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It was through Staël's best-seller De l'Allemagne that the term 'Romanticism', coined in Germany, reached Europe and America. Around this term, Staël built a new and universal agenda: her manifesto offered Napoleon's Europe an alternative to everything he stood for. The new universe she revealed helped to bury the neo-Classical world and to shape the nineteenth century. In this important work, Dr Isbell reasserts Staël's place in history and analyses her vast agenda, which covers every Classical and Romantic divide in art, philosophy, religion, and society from 1789 to 1815. This investigation sheds light upon the two different revolutions that created modern Europe, seen here by a leader of both.

Comparative literature --- Thematology --- French literature --- Staël-Holstein-Necker, de, A.L. Germaine --- Germany --- Romanticism --- Germany in literature --- de Staël, Madame, Necker, Germaine, baronne de Staël-Holstein (1766-1817) --- "De l'Allemagne" --- Romantisme --- --Europe --- --German influences --- 2353 --- 5241 --- Stael --- Knowledge --- Staël, de, Germaine --- De l'Allemagne --- --Romantisme --- Arts and Humanities --- Literature --- Romanticism - France --- French literature - German influences --- Romanticism - Europe --- Stael - Knowledge - Germany --- Europe --- German influences. --- Staël, --- Germany. --- In literature. --- Staël --- de Staël, Germaine --- de Staël, --- Madame de Staël --- De Staël, --- Holstein, Anne-Louise-Germaine Necker, --- Necker, Anne-Louise-Germaine, --- Necker, Germaine, --- Staël, Anne-Louise-Germaine Necker, --- Staël, Germaine de, --- Staël-Holstein, Anna-Louise-Germaine Necker, --- Staël-Holstein, Anne-Louise-Germaine Necker, --- Stalʹ, Zhermena de, --- Стаэль Голстеинъ,

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The setting is 1920s Berlin, cultural heart of Europe and the era's only serious cinematic rival to Hollywood. In his engaging study, Thomas Saunders explores an outstanding example of one of the most important cultural developments of this century: global Americanization through the motion picture. The invasion of Germany by American films, which began in 1921 with overlapping waves of sensationalist serials, slapstick shorts, society pictures, and historical epics, initiated a decade of cultural collision and accommodation. On the one hand it fueled an impassioned debate about the properties of cinema and the specter of wholesale Americanization. On the other hand it spawned unprecedented levels of cooperation and exchange. In Berlin, American motion pictures not only entertained all social classes and film tastes but also served as a vehicle for American values and a source of sharp economic competition. Hollywood in Berlin correlates the changing forms of Hollywood's contributions to Weimar culture and the discourses that framed and interpreted them, restoring historical contours to a leading aspect of cultural interchange in this century. At the same time, the book successfully embeds Weimar cinema in its contemporary international setting.

Film --- anno 1920-1929 --- Germany --- United States --- Motion pictures --- Motion pictures, American --- Motion pictures, German --- National characteristics, American, in motion pictures --- National characteristics, German, in motion pictures --- Cinéma --- Films américains --- Films allemands --- Caractéristiques nationales américaines dans le cinéma --- Caractéristiques nationales allemandes dans le cinéma --- History --- Influence --- Histoire --- National characteristics, American, in motion pictures. --- National characteristics, German, in motion pictures. --- Music, Dance, Drama & Film --- History. --- Influence. --- Cinéma --- Films américains --- Caractéristiques nationales américaines dans le cinéma --- Caractéristiques nationales allemandes dans le cinéma --- German motion pictures --- American motion pictures --- Moving-pictures, American --- Foreign films --- United States of America --- American influences --- Foreign influences. --- German influences. --- American influences.