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Gogh, Vincent van --- 75 VAN GOGH, VINCENT --- 75 VAN GOGH, VINCENT Schilderkunst--VAN GOGH, VINCENT --- Schilderkunst--VAN GOGH, VINCENT --- Van Gogh, Vincent. --- Van Gogh, Vincent

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impressionisme --- Guillaumin, Armand --- Van Gogh, Vincent --- Cézanne, Paul

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Post-impressionism (Art) --- Postimpressionnisme (Art) --- Post-impressionisme --- Marquet, Albert --- Renoir, Auguste, --- Toulouse-lautrec, Henri De --- Vallotton, Félix --- Vuillard, Edouard Jean --- Bonnard, Pierre --- Cézanne, Paul --- Gauguin, Paul --- Matisse, Henri --- Redon, Odilon --- Rouault, Georges --- Van Gogh, Vincent --- 19e siècle --- Painting --- Peinture --- Exhibitions --- Exhibitions. --- Expositions --- Gauguin, Paul 1848-1903 --- Renoir, Auguste, 1841-1919

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A travers une série d'essais consacrés à Courbet, Manet, Seurat, Van Gogh, à Pissarro mais aussi à l'orientalisme, à l'invention de l'avant-garde, à l'antisémitisme de Degas, aux allégories de l'utopie, Linda Nochlin étudie les relations complexes entre art, avant-garde, politique et société

Art --- Art and society --- Painting, French --- Art et société --- Peinture française --- Political aspects --- Aspect politique --- Politique --- --Peinture --- --XIXe s., --- Esthétique --- --Histoire de l'art --- Orientalisme --- Politique et art --- Courbet, Gustave --- Degas, Edgar --- Frederic, Léon --- Manet, Edouard --- Oller, Francisco --- Pissarro, Camille --- Renouard, Paul --- Seurat, Georges Pierre --- Van Gogh, Vincent --- 19e siècle --- Art et société --- Peinture française --- Peinture --- XIXe s., 1801-1900 --- Histoire de l'art --- Art et politique

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According to Vincent van Gogh, a painting was not really finished until it was framed; unmounted it was still 'in the raw'. He and many of his contemporaries regarded picture and frame as an aesthetic whole and chose or designed their own frames. Chapters on Historicism, the Victorians and Pre-Raphaelites, the Secessionist movements (Art Nouveau, Symbolism), Impressionism, and early Modernism examine the relationship between picture and frame in the years 1850 and 1920. Hundreds of works have been illustrated for the first time with their frames - paintings by Arnold Bocklin, Franz von Stuck, Gustav Klimt, Dante Gabriel Rossetti, Frederic Lord Leighton, James McNeill Whistler, Edgar Degas, Camille Pissarro, Georges Seurat, Vincent van Gogh, Jan Toorop, Fernand Khnopff, Wassily Kandinsky, Pablo Picasso, and many others.

Painting --- Aesthetics of art --- anno 1900-1999 --- anno 1800-1899 --- Artists' materials --- Kunstenaarsmaterialen --- Materiel d'artistes --- Picture frames and framing --- Cadres (Art) --- Exhibitions --- Expositions --- schilderkunst --- schilderijlijsten --- 1850 - 1920 --- 19de eeuw --- 20ste eeuw --- Eva Mendgen --- kunst --- twintigste eeuw --- negentiende eeuw --- kader --- lijst --- lijsten --- historicisme --- prerafaëlieten --- Wiener Sezession --- symbolisme --- art nouveau --- arts and crafts --- von Lenbach Franz --- Böcklin Arnold --- Whistler James Abbott McNeill --- von Stuck Franz --- Klimt Gustav --- Degas Edgar --- Pissarro Camille --- Seurat Georges --- van Gogh Vincent --- Les twintigste eeuw --- Finch William --- van Rysselberghe Théo --- Signac Paul --- Lemmen Georges --- Raffaëlli Jean-François --- Khnopff Fernand --- Toorop Jan --- Kandinsky Wassily --- van Doesburg Theo --- Magritte René --- Segal Arthur --- Picabia Francis --- Picasso Pablo --- Balla Giacomo --- Kirchner Ernst Ludwig --- Nolde Emil --- Munch Edvard --- 75.024 --- Europe --- History --- Frames, Picture --- Framing of pictures --- Picture framing --- CDL --- Painting, Modern --- 19th century --- 20th century --- 1850 - 1920. --- 19de eeuw. --- 20ste eeuw.