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This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music, and the day-to-day training of choristers. There is also an investigation of the local circumstances under which many of the important manuscripts of the period were compiled, which reveals an unsuspectedly close interrelationship between domestic music and music for the church. In addition, a study of surviving sources reveals that they give little more than a general guide as to their composers' and copyists' intentions.
Choral music --- Performance practice (Music) --- Choirs (Music) --- Church music --- Sacred vocal music --- Latin language --- English language --- Musique chorale --- Pratique de l'exécution (Musique) --- Chorales --- Musique d'église --- Musique vocale sacrée --- Latin (Langue) --- Anglais (Langue) --- Church Latin --- Pronunciation --- Latin de l'Eglise --- Prononciation --- -Choral music --- -Church music --- -Latin language --- -Performance practice (Music) --- -Sacred vocal music --- -English language --- -Germanic languages --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Musical performance practice --- Performing practice (Music) --- Music --- Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Religious music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Choruses --- Choruses, Sacred --- Choruses, Secular --- Music, Choral --- Sacred choral music --- Secular choral music --- Choral groups --- Chorales (Musical groups) --- Choruses (Musical groups) --- Vocal groups --- Choral societies --- -Pronunciation --- History and criticism --- Pronoun --- Performance --- Religious aspects --- Christianity --- Pronunciation. --- History and criticism. --- -Church Latin --- Pratique de l'exécution (Musique) --- Musique d'église --- Musique vocale sacrée --- -Liturgical music --- Church Latin&delete& --- England --- 78.41.2 --- Germanic languages
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Church history --- Religious disputations --- History --- Rome --- Intellectual life --- History. --- -Religious disputations --- -Colloquies, Religious --- Disputations, Religious --- Disputations, Theological --- Religious colloquies --- Religious debates --- Theological disputations --- Theology --- Debates and debating --- Christianity --- Ecclesiastical history --- History, Church --- History, Ecclesiastical --- Disputations --- -History. --- Colloquies, Religious --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Intellectual life. --- Religion --- Philosophy & Religion --- Church history - 4th century --- Religious disputations - History --- Rome - Intellectual life
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Exploring the careers of five influential women writers of the Restoration and eighteenth century, Catherine Gallagher reveals the connections between the increasing prestige of female authorship, the economy of credit and debt, and the rise of the novel. The "nobodies" of her title are not ignored, silenced, or anonymous women. Instead, they are literal nobodies: the abstractions of authorial personae, printed books, intellectual property rights, literary reputations, debts and obligations, and fictional characters. These are the exchangeable tokens of modern authorship that lent new cultural power to the increasing number of women writers through the eighteenth century. Women writers, Gallagher discovers, invented and popularized numerous ingenious similarities between their gender and their occupation. The terms "woman," "author," "marketplace," and "fiction" come to define each other reciprocally. Gallagher analyzes the provocative plays of Aphra Behn, the scandalous court chronicles of Delarivier Manley, the properly fictional nobodies of Charlotte Lennox and Frances Burney, and finally Maria Edgeworth's attempts in the late eighteenth century to reform the unruly genre of the novel.
820 "16/17" --- 82:396 --- English literature --- -Feminism and literature --- -Literature publishing --- -Sex role in literature --- Women authors, English --- -Women and literature --- -Literature --- English women authors --- Literary publishing --- Literature --- Publishers and publishing --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- 820 "16/17" Engelse literatuur--?"16/17" --- Engelse literatuur--?"16/17" --- Women authors --- -History and criticism --- History --- Economic conditions --- -Bibliography --- Publishing --- -82:396 Literatuur en feminisme --- Feminism and literature --- Literature publishing --- Sex role in literature --- Women and literature --- Women authors&delete& --- History and criticism --- Sex role in literature. --- History and criticism. --- History. --- Economic conditions. --- Literature and feminism --- 18th century english literature. --- aphra behn. --- authorial personae. --- charlotte lennox. --- credit and debit. --- cultural power. --- cultural studies. --- debts and obligation. --- delarivier manley. --- economy. --- female authorship. --- fiction. --- fictional characters. --- frances barney. --- gender studies. --- genre of the novel. --- intellectual property rights. --- literary reputations. --- literary studies. --- marie edgeworth. --- marketplace. --- modern authorship. --- new historicism. --- printed books. --- restoration. --- rise of the novel. --- studies in cultural poetics series. --- women writers.
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Silenced for 1,600 years, the "heretics" speak for themselves in this account of the Priscillianist controversy that began in fourth-century Spain. In a close examination of rediscovered texts, Virginia Burrus provides an unusual opportunity to explore heresy from the point of view of the followers of Priscillian and to reevaluate the reliability of the historical record. Her analysis takes into account the concepts of gender, authority, and public and private space that informed established religion's response to this early Christian movement.
273.22 --- Priscillianism --- Women in Christianity --- -#GOSA:II.P.PRIS.M --- 273.22 Priscillianisme --- Priscillianisme --- History --- -Priscillian Bishop of Avila --- Priscillianism. --- Priscillian, --- Prisciliano, --- Priscillianus, --- Heterodoxe stromingen. --- RELIGION --- History. --- Early church. --- 30-600. --- Spain. --- Spanje. --- Religion --- Philosophy & Religion --- Christianity --- Christian heresies --- #GOSA:II.P.PRIS.M
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Modern dance --- Interpretive dancing --- Modern dancing --- Dance --- Political aspects. --- History. --- Political aspects --- History --- Duncan, Isadora --- Graham, Martha --- Cunningham, Merce --- de Saint-Point, Valentine --- Dunn, Douglas
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"Detailed and useful history of US intervention in Haiti (1915-34); originally published in 1971, and re-released in 1995 at the time of the US invasion of Haiti. Contains many interesting insights"--Handbook of Latin American Studies, v. 57.
Latin America --- Regions & Countries - Americas --- History & Archaeology --- Haiti --- History
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The crippling custom of footbinding is the thematic touchstone for Judy Yung's engrossing study of Chinese American women during the first half of the twentieth century. Using this symbol of subjugation to examine social change in the lives of these women, she shows the stages of "unbinding" that occurred in the decades between the turn of the century and the end of World War II. The setting for this captivating history is San Francisco, which had the largest Chinese population in the United States. Yung, a second-generation Chinese American born and raised in San Francisco, uses an impressive range of sources to tell her story. Oral history interviews, previously unknown autobiographies, both English- and Chinese-language newspapers, government census records, and exceptional photographs from public archives and private collections combine to make this a richly human document as well as an illuminating treatise on race, gender, and class dynamics. While presenting larger social trends Yung highlights the many individual experiences of Chinese American women, and her skill as an oral history interviewer gives this work an immediacy that is poignant and effective. Her analysis of intraethnic class rifts--a major gap in ethnic history--sheds important light on the difficulties that Chinese American women faced in their own communities. Yung provides a more accurate view of their lives than has existed before, revealing the many ways that these women--rather than being passive victims of oppression--were active agents in the making of their own history.
Chinese American women --- Women immigrants --- United States Local History --- Regions & Countries - Americas --- History & Archaeology --- Immigrant women --- Immigrants --- Women, Chinese American --- Women --- History. --- History --- San Francisco (Calif.) --- San Francisco County (Calif.) --- San Francisco --- San Francisco City & County (Calif.) --- San Francisco City and County (Calif.) --- City & County of San Francisco (Calif.) --- City and County of San Francisco (Calif.) --- Saint Francisco (Calif.) --- Yerba Buena (Calif.) --- Social conditions.
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Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films--from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element--Rosenbaum's reflections on the art of film criticism--that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing. Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.
Motion pictures --- Film criticism. --- Film criticism --- Music, Dance, Drama & Film --- Film --- Film reviews --- Motion picture plays --- Motion picture reviews --- Movie reviews --- Reviews of motion pictures --- Motion picture criticism --- Moving-picture criticism --- Criticism --- Reviews. --- Reviews --- Evaluation
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Russia held its first multiparty election in over 75 years in the hope that it would usher in a new democratic political order. However, the success of right-wing populist Vladimir Zhirinovsky's Liberal Democratic Party of Russia and other anti-reform forces shocked the world. This study analyzes the background, events and main players of the elections, and examines their significance for the Russian political system. Describing in detail the December 1993 voting, it provides historical, political, regional and sociocultural interpretations of the elections and their results. The work attempts to answer such questions as: what were the keys to Zhirinovsky's success?; who are the new players on Russia's political scene?; what role will the new institutions play in Russian politics; and who actually holds power in Russia?
Elections --- History. --- Russia (Federation). --- Elections, 1993. --- Russia (Federation) --- Politics and government --- Late 20th century. --- Postcommunism. --- democratization. --- media.
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In this major new work Alice Harris and Lyle Campbell set out to establish a general framework for the investigation of linguistic change. Systematic cross-linguistic comparison of syntactic change across a wide variety of languages is used to construct hypotheses about the universals and limits of language change more generally. In particular, the authors seek to move closer towards describing the range of causes of syntactic change to develop an understanding of the mechanisms of syntactic change, and to provide an understanding of why some languages undergo certain changes and not others. The authors draw on languages as diverse as Pipil and French, Georgian and Estonian, and the data presented is one of the book's great strengths. Rigor and precision are combined here with a great breadth of scholarship to produce a unique resource for the study of linguistic change, which will be of use to scholars and students alike.
Historical linguistics --- Comparative linguistics --- Grammar --- Historische linguïstiek --- Historische taalwetenschap --- Linguistics [Historical ] --- Linguistique historique --- Linguïstiek [Historische ] --- Taalwetenschap [Historische ] --- Grammar, Comparative and general --- Syntaxe --- Syntax --- Historical linguistics. --- Syntax. --- Diachronic linguistics --- Dynamic linguistics --- Evolutionary linguistics --- Language and languages --- Language and history --- Linguistics --- History --- Grammar [Comparative and general ] --- Arts and Humanities --- Language & Linguistics --- Philology --- Grammar, Comparative and general - Syntax. --- Grammar, Comparative and general Syntax
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