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History as a science --- History of civilization --- History of the Netherlands --- fin de siècle
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fin de siècle --- tekeningen --- pastels --- prenten --- Ensor, James --- Maréchal, François --- Delville, Jean --- 1885 - 1905 --- 19de eeuw --- 20ste eeuw --- België
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levenseinde (einde van het leven, levenseindebeslissing) --- euthanasie (hulp bij zelfdoding) --- recht op waardig sterven --- terminaal zieke (terminale patiënt) --- fin de vie (décision de fin de vie) --- euthanasie (suicide médicalement assistée) --- droit de mourir dans la dignité --- malade terminal (patient terminal) --- Droit a la mort --- Euthanasie
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tekeningen --- pastels --- prenten --- fin de siècle --- verzameling Louis Wittamer-De Camps (Brussel) --- Combaz, Gisbert --- Wittamer-De Camps, Louis --- Privat Livemont, Georges --- Jo, Leo --- 1895 - 1905 --- 19de eeuw --- 20ste eeuw --- België
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396 --- 316.371 --- 82.015.58 --- 930.85.59 --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- Gender --- Literaire stromingen: symbolisme --- Cultuurgeschiedenis: Fin de siècle --- English literature --- Sex in literature. --- American literature --- Decadence (Literary movement) --- Homosexuality and literature --- Feminism and literature --- History and criticism. --- 930.85.59 Cultuurgeschiedenis: Fin de siècle --- 82.015.58 Literaire stromingen: symbolisme --- 316.371 Gender --- 396 Feminisme. Vrouwenbeweging. Vrouw en maatschappij --- History and criticism
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Metafoor --- Metaphor --- Métaphore --- Parabole --- Crane, Stephen, --- Criticism and interpretation --- Critique et interprétation --- Short story. --- Metaphor. --- Literary style. --- Short story --- Crane, Stephen --- Literary style --- 82.085 --- 82.085.41 --- Short stories --- Story, Short --- Authorship --- Fiction --- Figures of speech --- Reification --- Retorica. Argumentatieleer. Voordrachtkunst --- Literaire metafoor. Beeldspraak --- History and criticism --- -קריין, סטיבן --- -Literary style --- 82.085.41 Literaire metafoor. Beeldspraak --- 82.085 Retorica. Argumentatieleer. Voordrachtkunst --- Métaphore --- Critique et interprétation --- Smith, Johnston, --- קריין, סטיבן, --- Style [Literary ] --- Karīn, Sitīfin, --- Krayn, Sitīfin, --- کرين، ستيفن --- Criticism and interpretation. --- Crane, Stephen - Literary style --- Crane (stephen), journaliste, poete et romancier americain, 1871-1900 --- Metaphore --- Critique et interpretation
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Arts, French --- Arts français --- Revue blanche --- France --- Intellectual life --- Vie intellectuelle --- La Revue Blanche (1889-1903) --- avant-garde --- 1889 - 1903 --- 19de eeuw --- 20ste eeuw --- Frankrijk --- België --- Revue blanche (Periodicals) --- Revue blanche (Périodiques) --- Revue blanche (Tijdschriften) --- Arts français --- Art [French ] --- Exhibitions --- Art [Modern ] --- 19th century --- 20th century --- Journalism --- Art --- periodicals --- art [fine art] --- artists [visual artists] --- anno 1800-1999 --- Nabis --- neo-impressionisme --- art nouveau --- fin de siècle --- Les Nabis --- Arts, French - France - Paris. --- neo-impressionisme. --- art nouveau. --- fin de siècle. --- 1889 - 1903. --- 19de eeuw. --- 20ste eeuw. --- Frankrijk. --- België. --- art [discipline]
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Composers --- Biography --- Beethoven, Ludwig van --- Beethoven, Ludwig van, --- van Beethoven, Louis --- von Beethoven, Ludwig --- Beethoven, Ludwig --- van Beethoven, Ludwig --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Composers - Austria - Biography
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The Missa Solemnis is a document of extraordinary richness from the last decades of Beethoven's creative life. In this compendious and accessible guide, William Drabkin considers the work as a musical expression of the most celebrated text of the Roman Catholic faith and as an example from a tradition of Mass settings in eighteenth and early nineteenth-century Austria. The opening chapters present various critical perspectives on the Missa Solemnis and chart the history of its composition, first performances and publication. But, above all, the work itself is considered in detail, including the overall design, connections between the movements, the orchestration, word painting and programmatic elements.
Beethoven, Ludwig van, 1770-1817. Missa solemnis. --- Beethoven, Ludwig van, --- 526.30 --- Genre- en werkbesprekingen --- van Beethoven, Ludwig --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Muziekanalyses --- Muziekgeschiedenis --- Missen --- Beethoven, Ludwig van (1770-1827) --- 19e eeuw --- Oostenrijk --- Klassieke muziek --- Analyses
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Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Simon, Claude --- -Beethoven, Ludwig van --- -Simon, Klōnt --- Simon, Klod --- Simon, Cloude --- Technique --- Criticism and interpretation --- -Technique --- Beethoven, Ludwig van, --- Bītʹhūfin, --- Beethoven, L. van --- Van Beethoven, Ludwig, --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Congresses. --- van Beethoven, Louis --- von Beethoven, Ludwig --- Beethoven, Ludwig --- Beethoven, Ludwig van --- van Beethoven, Ludwig
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