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Sholem Aleichem, --- Sholem Aleichem, --- Stage history. --- Dramatic works.
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Drama --- History and criticism --- Goethe, Johann Wolfgang --- Dramatic works. --- Technique.
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Connecting the strategic and tactical levels of war with political actions and reactions, The Irish and British Wars, 1637-1654 is an accessible and well-documented study of the wars of Britain and Ireland in the mid 17th century.
Tragedy --- Drama. --- Drama --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Literature --- Dialogue --- History and criticism. --- Philosophy
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Sartre, Jean-Paul --- Theater --- Authors, French --- Politics and literature --- Théâtre --- Ecrivains français --- Politique et littérature --- History --- Political and social views --- Histoire --- Pensée politique et sociale --- Sartre, Jean-Paul, --- Dramatic works --- Oeuvres dramatiques --- Théâtre --- Ecrivains français --- Politique et littérature --- Pensée politique et sociale --- Dramatic works. --- Political and social views.
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Drama. --- Théâtre (Genre littéraire) --- 82-2 --- Drama --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Drama, Modern --- Plays --- 82-2 Toneel. Drama --- Toneel. Drama --- Philosophy --- Performing arts --- Acting --- Actors --- Literature --- Dialogue --- Dramas --- Dramatic works --- Playscripts --- Theater.
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Pragmatics --- 82-2 --- Theater --- -Drama --- -Discourse analysis, Literary --- Literary discourse analysis --- Rhetoric --- Style, Literary --- Drama --- Drama, Modern --- Plays --- Stage --- Literature --- Acting --- Dialogue --- Dramatics --- Histrionics --- Professional theater --- Theatre --- Performing arts --- Actors --- Toneel. Drama --- Philosophy --- History and criticism --- -Theory, etc --- 82-2 Toneel. Drama --- Discourse analysis, Literary --- Literary style --- History and criticism&delete& --- Theory, etc --- Discourse analysis, Literary. --- Dramas --- Dramatic works --- Playscripts
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"China's most important love comedy, Wang Shifu's Xixiangji, or The Story of the Western Wing, is a rollicking play that chronicles the adventures of the star-crossed lovers Oriole and Student Zhang. Since its appearance in the thirteenth century, it has enjoyed unparalleled popularity. The play has given rise to innumerable sequels, parodies, and rewritings it has influenced countless later plays, short stories, and novels and has played a crucial role in the development of drama criticism. This translation of the full and complete text of the earliest extant version is available in paperback for the first time. The editors' introduction will inform students of Chinese cultural and literary traditions." -- Publisher description.
Chinese fiction --- Languages & Literatures --- East Asian Languages & Literatures --- Chinese literature --- Translations into English. --- 13th century chinese literature. --- bandits. --- buddhist monastery. --- china. --- chinese culture. --- chinese dramatic works. --- chinese literature. --- civil service examination. --- consort. --- drama criticism. --- love comedy. --- lovers bible. --- marriage. --- oriole. --- parental approval. --- pining. --- poem. --- romance of the western bower. --- romance. --- secret love affair. --- secret union. --- star crossed lovers. --- student zhang. --- sun the flying tiger. --- tang dynasty. --- the story of the western wing. --- the west chamber. --- translated text. --- unfulfilled love. --- wang shifu. --- xixiangji. --- yuan dynasty.
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English Romanticism has long been considered an 'undramatic' and 'anti-theatrical' age, yet Wordsworth, Coleridge, Byron, Shelley and Keats all wrote plays and viewed them as central to England's poetic and political reform. In the Theatre of Romanticism analyses these plays, in the context of London theatre at the time, and argues that Romantic discourse on theatre is crucial to constructions of nationhood in the period. The book focuses primarily on Coleridge and on the middle stage of his career, during which he wrote most extensively for and about the theatre. But its discussion of anxieties about women in Coleridge's plays applies just as forcefully to the history plays of the second-generation romantic poets, and to the best-known romantic writers on theatre: Hazlitt, Hunt and Lamb. Unlike the few existing studies of romantic drama, this study considers the plays not as closet drama or 'mental theatre', but as theatrical contributions to the debate sparked off by the Revolution in France.
Drama --- Coleridge-Taylor, Samuel --- Femme (Théologie chrétienne) dans la littérature --- Femmes dans la littérature --- Femmes dans la poésie --- Femmes dans le théâtre --- Nationalism in literature --- Nationalisme dans la littérature --- Nationalisme in de literatuur --- Romanticism --- Romantiek --- Romantisme --- Rôle selon le sexe dans la littérature --- Seksuele rolpatronen in de literatuur --- Sex role in literature --- Vrouw (Christelijke theologie) in de literatuur --- Vrouwen in de literatuur --- Vrouwen in de poëzie --- Vrouwen in het toneel --- Woman (Christian theology) in literature --- Women in drama --- Women in literature --- Women in poetry --- 820-2 "17/18" --- English drama --- -English literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Engelse literatuur: toneel; drama--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- History and criticism --- Coleridge, Samuel Taylor --- -Coleridge, Samuel Taylor --- -Schiller, Friedrich --- Dramatic works --- Knowledge --- -Performing arts --- -Engelse literatuur: toneel; drama--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 820-2 "17/18" Engelse literatuur: toneel; drama--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- -Woman (Christian theology) in literature --- English literature --- History and criticism&delete& --- Theory, etc --- Coleridge, Samuel Taylor, --- Schiller, Friedrich, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Dramatic works. --- Performing arts. --- Performing arts --- 19th century --- Theory, etc. --- Arts and Humanities --- Literature --- Nationalism in literature. --- Sex role in literature. --- Women in literature. --- Romanticism.
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Shakespeare, William --- Maniérisme (Littérature) --- Maniërisme (Literatuur) --- Mannerism (Literature) --- Baroque literature --- -Drama --- -Mannerism (Literature) --- Drama --- Drama, Modern --- Plays --- Stage --- Literature --- Acting --- Dialogue --- Literature, Baroque --- European literature --- History and criticism --- -Theory, etc --- Philosophy --- -Criticism and interpretation --- History and criticism&delete& --- Theory, etc --- Shakespeare, William, --- Šekspir, Vil'jam --- Criticism and interpretation --- History. --- Dramas --- Dramatic works --- Playscripts --- History --- 17th century --- Theory, etc. --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Shakespeare, william (1564-1616) --- Critique et interpretation
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