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Gonne, Maud --- Yeats, William Butler

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Classical literature --- History and criticism --- Yeats, W. B. --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Ĭeĭts, U. B. --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeats, William Butler, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Knowledge --- Literature. --- Yeats, William Butler --- Civilization [Classical ] --- Йейтс, У. Б. --- Йейтс, Уильям Батлер,

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European literature --- -Literature, Comparative --- -Romanticism --- -Poetics --- -Poetry --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Comparative literature --- Literature, Comparative --- Philology --- History and criticism --- English and Polish --- Polish and English --- History --- -Technique --- Wierzynski, Kazimierz --- Yeats, W. B. --- Poetics --- Romanticism --- English and Polish. --- Polish and English. --- History and criticism. --- -History and criticism --- -Wierzynski, Kazimierz --- -Pseudo-romanticism --- Poetry --- Technique --- Wierzyński, Kazimierz, --- Yeats (william butler), 1865-1939 --- Critique et interpretation

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While W.B. Yeats' occultism has long been acknowledged, Surette is the first to show that Ezra Pound's early intimacy with Yeats was based largely on a shared interest in the occult, and that Pound's The Cantos is a deeply occult work. Surette argues that Pound's editing of T.S. Eliot's The Waste Land was not motivated primarily by stylistic concerns, as has generally been contended by the New Critics, but by thematic considerations. In fact, it was precisely because Eliot knew Pound to be well informed about the occult that he asked for Pound's assistance with The Waste Land.

Esoteric sciences --- Pound, Ezra --- Yeats, William B. --- Eliot, T.S. --- Yeats, William Butler --- Modernism (Literature) --- European literature --- Theosophy in literature. --- Occultism in literature. --- History and criticism. --- Pound, Ezra, --- Eliot, T. S. --- Yeats, W. B. --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Eliot, Thomas Stearns --- Pound, Ezra Loomis, --- Atheling, William, --- Bawnd, Izrā, --- Paount, Ezra, --- Pʻaundŭ, Ejŭra, --- Pavnd, Ezra, --- E. P. --- P., E. --- T. J. V., --- V., T. J., --- Pangde, --- Poet of Titchfield Street, --- Criticism and interpretation. --- Ai-lüeh-tʻe, --- Īliyūt, T. S., --- Elliŏtʻŭ, --- Eliot, Thōmas S., --- Eliot, Th. S., --- Eliot, Thomas Stern, --- Elyoṭ, T. S., --- Ėliot, Tomas Stirns, --- אליוט ט.ס --- אליוט, ת. ס. --- Pound, Ezra Loomis --- Atheling, William --- Bawnd, Izrā --- Paount, Ezra --- Pʻaundŭ, Ejŭra --- Pavnd, Ezra --- T. J. V. --- V., T. J. --- Pangde --- Poet of Titchfield Street