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Jarring Witnessesbegins by surveying the problem of point of view as a formal, cognitive and cultural determinant in narrative historiography, particularly in the way certain dominant forms of 'legitimate' history have necessitated the suppresson of the voices of 'jarring witnesses'.

Fiction --- Literature and history --- History in literature --- Literature - General --- Languages & Literatures --- History and literature --- History and poetry --- Poetry and history --- History --- History and criticism --- History in literature. --- Literature and history.

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Fiction --- Comparative literature --- anno 1900-1999 --- History in literature. --- Literature and history. --- History and criticism. --- Geschiedenis en literatuur --- Geschiedenis en poëzie --- Geschiedenis in de literatuur --- Histoire dans la littérature --- Histoire et littérature --- Histoire et poésie --- History and literature --- History and poetry --- History in literature --- Literature and history --- Literatuur en geschiedenis --- Littérature et histoire --- Poetry and history --- Poésie et histoire --- Poëzie en geschiedenis --- History --- History and criticism --- 20th century

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Tracing Joyce's historiographic art to its formative contexts, from his sojourn in Rome in 1906 to the completion of "Ulysses" in 1922, this study reveals a modernist author passionately engaged with the problem of history, forging a new language that both dramatizes and redefines that problem.

Literature and history --- Modernism (Literature) --- History in literature. --- History and literature --- History and poetry --- Poetry and history --- History --- Joyce, James, --- Joyce, James Augustine Aloysius --- Joyce, James --- Dzhoĭs, Dzheĭms Avgustin Aloiziĭ --- Džoiss, Džeimss --- Gʻois, Gʻaims --- Joyce, Giacomo --- Jūyis, Jīms --- Tzoys, Tzaiēms --- Tzoys, Tzeēms --- Джойс, Джеймс --- Джойс, Джеймс Августин Алоїсуїс --- Zhoĭs, Zheĭms --- ג׳ויס, ג׳ײמס, --- ג׳ויס, ג׳יימס, --- ジョイス --- ジェームスジョイス, --- Knowledge --- History. --- Language and languages.

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Esther Schor tells us about the persistence of the dead, about why they still matter long after we emerge from grief and accept our loss. Mourning as a cultural phenomenon has become opaque to us in the twentieth century, Schor argues. This book is an effort to recover the culture of mourning that thrived in English society from the Enlightenment through the Romantic Age, and to recapture its meaning. Mourning appears here as the social diffusion of grief through sympathy, as a force that constitutes communities and helps us to conceptualize history. In the textual and social practices of the British Enlightenment and its early nineteenth-century heirs, Schor uncovers the ways in which mourning mediated between received ideas of virtue, both classical and Christian, and a burgeoning, property-based commercial society. The circulation of sympathies maps the means by which both valued things and values themselves are distributed within a culture. Delving into philosophy, politics, economics, and social history as well as literary texts, Schor traces a shift in the British discourse of mourning in the wake of the French Revolution: What begins as a way to effect a moral consensus in society turns into a means of conceiving and bringing forth history.

Death in literature --- English literature --- -Grief in literature --- Literature and history --- -Mourning customs --- -Mourning customs in literature --- -British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Manners and customs --- Rites and ceremonies --- Funeral rites and ceremonies --- History and literature --- History and poetry --- Poetry and history --- History --- History and criticism --- -History --- -History and criticism --- Thematology --- anno 1800-1899 --- anno 1700-1799 --- Death in literature. --- Grief in literature. --- Mourning customs in literature. --- Mourning customs --- History and criticism. --- Grief in literature --- Mourning customs in literature

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Latin literature --- Literature and history --- Languages & Literatures --- Greek & Latin Languages & Literatures --- History and criticism --- Littérature et histoire --- 87-3 --- Klassieke literatuur: proza --- -Klassieke literatuur: proza --- 87-3 Klassieke literatuur: proza --- -87-3 Klassieke literatuur: proza --- Rome --- Historiography. --- In literature. --- -Literature and history --- History and literature --- History and poetry --- Poetry and history --- History --- Roman literature --- Classical literature --- Classical philology --- Latin philology --- -History and literature --- History and criticism. --- Historiography --- In literature --- Littérature latine --- Littérature et histoire --- Histoire et critique --- Rome dans la littérature --- Historiographie --- Latin literature - History and criticism --- Literature and history - Rome --- Rome - Historiography --- Rome - In literature --- -History and criticism