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The essays collected in this volume focus on the interrelated themes of mimesis, semiosis and power, each study exploring some facet of the problem of representation and its relation to strategies of power in the use of verbal and visual signs. Topics discussed include mimesis and power in Plato's Ion, rhetoric and erotics in Petrarch's thought; the limits of visual and verbal representation in Renaissance paintings of the Annunciation; binary thought and Peirce's triadic semiotics; the cinematic semiotics of Gilles Deleuze; fascist iconography in the paintings of Anselm Kiefer; oppositional s
Mimesis in literature. --- Representation (Literature) --- Imitation in literature --- Realism in literature
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Mimesis in the Bible --- Power (Social sciences) --- Bible. --- Criticism, interpretation, etc.
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Art styles --- Aesthetics of art --- anno 1900-1999 --- Aesthetics. --- Avant-garde (Aesthetics) --- Mimesis in art. --- Avant-garde (Aesthetics).
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English literature --- Thematology --- anno 1800-1899 --- English fiction --- -History in literature --- Realism in literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- History and criticism --- History in literature
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Qu'est-ce qu'un événement ? La question peut paraître incongrue, tant la notion commune d'événement va de soi. Elle ne cesse pourtant de se poser aux philosophes comme aux praticiens des sciences sociales. Elle soulève aujourd'hui des problèmes plus radicaux, peut-être, que ne le faisait, voici une génération, la réflexion sur la place respective des événements et des structures dans l'explication historique. Ces problèmes concernent le concept même d'événement, sa différence avec l'occurrence et le fait, son lien avec le langage, mais aussi son rôle dans l'élucidation de questions de théorie sémantique et d'analyse de l'action. Leur examen s'organise selon trois directions majeures : qu'est-ce qui assure l'individualité d'un événement ? comment décrire la dialectique de l'événement et du sens ? en quels termes peut-on rendre compte de la « construction » des événements sociaux ? En multipliant les éclairages sur ces thèmes, le présent volume esquisse un tableau inédit des problèmes qui surgissent lorsqu'on tente d'expliciter et de soumettre à la critique les présupposés ontologiques et épistémologiques attachés à la notion commune d'événement.
Events (Philosophy) --- Evénement (Philosophie) --- Evenement --- #SBIB:316.22H30 --- Opvattingen omtrent het dialectiek-begrip in de sociologie --- Événement --- Sciences sociales --- Discours (linguistique) --- Philosophie de l'action --- Méthodologie --- Evénement (Philosophie) --- Événement. --- Philosophie de l'action. --- Méthodologie. --- Language & Linguistics --- Social Sciences, Interdisciplinary --- Sociology --- langage --- événement --- fait --- mimesis --- naturalisme
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""The only excellence of falsehood... is its resemblance to truth,"" proclaims a clergyman in Charlotte Lennox's The Female Quixote. He argues that romances are bad art; novels, he implies, are better. This clergyman's remarks -- repeating what literary and moral authorities had been saying since the late seventeenth century -- are central to Deborah Ross's discussion of romance characteristics in English women's novels. Aphra Behn, Delariviere Manley, Eliza Haywood, Charlotte Lennox, Fanny Burney, Ann Radcliffe, and Jane Austen did not take the clergyman's advice to heart. To them, the ""false
English fiction --- Literary form. --- Realism in literature. --- Romanticism --- Women and literature --- Women authors --- History and criticism. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature
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From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of ""crimes of writing""--the forgeries of George Psalmanazar, the production of ""fakelore,"" the ""ballad scandals"" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography.
Law and literature. --- Literary forgeries and mystifications. --- Mimesis in literature. --- Ut pictura poesis (Aesthetics). --- Ut pictura poesis (Aesthetics) --- Literature and law --- Literature --- Aesthetics --- Art and literature --- Humanism in art --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Frauds, Literary --- Literary frauds --- Literary hoaxes --- Literary mystifications --- Mystifications, Literary --- Authorship --- Errors and blunders, Literary --- Forgery --- Hoaxes --- Literary curiosa --- Anonyms and pseudonyms --- Imaginary books and libraries --- Pasticcio
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Caractères litteraires --- Caractères littéraires --- Character sketches--History and criticism --- Characterization (Literature) --- Characters [Literary ] --- Characters and characteristics in literature --- Karakterisering (Literatuur) --- Karakters [Literaire ] --- Karakters in de literatuur --- Karakterschetsen in de literatuur --- Literaire karakters --- Literaire portretten --- Literary characters --- Literary portraits --- Littérature--Personnages --- Narration (Rhetoric) --- Narration (Rhétorique) --- Narrative writing --- Personages in de literatuur --- Personnages (littérature) --- Personnages littéraires --- Portraits [Literary ] --- Portraits littéraires --- Portretten [Literaire ] --- Types littéraires --- Verhaal (Retoriek) --- Mimesis in literature --- Fiction --- 82-3 --- Characters and characteristics in literature. --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Character sketches --- Portraits, Literary --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Proza. Fictie. Narratologie --- Philosophy --- History and criticism --- Fiction. --- Mimesis in literature. --- 82-3 Proza. Fictie. Narratologie --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Fictions, theorie des
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Criticism --- Italian fiction --- Realism in literature --- Verism (Italian literature) --- Réalisme dans la littérature --- History --- Congresses --- History and criticism --- Congrès --- Verismo (Italian literature) --- -Criticism --- -Realism in literature --- Italian literature --- Naturalism in literature --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Style, Literary --- -History and criticism --- Appraisal --- Technique --- Evaluation --- -Italian fiction --- Réalisme dans la littérature --- Congresses. --- Congrès --- Verisme --- Histoire litteraire --- Vie litteraire --- Italie
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Philosophy of science --- Science --- Realism --- Naturalism --- Truth --- Knowledge, Theory of --- Sciences --- Réalisme --- Naturalisme --- Vérité --- Théorie de la connaissance --- Philosophy --- Philosophie --- 165.82 --- 167 --- Literature and science --- Naturalism in literature --- Realism in literature --- #GROL:SEMI-165 --- #GGSB: Filosofie --- Neorealism (Literature) --- Magic realism (Literature) --- Mimesis in literature --- Poetry and science --- Science and literature --- Science and poetry --- Science and the humanities --- Realisme. Fenomenalisme --- Wetenschappelijk onderzoek: methodologie; onderzoeksmethoden --- Literature and science. --- Naturalism in literature. --- Realism in literature. --- 167 Wetenschappelijk onderzoek: methodologie; onderzoeksmethoden --- 165.82 Realisme. Fenomenalisme --- Réalisme --- Vérité --- Théorie de la connaissance --- Filosofie
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