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Attribution (Psychologie sociale) --- Attribution (Social psychology). --- Attribution (Social psychology) --- 303 --- 316.6 --- Cognition --- Gestalt psychology --- Social perception --- Social psychology --- 303 Methoden bij sociaalwetenschappelijk onderzoek --- Methoden bij sociaalwetenschappelijk onderzoek --- 316.6 Gedragstheorie. Sociaal gedrag. Sociale psychologie --(gedrag en zelfconcept van het individu in de groep z.o. {159.923.33}) --- Gedragstheorie. Sociaal gedrag. Sociale psychologie --(gedrag en zelfconcept van het individu in de groep z.o. {159.923.33})

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Aesthetics of art --- Art --- Historiography --- History --- Themes, motives --- Historiographie --- Histoire --- Thèmes, motifs --- Historiography. --- History. --- Themes, motives. --- Thèmes, motifs --- art criticism --- iconology --- emblems [allegorical pictures] --- attribution --- Subjects --- art history --- Philosophy --- Art history --- History of art --- stijlstudie

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This collection of interviews with James Baldwin covers the period 1961-1987, from the year of the publication of Nobody Knows My Names, his fourth book, to just a few weeks before his death. It includes the last formal conversation with him.Twenty-seven interviews reprinted here come from a variety of sources--newspapers, radio, journals, and review--and show this celebrated author in all his eloquence, anger, and perception of racial, social, and literary situations in America.Over the years Baldwin proved to be an easily accessible and cooperative subject for interviews, both in the United States and abroad. He frequently referred to himself as "a kind of trans-Atlantic commuter." Whether candidly discussing his own ghetto origins, his literary mission and achievements, his role in the civil rights movement, or his views on world affairs, black and white relations, Vietnam, Christianity, and fellow writers, Baldwin was always both popular and controversial.This important collection contributes significantly to the clarification and expansion of the ideas in Baldwin's fiction, drama, essays, and poetry. It gives additional life to a stunning orator and major literary figure who considered himself a sojourner even in his own country. Yet early in his career Baldwin told Studs Terkel: "I am an American writer. This country is my subject."

Authoring (Authorship) --- Authorship --- Integration [Racial ] --- Oeuvres -- Attribution --- Paternité artistique --- Paternité littéraire --- Qualité d'auteur --- Race question --- Race relations --- Rassenverhoudingen --- Relations [Race ] --- Relations raciales --- Schrijverskwaliteit en auteurschap --- Writing (Authorship) --- African Americans --- Authors, American --- Civil rights workers --- Ecrivains américains --- Art d'écrire --- Civilization --- Interviews --- Entretiens --- Baldwin, James, --- Ecrivains américains --- Art d'écrire --- Integration, Racial --- Race problems --- Relations, Race --- Ethnology --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Civil rights activists --- Race relations reformers --- Social reformers --- Literature --- Bolduïn, Dz︠h︡eĭms, --- Baldwin, Jimmy, --- Болдуин, Джеймс, --- ボールドウィン, J., --- Bōrudouin, J., --- ボールドウィン, ジェームズ, --- Bōrudouin, Jēmuzu, --- Baldwin, James --- Authors [American ] --- 20th century --- United States --- Entretiens. --- Болдуин, Джеймс, --- Baldwin, James Arthur --- Baldwin, Jimmy --- Bolduïn, Dz︠h︡eĭms --- Bōrudouin, J. --- Bōrudouin, Jēmuzu --- Болдуин, Джеймс --- Civilization.