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Arthur [Cycle d' ] --- Arthurian romances --- Arthurromans --- Cycle arthurien --- Cycle d'Arthur --- Cycle de la Table ronde --- Romans arthuriens --- Romans bretons --- Romans de la Table ronde --- Table ronde [Romans de la ] --- Knights and knighthood in literature --- Closure (Rhetoric) --- History and criticism --- 82-39 --- -Closure (Rhetoric) --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Peroration --- Rhetoric --- Romances --- Graallegende; Arthurroman --- 82-39 Graallegende; Arthurroman --- Arthurian romances - History and criticism

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This work argues that artificial endings in Euripides reinforce innovations in plot and ending. After exploring the playwright's novel closing gestures, the book offers readings of plot, ending and generic innovation in six of Euripides' plays.

Tragedy --- Mythology, Greek, in literature --- Closure (Rhetoric) --- Originality (Aesthetics) --- Rhetoric, Ancient --- Euripides --- Technique --- Mythology, Greek, in literature. --- Originality (Aesthetics). --- Closure (Rhetoric). --- Rhetoric, Ancient. --- Tragedy. --- Technique. --- Ancient rhetoric --- Antieke retoriek --- Conclusion (Rhétorique) --- Endings (Rhetoric) --- Last lines (Rhetoric) --- Oorspronkelijkheid (Esthetica) --- Originaliteit (Esthetica) --- Originalité (Esthétique) --- Peroratie --- Peroration --- Péroration --- Retoriek [Antieke ] --- Retoriek van de Oudheid --- Rhetoric [Ancient ] --- Rhétorique ancienne --- Rhétorique de l'Antiquité --- Slot (Retoriek) --- Drama --- Classical languages --- Greek language --- Greek rhetoric --- Latin language --- Latin rhetoric --- Aesthetics --- Rhetoric --- -Technique --- Ėvripid --- Yūrībīdīs --- Euripide --- Euripedes --- Eŭripido --- Eurypides --- Euripidesu --- אוריפידס --- エウリーピデース --- Εὐριπίδης --- Criticism and interpretation --- Greek drama (Tragedy) --- History and criticism --- Euripides - Technique --- History and criticism. --- Criticism and interpretation.