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Kritik als Kunst
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ISBN: 3923854374 Year: 1987 Publisher: Berlin : Alexander,

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Art criticism.


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What is CICA? Who are its members?

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Art criticism.


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Über die formelle Gesetzmässigkeit des Schmuckes und dessen Bedeutung als Kunstsymbol 1856
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ISBN: 3923854382 Year: 1987 Publisher: Berlin : Alexander,

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Art criticism.


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韓國現代美術史 : 1900 년이후한곡미술의전개.
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ISBN: 8930120040 Year: 1987 Publisher: 서울 悦話堂

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Art criticism --- Art, Korean

Artwriting
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ISBN: 0870235613 9780870235610 Year: 1987 Publisher: Amherst University of Massachusetts press

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Nineteenth-century theories of art.
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ISBN: 0520048873 Year: 1987 Publisher: Berkeley University of California press

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Rasterbild, Bildraster : Anwendung der graphischen Datenverarbeitung zur geometrischen Analyse eines Meisterwerks der Renaissance, Raffaels "Schule von Athen"
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ISBN: 038717267X 354017267X 9780387172675 9783540172673 Year: 1987 Publisher: Berlin : Springer-Verlag,

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In Memoriam Will Grohmann 1887-1968; Wegbereiter der Moderne
Year: 1987 Publisher: Stuttgart Staatsgalerie Stuttgart

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Arts plastiques : question au langage
Year: 1987 Publisher: Bruxelles Académie royale des beaux-arts de Bruxelles

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Art, beauty, and pornography : a journey through American culture
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ISBN: 0879753978 Year: 1987 Publisher: Buffalo, N.Y. Prometheus Books

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When viewing the picture of a beautiful sunset, how many of us realize that, while we admire it as a work of art, we have just taken the very first step toward pornography? And that both the beauty in the sunset and the senses that recognize such beauty are very likely to be anti-art?&#13;&#13;Making a radical departure from the conventional wisdom on art and beauty, ART, BEAUTY, AND PORNOGRAPHY presents the startling thesis that things of beauty are not only unrelated to art but often responsible for pornography. How is this possible?&#13;&#13;In this controversial work, Huer argues that beauty pleases the senses, which demand to be pleased with each new stimulation. In a society whose members put a premium on pleasurable things, it is natural that the visual medium occupies a commanding position among forms of cultural expression. In the process of competing to please the human eye, American society (the most graphic and visual civilization to date) concentrates on objects and events that please consumers and, by doing so, sell products. Much of this sense-pleasing business takes place in the name of art. But those senses pleased by what is beautiful are the same senses that receive gratification from the pornographic. Art has no place in this process.&#13;&#13;Based on these arguments, Huer makes a strong case for re-orienting the purpose of art. Drawing on historical experience in the West, he defines art as a statement about life: pain, wisdom, and happiness embodied in the life process. The artist is a teacher of life, the artwork his philosophy, and the art public the beneficiaries of his teaching. Neither beauty nor sensory pleasure, therefore, has anything to do with art.&#13;&#13;This important volume is, above all, a critique of contemporary American culture directed most especially to society's confusion about art, beauty, and pornography, and its willingness to allow business to assert dominion over artistic impulse. ART, BEAUTY, AND PORNOGRAPHY is a searing commentary on the follies of our time as well as an inspired defense of high art and the creative spirit.

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