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Literary semiotics --- Thematology --- Spanish-American literature --- Spanish literature --- Space (Art) --- Space and time in literature --- Spanish fiction --- -Spanish American fiction --- -Spanish American literature --- Space and time as a theme in literature --- Art --- History and criticism --- Space and time in literature. --- Spanish American fiction --- History and criticism. --- -History and criticism --- Space (Art).
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Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world.
Aesthetics. --- Perspective. --- Space perception. --- Espace--Perception --- Ruimteperceptie --- Ruimtewaarneming --- Spatial perception --- Geometry --- Aesthetics --- Space perception --- Perspective --- Esthétique --- Perception spatiale --- CDL --- 742 --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Perception --- Spatial behavior --- Figure-ground perception --- Geographical perception --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Projection --- Proportion (Art) --- Shades and shadows --- Psychology --- Radio broadcasting Aesthetics
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History --- perspective [technique] --- Art --- art theory --- viewpoint --- Art [Renaissance ] --- Art de la Renaissance --- Espace (Art) --- Kunst [Renaissance] --- Optics [Psychological ] --- Perceptie [Visuele ] --- Perception [Visual ] --- Perception visuelle --- Perspectief --- Perspective --- Renaissance art --- Renaissancekunst --- Ruimte (Kunst) --- Space (Art) --- Vision--Psychological aspects --- Visual perception --- Visuele perceptie --- Visuele waarneming --- Waarneming [Visuele ] --- Norris Kelly Smith --- kunst --- schilderkunst --- perspectief --- vijftiende eeuw --- zestiende eeuw --- zeventiende eeuw --- achttiende eeuw --- negentiende eeuw --- 742 --- Painters --- Europe --- Psychology --- Art and society --- Art [Modern ] --- Painters - Europe - Psychology. --- Art and society - Europe. --- Art, Modern - Europe. --- Art, European --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Negative space (Art) --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Artists --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Art and sociology --- Society and art --- Sociology and art --- Psychological aspects --- Social aspects
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Painting --- Art --- Sculpture --- art [fine art] --- Art styles --- painting [image-making] --- sculpting --- Minimal --- Hendler, Maxwell --- Thurston, Roy --- White, Jonathan --- Wayne, Alan --- Heywood, Scot --- Chang, Fandra --- Larner, Liz --- Toon, Carolee --- Miller, John M. --- Richards, James --- Corse, Mary --- Gilbert-Rolfe, Jeremy --- Furbeyre, Caren --- Hudson, Linda --- Hayward, James --- White, Pae --- anno 2000-2099 --- anno 1900-1999 --- United States --- Art, American --- Visual perception --- Light in art --- Space (Art) --- art [discipline] --- United States of America
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003 --- 742 --- 094:742 --- Perspective --- #SBIB:309H524 --- Architectural perspective --- Linear perspective --- Mechanical perspective --- Optics --- Space (Art) --- Space perception --- Projection --- Proportion (Art) --- Shades and shadows --- Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen --- Perspectieftekenen --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Perspectieftekenen --- Audiovisuele communicatie: semiotiek --- Perspective. --- 094:742 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Perspectieftekenen --- 742 Perspectieftekenen --- 003 Semiotiek. Schriften. Tekens en symbolen. Codes. Grafische voorstellingen
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