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1990 (17)

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Collected black women's narratives
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ISBN: 0195052609 Year: 1990 Publisher: New York (N.Y.): Oxford university press

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Their eyes were watching God /.
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ISBN: 0060916508 Year: 1990 Publisher: New York Harper & Row

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Render me my song: african-american women writers from Slavery to the present
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ISBN: 031205288X 9780312052881 Year: 1990 Publisher: [Lieu de publication inconnu]: [éditeur inconnu],

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Silvia Dubois, a biografy of The slav who whipt her mistres and gand her fredom
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ISBN: 0195052390 Year: 1990 Publisher: New York (N.Y.): Oxford university press

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Wines in the wilderness : plays by African American women from the Harlem renaissance to the present
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ISBN: 0275935671 Year: 1990 Publisher: New York, NY : Praeger,

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Black women in America : social science perspectives
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ISBN: 0226502961 Year: 1990 Publisher: Chicago : The University Of Chicago Press,

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Three classic African-American novels
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ISBN: 0451627881 Year: 1990 Publisher: Harmondsworth Penguin books

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The Sound and the Fury
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ISBN: 0679732241 Year: 1990 Publisher: New York Vintage International

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Changing our own words : essays on criticism, theory, and writing by Black women
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ISBN: 0813514630 Year: 1990 Publisher: New Brunswick London Rutgers University Press

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New essays on Their eyes were watching God
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ISBN: 0521387752 0521383781 0511570341 9780511570346 Year: 1990 Volume: *12 Publisher: Cambridge : Cambridge University Press,

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Abstract

After decades of relegation to the margins of American literary history, Zora Neale Hurston's Their Eyes Were Watching God has recently been rediscovered by American literary and cultural scholars who have begun to explore the novel's thematic, ideological, and aesthetic complexity. In the introduction to this volume Michael Awkward provides an overview of the critical reception of Hurston's novel, from the largely dismissive reviews accompanying the novel's publication in 1937, to factors which helped revive interest in Hurston in the 1960s, to its recent establishment as a central American novel. The other essays in the volume discuss Hurston's sophisticated use of black folklore, the autobiographical resonances in the novel, Hurston's definition of the relationship between black artists and the Afro-American masses, and the usefulness of feminist modes of inquiry. This collection offers fresh insight for approaching Hurston's compelling exploration of a black woman's extended search for self and community.

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