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Catholic Church --- Forstenried (Munich : Germany) --- Church history.

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After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imitation Magnificats, which Lasso based on motets, madrigals, and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social, historical, and liturgical contexts and in terms of composition theory, Crook opens a new window on the breadth and subtlety of an important composer often harshly judged on his use of preexistent music.Crook places Lasso amidst the Counter-Reformation reforms at the Bavarian court where he composed the Magnificats, and where there emerged a fanatical Marian cult that favored this genre. In a section on compositional procedure, Crook explains that Lasso abandoned the traditional eight psalm-tone melodies in his imitation Magnificats, considers the new ways he found to represent the tones, and describes how Lasso's experimentation reflected the complex relationship between mode and tone in Renaissance theory and practice. Arguing that Lasso's varied uses of preexistent music defy current definitions of parody technique, Crook, in his final chapter, reveals the imitation Magnificats as vastly more imaginative and innovative than previous characterizations suggest.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Magnificat (Music) --- Church music --- History and criticism --- History and criticism. --- Lasso, Orlando di, --- -Church music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Evening service music --- Religious aspects --- Christianity --- Lasso, Orlando di --- Munich (Germany) --- 16th century --- 526.30 --- Genre- en werkbesprekingen

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Crèches (Nativity scenes) --- Christmas crèches --- Manger scenes (Crèches) --- Nativity scenes (Crèches) --- Christmas decorations --- Crib in Christian art and tradition --- Tableaux --- Catalogs --- Bayerisches Nationalmuseum --- Munich. Bayerisches Nationalmuseum --- Munich (Germany). Bayerisches Nationalmuseum --- Bayerisches Nationalmuseum München --- Bayerisches National-Museum --- Bavarian National Museum --- Catalogs. --- Applied arts. Arts and crafts --- Bavaria

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Manuscripts, Latin (Medieval and modern) --- 091 <43 MUNCHEN> --- Medieval and modern Latin manuscripts --- Manuscripts, Medieval --- 091 <43 MUNCHEN> Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--MUNCHEN --- Handschriftenkunde. Handschriftencatalogi--Duitsland voor 1945 en na 1989--MUNCHEN --- Bayerische Staatsbibliothek --- Bavaria (Germany). --- Bavarian State Library --- Staatsbibliothek München --- Munich. --- Munich (Germany). --- Biblioteca del Estáu de Baviera --- Bayerische Staatsbibliothek München --- BSB --- دار الكتب الظاهرية --- Bayrische Staatsbibliothek --- Kgl. Hof- und Staatsbibliothek in München --- Mss latins --- Mss München. Staatsbibliothek --- Catalogue de manuscrits --- Staatsbibliothek --- Munich

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Graphic arts --- Hoefnagel, Joris --- Staatliche Graphische Sammlung [München] --- Plantae [kingdom] --- animal art --- Insecta [class] --- Nature --- Hoefnagel, Jacob --- Animal painting and illustration --- Animals in art --- Animaux [Peinture et illustration d' ] --- Animaux dans l'art --- Art [Animaux dans l' ] --- Art and nature --- Art et nature --- Dieren in de kunst --- Dierenschilderkunst en -illustratie --- Kunst [Dieren in de ] --- Kunst en natuur --- Nature (Aesthetics) --- Nature (Esthétique) --- Nature dans l'art --- Nature in art --- Natuur (Esthetica) --- Natuur in de kunst --- Pets in art --- Zoo animals in art --- 75 HOEFNAGEL, JORIS --- 76 <43> "15" --- 769 <43 MUNCHEN> --- Natural history illustration --- -Engraving, German --- -German engraving --- Nature illustration --- Scientific illustration --- Schilderkunst--HOEFNAGEL, JORIS --- Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--16e eeuw. Periode 1500-1599 --- Prentenverzamelingen--Duitsland voor 1945 en na 1989--MUNCHEN --- Early works to 1800 --- Staatliche Graphische Sammlung Munchen --- Bavaria (Germany). --- Handzeichnungskabinett (Munich, Germany) --- Königliche Graphische Sammlung (Bavaria, Germany) --- Königliche Kupferstich- und Handzeichnungen-Sammlung (Bavaria, Germany) --- Königliches Kupferstich- und Handzeichnungskabinett (Bavaria, Germany) --- Kupferstichkabinett (Munich, Germany) --- Munich. --- Staatliche Graphische Sammlung (Bavaria, Germany) --- -Schilderkunst--HOEFNAGEL, JORIS --- 769 <43 MUNCHEN> Prentenverzamelingen--Duitsland voor 1945 en na 1989--MUNCHEN --- 76 <43> "15" Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989--16e eeuw. Periode 1500-1599 --- 75 HOEFNAGEL, JORIS Schilderkunst--HOEFNAGEL, JORIS --- prints [visual works] --- Engraving, German --- German engraving --- Hoefnagel, Jacob, --- Hoefnagel, Joris, --- Staatliche Graphische Sammlung München. --- Hoefnagel, Joris. 1542-1600. Archetypa --- Staatliche Graphische Sammlung München