée des Beaux-Arts (Straatsburg) --- schilderijen --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Italië --- -Painting, Italian --- -#BIBC:ruil --- Italian painting --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Musee des beaux-arts de Strasbourg --- Musée des beaux-arts de la ville de Strasbourg --- Musée des beaux-arts (Strasbourg, France) --- Strasbourg (France). --- Strasbourg. --- Kunstmuseum der Stadt Strassburg (Germany) --- Painting, Italian --- #BIBC:ruil --- Musée des beaux-arts de Strasbourg --- Musée des Beaux-Arts (Straatsburg). --- schilderijen. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Italië.

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Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergère, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock.

75.07 --- Schilderkunst ; Manet ; Bar au Folie Bergère ; 1882 --- Schilderkunst ; Frankrijk ; 19de eeuw ; Edouard Manet --- Schilderkunst ; Impressionisme --- Manet, Edouard 1832-1883 (°Parijs, Frankrijk) --- Schilderkunst ; schilders --- Painting --- Historiography. --- CDL --- 75.071 MANET --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Historiography --- Manet, Edouard, --- Manet, Édouard, --- Chabrier, Emmanuel, --- Manė, Eduard, --- Manet, Éduard, --- מאנה, אדוארד, --- Criticism and interpretation. --- Manet, Edouard --- Criticism and interpretation --- Manet, Edouard, - 1832-1883. - Bar at the Folies-Bergáere. --- Manet, Edouard, - 1832-1883 - Criticism and interpretation. --- Painting - Historiography. --- Manė, Eduard --- Manet, Éduard --- ART / History / General. --- Alphonsus Liguori. --- Atelier. --- Autumn. --- Bar. --- Bundle of Asparagus. --- Danse Macabre. --- Dictionnaire. --- Hamlet. --- History of Art. --- Illuminations. --- Jesus. --- Luncheon on the Grass. --- Manet’s Sources. --- Nana. --- Olympia. --- Philosophy of Right. --- Quiet. --- Screen. --- The Courtauld Collection. --- The Railroad. --- The Surprised Nymph. --- White Girl. --- Woman with a Parrot. --- amateurs. --- comestibles. --- compotier. --- consommations. --- corrida. --- coulisses. --- difference. --- doppelganger. --- en point. --- feminist. --- grand magasin. --- guinguettes. --- habit noir. --- historical. --- incommunicable. --- individual experience. --- lorgnette. --- maquillage. --- mirror image. --- model. --- modernity. --- natures mortes. --- petit-bourgeoise. --- physical explanation. --- postmodern. --- prima facie. --- promenoir. --- reflects. --- representation. --- seize mai. --- serveuse. --- tache. --- turbulence. --- vanitas.