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Politics and literature --- Politique et littérature --- History --- Histoire --- Coleridge, Samuel Taylor, --- Coleridge, Samuel Taylor, --- Defoe, Daniel, --- Defoe, Daniel, --- Coleridge, Samuel Taylor, --- Political and social views. --- Influence. --- Pensée politique et sociale
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Logos (Christian theology) --- -Logos --- Word of God (Christian theology) --- Alogi --- Coleridge, Samuel Taylor --- -Contributions in doctrine of the Logos --- History of doctrines --- Logos --- Coleridge, Samuel Taylor, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Religion. --- Contributions in doctrine of logos --- 20th century --- Coleridge, Samuel Taylor, - 1772-1834 - Contributions in doctrine of the Logos. --- Logos - History of doctrines - 20th century.
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English Romanticism has long been considered an 'undramatic' and 'anti-theatrical' age, yet Wordsworth, Coleridge, Byron, Shelley and Keats all wrote plays and viewed them as central to England's poetic and political reform. In the Theatre of Romanticism analyses these plays, in the context of London theatre at the time, and argues that Romantic discourse on theatre is crucial to constructions of nationhood in the period. The book focuses primarily on Coleridge and on the middle stage of his career, during which he wrote most extensively for and about the theatre. But its discussion of anxieties about women in Coleridge's plays applies just as forcefully to the history plays of the second-generation romantic poets, and to the best-known romantic writers on theatre: Hazlitt, Hunt and Lamb. Unlike the few existing studies of romantic drama, this study considers the plays not as closet drama or 'mental theatre', but as theatrical contributions to the debate sparked off by the Revolution in France.
Drama --- Coleridge-Taylor, Samuel --- Femme (Théologie chrétienne) dans la littérature --- Femmes dans la littérature --- Femmes dans la poésie --- Femmes dans le théâtre --- Nationalism in literature --- Nationalisme dans la littérature --- Nationalisme in de literatuur --- Romanticism --- Romantiek --- Romantisme --- Rôle selon le sexe dans la littérature --- Seksuele rolpatronen in de literatuur --- Sex role in literature --- Vrouw (Christelijke theologie) in de literatuur --- Vrouwen in de literatuur --- Vrouwen in de poëzie --- Vrouwen in het toneel --- Woman (Christian theology) in literature --- Women in drama --- Women in literature --- Women in poetry --- 820-2 "17/18" --- English drama --- -English literature --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Engelse literatuur: toneel; drama--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- History and criticism --- Coleridge, Samuel Taylor --- -Coleridge, Samuel Taylor --- -Schiller, Friedrich --- Dramatic works --- Knowledge --- -Performing arts --- -Engelse literatuur: toneel; drama--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 820-2 "17/18" Engelse literatuur: toneel; drama--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- -Woman (Christian theology) in literature --- English literature --- History and criticism&delete& --- Theory, etc --- Coleridge, Samuel Taylor, --- Schiller, Friedrich, --- Coleridge, S. T. --- Kolʹridzh, Samuil, --- Кольридж, Самуил, --- Kolʹridzh, Samuil Teĭlor, --- Кольридж, Самуил Тейлор, --- Kūlīridzh, Ṣāmwīl Tīlūr, --- קולרידג׳, סמיואל טיילור --- Kūlīridj, Ṣāmwīl Tīlūr, --- كولردج، صمويل تيلور, --- קאָלרידש, ס. ט., --- Dramatic works. --- Performing arts. --- Performing arts --- 19th century --- Theory, etc. --- Arts and Humanities --- Literature --- Nationalism in literature. --- Sex role in literature. --- Women in literature. --- Romanticism.
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