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1992 (3)

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Art in the age of Aquarius, 1955-1970
Authors: ---
ISBN: 0874748682 9780874748680 0874748690 9780874748697 Year: 1992 Publisher: Washington Smithsonian Institution Press

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Abstract

"A pair of socks is no less suitable to make a painting with than wood, nails, turpentine, oil and fabric," stated artist Robert Rauschenberg at the beginning of the 1960s. A decade marked by extraordinary upheaval, the 1960s spurred an artistic climate at once ebullient, fragmented, and fascinating. Written by a leading art world figure who was instrumental in introducing the artists of this era to the public, Art in the Age of Aquarius, 1955-1970, both reexamines and pins down the many movements of the modern art explosion of the time: color field painting, assemblages, happenings, op and pop art, minimal art, big sculpture, earthworks, the disembodied idea, art as adversary politics, and photorealism. In a lively, thoroughly accessible style, critic William C. Seitz, in the last work begun before his death in 1974, traces the antecedents of sixties innovations and locates the chronological and theoretical turning point away from abstract expressionism and action painting that occurred in the mid-1950s. He then chronicles the rise of each new artistic innovation, clearly delineating the leading figures and placing their work in the context of the New York and international art scenes. Seitz profiles a number of the principal artists in the decade (among them Jasper Johns, Ellsworth Kelly, Wayne Thiebaud, Claes Oldenburg, George Segal, Roy Lichtenstein, and Frank Stella) and represents these and more than two dozen others through their artworks. A timeline of the era reveals the whirlwind of forces - political, popular, and random - that affected the creation of sixties art. Capturing contradictory ideas, attitudes, and events of the "Now" decade, Seitz stresses that one of its few constants was change. Beautifully illustrated, Art in the Age of Aquarius presents a master's assessment of a decade still reverberating into the present.


Book
The Italian presence in American art, 1860-1920
Author:
ISBN: 058519534X Year: 1992 Publisher: New York : Fordham University Press ; Roma : Istituo della enciclopedia italian,

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"Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source." "Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse."--Jacket


Book
Pop Art
Author:
ISBN: 3822806102 Year: 1992 Publisher: Keulen Taschen Verlag

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Abstract

Arman ; Artschwager, Richard ; Barker, Clive ; Bengston, Billy Al ; Blake, Peter ; Boshier, Derek ; Caulfield, Patrick ; Christo ; D'Arcangelo, Allan ; Dine, Jim ; Errò ; Fahlström, Öyvind ; Goode, Joe ; Grooms, Red ; Hains, Raymond ; Hamilton, Richard ; Hockney, David ; Indiana, Robert ; Johns, Jasper ; Johnson, Ray ; Jones, Allen ; Kanovitz, Howard ; Kienholz, Edward ; Kitaj, R.B. ; Lichtenstein, Roy ; Lindner, Richard ; Marisol ; Oldenburg, Claes ; Paolozzi, Eduardo ; Phillips, Peter ; Ramos, Mel ; Rauschenberg, Robert ; Richter, Gerhard ; Rivers, Larry ; Rosenquist, James ; Ruscha, Edward ; Segal, George ; Smith, Richard ; Thiebaud, Wayne ; Tilson, Joe ; Vostell, Wolf ; Warhol, Andy ; Wesselmann, Tom ; Westermann, Horace Clifford

Keywords

Europa --- Groot-Brittannië --- Amerika --- History --- Art --- art history --- art [fine art] --- Pop [fine arts styles] --- Art styles --- Johnson, Ray --- Johns, Jasper --- Artschwager, Richard --- Blake, Peter Thomas --- Boshier, Derek --- Vostell, Wolf --- Warhol, Andy --- Wesselmann, Tom --- Christo --- Fahlstrom, Öyvind --- Segal, George --- Lindner, Richard --- Oldenburg, Claes --- Ramos, Mel --- Rivers, Larry --- Paolozzi, Eduardo --- Indiana, Robert --- Marisol --- Rauschenberg, Robert --- Rosenquist, James --- Kitaj, Ronald B. --- Dine, Jim --- Thiebaud, Wayne --- Phillips, Peter --- Arman --- Arcangelo, d', Allan --- Caulfield, Patrick --- Lichtenstein, Roy --- Kienholz, Edward --- Barker, Clive --- Hains, Raymond --- Tilson, Joe --- Hockney, David --- Bengston, Billy Al --- Hamilton, Richard --- Jones, Allen --- Gudmundsson, Sigurdur --- Kanovitz, Howard --- Goode, Joe --- Richter, Gerhard --- Smith, Richard --- Ruscha, Ed --- Grooms, Red --- Westermann, Horace Clifford --- anno 1900-1999 --- anno 1960-1969 --- anno 1950-1959 --- pop-art --- kunst --- Popart --- Schilderkunst --- Tekenkunst --- Kunsten --- 20e eeuw --- Vormgeving --- Art, American --- Pop art --- 750.8 --- Blake, Peter --- Pop-art --- pop art --- 705.8 --- 75.038 --- kunst 20e eeuw --- kunstgeschiedenis --- schilderkunst --- 7.038 --- Pop-Art ; naslagwerken --- Precisionism --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- schilderkunst - abstracte kunst na 1945 --- Kunstgeschiedenis ; 1950 - 2000 --- Influence --- Kunst --- China --- art [discipline]

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