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Motion pictures --- Cinéma --- Dictionaries --- French --- Dictionnaires français --- Catalogs --- 791.43 --- Filmkunst. Films. Cinema --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- Dictionnaires français --- Catalogs, Film --- Film catalogs --- Filmography --- French. --- Motion pictures - Catalogs
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Film --- Semiotics --- 82:791.43 --- #SBIB:309H523 --- #SBIB:309H524 --- film --- filmgeschiedenis --- filmtheorie --- filmtechniek --- 791.43 BURCH --- 791.43 --- Motion pictures --- -Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Literatuur en film --- Audiovisuele communicatie: verhaalanalyse --- Audiovisuele communicatie: semiotiek --- Filmkunst. Films. Cinema --- History --- History and criticism --- History. --- Semiotics. --- -Literatuur en film --- 791.43 Filmkunst. Films. Cinema --- 82:791.43 Literatuur en film --- -791.43 Filmkunst. Films. Cinema --- Cinema --- LANGAGE CINEMATOGRAPHIQUE --- ORIGINES
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Film --- Scandinavia and Iceland --- Motion pictures --- Cinéma --- Histoire du cinéma --- Histoire --- 20e siècle --- Scandinavie --- 791.43 --- film --- negentiende eeuw --- twintigste eeuw --- Denemarken --- Finland --- Ijsland --- Noorwegen --- Zweden --- Filmkunst. Films. Cinema --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- filmgeschiedenis --- Cinéma - Scandinavie - Histoire --- Cinéma - Scandinavie - Bibliographie --- Motion pictures - Scandinavia --- Cinema --- Cinema suedois --- Pays nordiques
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Homoseksualiteit in de film --- Homosexuality in motion pictures --- Homosexualité dans le cinéma --- 791.43-1 --- #SBIB:309H1326 --- Motion pictures --- Filmkunst. Films. Cinema--?-1 --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Homosexuality in motion pictures.
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791.43 --- Motion pictures --- -Popular culture --- #SBIB:309H525 --- #SBIB:309H1321 --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filmkunst. Films. Cinema --- Moral and ethical aspects --- Sociologie van de audiovisuele boodschap --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- History and criticism --- 791.43 Filmkunst. Films. Cinema --- Popular culture
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791.43 --- #SBIB:309H1320 --- #SBIB:309H1329 --- Filmkunst. Films. Cinema --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Films met een informatieve functie (met inbegrip van de documentaire film) --- 791.43 Filmkunst. Films. Cinema
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-Silent films --- Moving pictures, Silent --- Silent motion pictures --- Motion picture industry --- Motion pictures --- Silent films --- #SBIB:309H1320 --- 791.43 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- History --- History and criticism --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- United States --- Music, Dance, Drama & Film --- Film --- Cinéma --- Films muets. --- Industrie du cinéma. --- Histoire
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The major Italian filmmaker Pier Paolo Pasolini was also a poet, novelist, essayist, and iconoclastic political commentator. Naomi Greene reveals to English-speaking readers the diverse talents that made him one of the most controversial European intellectuals of the postwar era, at the center of political and cultural debates still vital to our time. Greene presents Pasolini's films to the English-speaking world in full detail and in a rich critical context, using them to trace the evolution of his ideas and the details of his troubled personal life from 1950, when he settled in Rome, to 1975, the year of his brutal murder, apparently at the hands of a young male prostitute. "In her concise and sympathetic book, Greene intelligently explicates the political and social context within which Pasolini became both a leading figure and a significant heretic. He was an atheist who directed one of the few genuinely profound biblical films in the cinema, a communist who severely criticized many of the radical movements of modern Italy. Though he publicly acknowledged his homosexuality, he privately referred to it as his "sickness." As the book well documents, Pasolini was not a rebel but rather an authentic heretic who worked in contradiction to both his medium and milieu."--Choice.
Pasolini, Pier Paolo --- film --- filmgeschiedenis --- filmregisseurs --- twintigste eeuw --- Italië --- Pasolini Pier Paolo --- 791.471 PASOLINI --- CPP --- Pasolini, Pier Paolo, --- Criticism and interpretation. --- Cinema films --- Directing (Arts) --- Italy --- Cinema --- Films (Motion pictures) --- Criticism and interpretation --- Pasolini, Pier Paolo, 1922-1975 - Criticism and interpretation. --- 791.44.071.1 --- 791.43 --- #SBIB:309H1323 --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- 791.44.071.1 Filmregisseurs. Cineasten. Filmproducers --- Filmregisseurs. Cineasten. Filmproducers --- Films met een amusementsfunctie en/of esthetische functie: auteurs
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Steve Neale and Frank Krutnik take as their starting point the remarkable diversity of comedy's forms and modes - feature-length narratives, sketches and shorts, sit-com and variety, slapstick and romance. Relating this diversity to the variety of comedy's basic conventions - from happy endings to the presence of gags and the involvement of humour and laughter - they seek both to explain the nature of these forms and conventions and to relate them to their institutional contexts. They propose that all forms and modes of the comic involve deviations from aesthetic and cultural conventions and n
791.43-1 --- Comedy films --- Comic, The --- Television comedies --- #SBIB:309H1326 --- Comedies, Television --- Comedy programs --- Comedy programs, Television --- Comedy television programs --- Television comedy programs --- Television programs --- Ludicrous, The --- Ridiculous, The --- Comedy --- Wit and humor --- 791.43-1 Filmkunst. Films. Cinema--?-1 --- Filmkunst. Films. Cinema--?-1 --- History and criticism. --- History. --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Comic, The. --- History and criticism --- History --- CDL --- 791.43
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Film --- Belgium --- Motion pictures --- Cinéma --- Dictionaries --- French --- Dictionnaires français --- 791.43 --- #SBIB:309H1300 --- #SBIB:309H1313 --- sous la direction de Guy Jungblut, Patrick Leboutte, Dominique Païni ; avec la collaboration de Michel Amarger, Jacques Aumont, Herman Asselberghs [et al.] --- film --- filmgeschiedenis --- twintigste eeuw --- België --- naslagwerk --- kunst --- experimentele film --- 791.4309493 --- Filmkunst. Films. Cinema --- Filmwezen: algemene werken --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Arts Motion pictures Belgium --- 791.43 Filmkunst. Films. Cinema --- Cinéma --- Dictionnaires français --- French. --- 780 --- Belgique cinéma --- dans, toneel, film --- danse, théâtre, cinéma --- Cinema belge --- Belgique
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