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1994 (14)

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Film
Umbilical Mainz-Pouch diversion
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Year: 1994 Publisher: Leuven KU Leuven. Audiovisuele dienst [prod., real., dist.]

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Book
Europeans on the move : studies on European migration, 1500-1800
Author:
ISBN: 0198204191 0191676144 Year: 1994 Publisher: Oxford : Clarendon press,

l'incontournable échange: conversations oecuméniques et pluridisciplinaires
Authors: ---
ISBN: 2890077683 9782890077683 Year: 1994 Publisher: [Lieu de publication inconnu]: Bellarmin,

The Americas
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ISBN: 1282372696 113488043X 0203035305 9780203035306 9780415088367 0415088364 9781134880430 0203200381 9780203200384 0203306813 9780203306819 0415088364 9781134880386 1134880383 9781134880423 1134880421 9781138966598 1138966592 9781282372696 0716529793 Year: 1994 Volume: 4 Publisher: London New York Routledge

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The Americas offers a wide-ranging and original interpretaion of matters relating to territory, boundaries and societies in the American continent.

Touch monkeys
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ISBN: 1442682701 0802029833 9780802029836 0802036244 9781442682702 Year: 1994 Publisher: Toronto, Ont. University of Toronto Press

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All too often Nonsense is relegated to the nursery. Marnie Parsons argues that, rather than being mere child's play, nonsense is a major force in poetic language. In Touch Monkeys she presents us with an original reading of a much-maligned linguistic pursuit. Parsons distinguishes between nonsense language and Nonsense, the genre. Her major chapters work towards a vision of nonsense language as palimpsestic - the overlaying of several ways of making meaning onto a verbal sense system, and the consequent disruption of that system. This reading of nonsense is itself an intersection, bringing together historical and contemporary criticism of literary Nonsense and a wide range of poetic and literary theories. Using Carroll and Lear as examples of Nonsense, Parsons provides a survey of existing Nonsense criticism in English, and then extends and elaborates nonsense in theoretical directions set by Gilles Deleuze and Julia Kristeva among others, and by the poetics of such writers as Charles Olson, Charles Bernstein, Ron Silliman, Steve McCaffery, Louis Zukofsky and Daphne Marlatt.Following each chapter is a close reading of work by writers as varied as Rudyard Kipling, Colleen Thibaudeau, Adrienne Rich, and Lyn Hejinian. These readings provide practical applications of nonsense theory and establish the interdependence between theory and practice. Nonsense both inhabits and challenges traditional forms simultaneously; in Touch Monkeys Parsons enters into the spirit of the genre.

Context North America
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ISBN: 0776615718 9780776615714 0776603604 9780776603605 Year: 1994 Volume: 18 Publisher: Ottawa [Ont.] University of Ottawa Press

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Context North America is a comparative study of Canadian and American literary relations that emphasizes the cultural and institutional contexts in which Canadian literature is taught and read. This volume exemplifies the question of how the literatures of Canada might aptly be studied and contextualized in the days of heightened discontinuity and increasingly ambiguous borderlines both between and within the many narratives that make up North America.

The frontier in American culture
Authors: --- --- ---
ISBN: 1283382121 9786613382122 0520915321 0585115508 9780520915329 9780585115504 9780520088436 0520088433 9780520088443 0520088441 0520088433 0520088441 9781283382120 6613382124 Year: 1994 Publisher: Chicago The Library

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Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, "The Significance of the Frontier in American History"; the other took place in William "Buffalo Bill" Cody's flamboyant extravaganza, "The Wild West." Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians-and bloody battles-at center stage, and culminated with the Battle of the Little Bighorn, popularly known as "Custer's Last Stand." Seemingly contradictory, these two stories together reveal a complicated national identity.Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices-those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American.Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.

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