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In Subjects of Slavery, Agents of Change Kari J. Winter compares the ways in which two marginalized genres of women's writing - female Gothic novels and slave narratives - represent the oppression of women and their resistance to oppression. Analyzing the historical contexts in which Gothic novels and slave narratives were written, Winter shows that both types of writing expose the sexual politics at the heart of patriarchal culture and both represent the terrifying aspects of life for women. Female Gothic novelists such as Emily and Charlotte Bronte, Ann Radcliffe, and Mary Shelley uncover the terror of the familiar - the routine brutality and injustice of the patriarchal family and of conventional religion, as well as the intersecting oppressions of gender and class. They represent the world as, in Mary Wollstonecraft's words, "a vast prison" in which women are "born slaves." Writing during the same period, Harriet Jacobs, Nancy Prince, and other former slaves in the United States expose the "all-pervading corruption" of southern slavery. Their narratives combine strident attacks on the patriarchal order with criticism of white women's own racism and classism. These texts challenge white women to repudiate their complicity in a racist culture and to join their black sisters in a war against the "peculiar institution." Winter explores as well the ways that Gothic heroines and slave women resisted subjugation. Moments of escape from the horrors of patriarchal domination provide the protagonists with essential periods of respite from pain. Because this escape is never more than temporary, however, both types of narrative conclude tensely. The novelists refuse to affirm either hope or despair, thereby calling into question conventional endings of marriage or death. And although slave narratives were typically framed by white-authored texts, containment of the black voice did not diminish the inherent revolutionary conclusion of antislavery writing. According to Win ter, both Gothic novels and slave narratives suggest that although women are victims and mediators of the dominant order they also can become agents of historical change.
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Domestic fiction, American --- American fiction --- African American women --- Politics and literature --- Women and literature --- African American women in literature. --- Heroines in literature. --- Marriage in literature. --- Desire in literature. --- Allegory. --- History and criticism. --- African American authors --- Women authors --- Intellectual life. --- African American women in literature --- Afro-Amerikaanse vrouwen in de literatuur --- Allegorie --- Allegory --- Allégorie --- Begeerte in de literatuur --- Desire in literature --- Désir dans la littérature --- Femmes afro-américaines dans la littérature --- Heldinnen in de literatuur --- Heroines in literature --- Huwelijk in de literatuur --- Héroïnes dans la littérature --- Mariage dans la littérature --- Marriage in literature --- Fiction --- Thematology --- American literature --- Literature --- Literature and politics --- Heroines --- Personification in literature --- Symbolism in literature --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Afro-American women in literature --- Intellectual life --- African American authors&delete& --- History and criticism --- Women authors&delete& --- Political aspects --- Domestic fiction [American ] --- United States --- Hopkins, Pauline Elizabeth --- Criticism and interpretation --- Harper, Frances Ellen Watkins --- Grimké, Angelina Weld --- Jacobs, Harriet Ann --- Kelley, Emma Dunham --- Johnson, Amelia E. --- Tillman, Katherine Davis Chapman --- Littérature américaine --- Histoire et critique --- Littérature américaine
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