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Poetry --- 82-1 --- Poems --- Verses (Poetry) --- Literature --- Poëzie --- Philosophy --- 82-1 Poëzie --- Poetry.

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Poetry --- Dutch literature --- 82-1 --- #GSDBL --- #A9010 --- 634.1 Poezie --- Poëzie --- 82-1 Poëzie --- Essays --- 82-1 Poëzie. Gedichten. Versvorm --- Poëzie. Gedichten. Versvorm --- 82-1 Poetry. Poems. Verse --- Poetry. Poems. Verse

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Poetry --- Aesthetics --- Early works to 1800 --- -Poetry --- -Poems --- Verses (Poetry) --- Literature --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Proportion --- Symmetry --- Psychology --- Early works to 1800. --- -Early works to 1800 --- -Beautiful, The --- Poems --- Radio broadcasting Aesthetics --- Poetry - Early works to 1800 --- Aesthetics - Early works to 1800

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17 November 1979 You were reading a somewhat retro loveletter, the last in history. But you have not yet received it. Yes, its lack or excess of address prepares it to fall into all hands: a post card, an open letter in which the secret appears, but indecipherably. What does a post card want to say to you? On what conditions is it possible? Its destination traverses you, you no longer know who you are. At the very instant when from its address it interpellates, you, uniquely you, instead of reaching you it divides you or sets you aside, occasionally overlooks you. And you love and you do not love, it makes of you what you wish, it takes you, it leaves you, it gives you. On the other side of the card, look, a proposition is made to you, S and p, Socrates and plato. For once the former seems to write, and with his other hand he is even scratching. But what is Plato doing with his outstretched finger in his back? While you occupy yourself with turning it around in every direction, it is the picture that turns you around like a letter, in advance it deciphers you, it preoccupies space, it procures your words and gestures, all the bodies that you believe you invent in order to determine its outline. You find yourself, you, yourself, on its path. The thick support of the card, a book heavy and light, is also the specter of this scene, the analysis between Socrates and Plato, on the program of several others. Like the soothsayer, a "fortune-telling book" watches over and speculates on that-which-must-happen, on what it indeed might mean 'to happen, to arrive, to have to happen' or 'arrive, to let 'or 'to make happen 'or 'arrive, to destine, to address, to send, to legate, to inherit', etc., if it all still signifies, between here and there, the near and the far, 'da und fort', the one or the other. You situate the subject of the book: between the posts and the analytic movement, the pleasure principle and the history of telecommunications, the post card and the purloine

Philosophy. --- Poetry. --- Psychoanalysis and philosophy. --- Literature --- -Philosophy --- Poetry --- Psychoanalysis and philosophy --- Philosophy and psychoanalysis --- Philosophy --- Poems --- Verses (Poetry) --- Mental philosophy --- Humanities --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Literature and philosophy --- Philosophy and literature --- Theory

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Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Leopardi, Giacomo, --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- Aesthetics. --- Italian literature --- Leopardi, Giacomo