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Ouvrage-débat entre le sociologue Pierre Bourdieu et l'artiste Hans Haacke afin de tenter de répondre entre autre aux questions suivantes : comment affirmer l'indépendance de l'intellectuel et de l'artiste critiques capables d'engager les ressources les plus raffinées de la recherche formelle dans la défense de la liberté créatrice, comment sauvegarder les franchises de cet univers de libre-échange qu'est et doit être le monde des artistes, des écrivains et des savants.
Arts and society --- Art and morals --- Artists' writings --- Arts et société --- Art et morale --- Ecrits d'artistes --- Arts and society. --- Views on the arts --- Arts, Modern --- Analyse de l'art --- Artiste, rôle --- Sociologie de la culture --- History --- Haacke, Hans, --- Bourdieu, Pierre --- Haacke, Hans --- Bourdieu, Pierre, --- Arts, Modern - 20th century --- Arts and society - History - 20th century --- Haacke, Hans, - 1936 --- -Haacke, Hans, - 1936- - Views on the arts --- Bourdieu, Pierre, 1930-2002 --- Bourdieu, Pierre, - 1930-2002 - Views on the arts --- Bourdieu, Pierre, - 1930-2002 --- -Haacke, Hans, - 1936 --- -Bourdieu, Pierre, - 1930-2002
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Art styles --- Iconography --- Sculpture --- outdoor sculpture --- earthworks [sculpture] --- Nature --- sculpting --- landscapes [representations] --- Böcklin, Arnold --- Baumgarten, Lothar --- Andre, Carl --- Baselitz, Georg --- Dibbets, Jan --- Oppenheim, Dennis --- Caro, Anthony --- Mataré, Ewald --- Stella, Frank --- Finlay, Ian Hamilton --- Hilliard, John --- Holt, Nancy --- Sonfist, Alan --- Leisgen, Barbara en Michael --- Haacke, Hans --- Blocher, Sylvie --- Newman, Barnett --- Fleischner, Richard --- Morris, Robert --- Gette, Paul-Armand --- Friedrich, Caspar David --- Christo --- Haas, Nils-Udo --- Smithson, Robert --- Weiner, Lawrence --- Fulton, Hamish --- Pollock, Jackson --- Beuys, Joseph --- Pierce, James --- Nash, David --- Long, Richard --- Burgin, Victor --- Penone, Giuseppe --- Cézanne, Paul --- Heizer, Michael --- Serra, Richard --- Kiefer, Anselm --- O'Brien, Robert --- Merz, Mario --- Goldsworthy, Andy --- Morellet, François --- Monet, Claude --- Kirkeby, Per --- Raetz, Markus --- Zorio, Gilberto --- Graham, Dan --- Flanagan, Barry --- Turrell, James --- Gilbert and George --- Aycock, Alice --- Friedmann, Gloria --- Laib, Wolfgang --- Maria, de, Walter --- Rückriem, Ulrich --- anno 1900-1999 --- anno 2000-2099
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lexicons --- art appreciation --- scripts [writing] --- Iconography --- Art styles --- video art --- Art --- Film --- happenings --- Minimal --- Christo --- Flanagan, Barry --- Kruger, Barbara --- Long, Richard --- Viola, Bill --- Takis --- Gasiorowski, Gérard --- Viallat, Claude --- Knoebel, Imi --- Cane, Louis --- Fischli, Peter --- Polke, Sigmar --- Hains, Raymond --- Opałka, Roman --- Hirschhorn, Thomas --- Dawson, Neil --- Kudo, Tetsumi --- Bishop, James --- Haas, Nils-Udo --- Coplans, John --- Artschwager, Richard --- Boltanski, Christian --- Stella, Frank --- Andre, Carl --- Serra, Richard --- Kowalski, Piotr --- Dezeuze, Daniel --- Judd, Donald --- Graham, Dan --- Buren, Daniel --- Rutault, Claude --- Smithson, Robert --- Beuys, Joseph --- Anselmo, Giovanni --- Merz, Mario --- Salsmann, Michel --- Marker, Chris --- Combas, Robert --- Horn, Rebecca --- Haacke, Hans --- Gudmundsson, Sigurdur --- Saytour, Patrick --- Richter, Gerhard --- Panamarenko --- Soulages, Pierre --- Barré, Martin --- Chamberlain, John --- Lavier, Bertrand --- Weiner, Lawrence --- Tinguely, Jean --- Raynaud, Jean Pierre --- Baquié, Richard --- Weiss, David --- Villeglé, Jacques --- Bruly Bouabré, Frédéric --- Kelly, Ellsworth --- Matta-Clark, Gordon --- Bourgeois, Louise --- Cragg, Tony --- Kosuth, Joseph --- Twombly, Cy --- Broodthaers, Marcel --- McKane, Miles --- Rückriem, Ulrich --- Miyajima, Tatsuo --- Saint-Phalle, de, Niki --- Woodrow, Bill --- Nauman, Bruce --- Fulton, Hamish --- Penone, Giuseppe --- Kawara, On --- Sarkis --- Basquiat, Jean-Michel --- Wodiczko, Krysztof --- Leccia, Ange --- Kabakov, Ilija Iosefovich --- LeWitt, Sol --- Pane, Gina --- Paik, Nam June --- Hill, Gary --- Webb, Boyd --- Maria, de, Walter --- Irwin, Robert --- Marden, Brice --- Touyard, Gilles --- Filliou, Robert --- West, Franz --- Vautier, Ben --- Pontoreau, Daniel --- Art & Language --- anno 1900-1999 --- anno 1970-1979 --- anno 1950-1959 --- anno 1960-1969 --- anno 2000-2099 --- texts [documents] --- Art, Modern --- Catalogs. --- Musée national d'art moderne (France) --- Supports/Surfaces
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This is the final volume in a series of four books about art and its interpretation from the midnineteenth century to the end of the twentieth. The books seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. They present a range of approaches characteristic of current art-historical debates. This fourth volume focuses on art since the 1930s, the main emphasis being on the period since the Second World War.
Modernist --- art theory --- Pop [fine arts styles] --- Minimal --- Abstract Expressionist --- Rosenquist, James --- Caro, Anthony --- Johns, Jasper --- Kosuth, Joseph --- Stella, Frank --- Andre, Carl --- Warhol, Andy --- Noland, Kenneth --- Gorky, Arshile --- Weiner, Lawrence --- Picasso, Pablo --- Olitski, Jules --- Rivera, Diego --- Rauschenberg, Robert --- Burgin, Victor --- Buren, Daniel --- Still, Clyfford --- Long, Richard --- Lichtenstein, Roy --- Smithson, Robert --- Richter, Gerhard --- Rothko, Mark --- Newman, Barnett --- Schnabel, Julian --- Judd, Donald --- Soulages, Pierre --- Kienholz, Edward --- Morris, Robert --- Miró, Joan --- Smith, David --- Léger, Fernand --- Haacke, Hans --- Kiefer, Anselm --- Moore, Henry --- LeWitt, Sol --- Pollock, Jackson --- Kline, Franz --- Guerrilla Girls --- Modernisme (Art) --- Art et société --- Modernisme --- Expressionnisme abstrait --- Paul Wood, Francis Frascina, Jonathan Harris, Charles Harrison --- modernisme --- postmodernisme --- abstract expressionisme --- Land Art --- minimalisme --- Art et société --- Modernism (Art) --- Art and society --- Art, American --- Art --- Art américain --- History --- Political aspects --- Histoire --- Aspect politique --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- 7.01 --- 7.038 --- conceptuele kunst --- cultuur --- ideologie --- kunst --- kunstkritiek --- kunsttheorie --- twintigste eeuw --- Verenigde Staten --- Art styles --- anno 1900-1999 --- Conceptual --- art history --- Salle, David --- Serra, Richard --- Braque, Georges --- Kahlo, Frida --- Koons, Jeff --- Beuys, Joseph --- Sherman, Cindy --- Spero, Nancy --- Rosler, Martha --- Krasner, Lee --- Hesse, Eva --- Art & Language --- anno 1960-1969 --- anno 2000-2099 --- anno 1950-1959 --- anno 1940-1949 --- Histoire de l'art --- 20e siècle --- Panorama mondial --- Guerrilla Girls [New York, N.Y.] --- Mouvement moderne --- Art, Primitive --- Modernism (Art) - United States --- Art, American - 20th century --- Art - Political aspects - United States --- Art and society - United States - History - 20th century --- kunstsociologie
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