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Film --- Movies --- Role models --- Book --- Jacobs, Aletta --- Weerdt, De, Denise --- Netherlands

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Dit boek is de publicatie van het proefschrift van filmtheoretica Anneke Smelik. Haar onderzoek concentreert zich op de vraag hoe feministische regisseurs door middel van de vorm en de structuur van hun films traditionele representaties van vrouwelijke subjectiviteit ondermijnen en alternatieve visies ontwikkelen. Smelik legt niet alleen de vinger op het subversieve gehalte van bepaalde films (van o.a. Marion Hänsel en Marleen Gorris) maar ook van de feministische filmtheorie.

Social problems --- Film --- Sociology of the family. Sociology of sexuality --- Movie review --- Movies --- Violence --- Film directors --- Images of women --- Book

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Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Critique et interpretation

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Motion pictures --- Cinéma --- #SBIB:309H1300 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmwezen: algemene werken --- History and criticism

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Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and 1962. Concentrating on the former West Germany, she explores the complex political uses of film--and the meanings attributed to film representation and spectatorship--during a period of abrupt transition to democracy. According to Fehrenbach, the process of national redefinition made cinema and cinematic control a focus of heated ideological debate. Moving beyond a narrow political examination of Allied-German negotiations, she investigates the broader social nexus of popular moviegoing, public demonstrations, film clubs, and municipal festivals. She also draws on work in gender and film studies to probe the ways filmmakers, students, church leaders, local politicians, and the general public articulated national identity in relation to the challenges posed by military occupation, American commercial culture, and redefined gender roles. Thus highlighting the links between national identity and cultural practice, this book provides a richer picture of what German reconstruction entailed for both women and men [Publisher description].

Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Political aspects --- Social aspects --- History. --- History and criticism --- Germany [West ] --- History