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Silent films --- History and criticism --- Silent cinema films, history
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Silent films --- United States --- History and criticism --- Motion pictures --- United States --- History --- Motion picture industry --- United States --- History
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Film --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- United States --- Silent films --- Social problems in motion pictures --- Films muets --- Problèmes sociaux au cinéma --- History and criticism --- Histoire et critique --- Problèmes sociaux au cinéma --- United States of America
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791.43 --- Motion picture industry --- -Motion pictures --- -Silent films --- -#SBIB:309H1320 --- #SBIB:309H1313 --- Moving pictures, Silent --- Silent motion pictures --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Filmkunst. Films. Cinema --- History --- History and criticism --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Silent films --- History. --- History and criticism. --- 791.43 Filmkunst. Films. Cinema --- #SBIB:309H1320 --- United States --- Music, Dance, Drama & Film --- Film --- Cinéma --- Films muets. --- Industrie du cinéma. --- Histoire
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Animated films --- Silent films --- 791.46 --- animatie --- film --- naslagwerk --- stille film --- tekenfilm --- twintigste eeuw --- Verenigde Staten --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Moving pictures, Silent --- Silent motion pictures --- Drawing --- Film --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- United States --- United States of America
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Motion picture industry --- Motion pictures --- Cinéma --- History --- Industrie --- Histoire --- 791.43 --- -Motion pictures --- -#SBIB:309H1313 --- #SBIB:309H1320 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Filmkunst. Films. Cinema --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- History and criticism --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- Silent films --- #SBIB:309H1313 --- United States --- Music, Dance, Drama & Film --- Film --- Films muets. --- Industrie du cinéma. --- Origines.
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The entrepreneur of phonograph concerts and motion-picture programs Lyman H. Howe was the leading traveling exhibitor of his time and the exemplar of an important but until now little examined aspect of American popular culture. This work, with its numerous and lively illustrations, uses his career to explore the world of itinerant showmen, who exhibited all motion pictures seen outside large cities during the 1890s and early 1900s. They frequently built cultural alliances with genteel city dwellers or conservative churchgoers and in later years favored "high-class" topics appealing to audiences uncomfortable with the plebeian nickelodeons. Bridging the fields of American studies and film history, the book reveals the remarkable sophistication with which exhibitors created their elaborate, evening-length programs to convey powerful ideological messages. Whether depicting the Spanish-American War, the 1900 Paris Exposition, or British colonialism in action, Howe's "cinema of reassurance" had many parallels with the music of John Philip Sousa.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Howe, Lyman H., --- Moving pictures, Silent --- Silent motion pictures --- Howe, Lyman H. --- Motion picture industry --- Motion picture producers and directors --- Motion pictures --- Popular culture --- Silent films --- #SBIB:309H1312 --- #SBIB:309H1313 --- 791.43 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- Biography --- Marketing&delete& --- History and criticism --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Cinéma --- Producteurs et réalisateurs de cinéma --- Films muets --- Marketing --- Industrie --- Histoire --- Biographies --- United States --- Etats-Unis --- Culture populaire --- History. --- History and criticism. --- Biography.
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Motion picture industry --- Motion pictures --- Silent films --- Cinéma --- Films muets --- History --- History and criticism --- Industrie --- Histoire --- Histoire et critique --- #SBIB:309H523 --- Thomas Elsaesser --- filmklassiekers --- 791.43 ELSA --- -Motion pictures --- -Film industry (Motion pictures) --- Moving pictures, Silent --- Silent motion pictures --- Audiovisuele communicatie: verhaalanalyse --- -Filmologie. Filmtheorie. Esthetica van de film --- -791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Ed.by Thomas Elsaesser with Adam Barker --- Méliès Georges --- Porter Edwin S. --- narratieve modellen --- #SBIB:309H1326 --- film --- filmgeschiedenis --- Lang Fritz --- 791.43.01 --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Film --- anno 1900-1909 --- 791.43 --- CDL --- dramaturgie --- filmindustrie --- Griffith David Wark --- Lumière Auguste --- Lumière Louis --- narratologie --- Porter Edwin S --- History. --- History and criticism.
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