Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Minimal surfaces --- Surfaces minimales --- 514.75 --- Differential geometry in spaces with fundamental groups --- 514.75 Differential geometry in spaces with fundamental groups --- Surfaces, Minimal --- Maxima and minima

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Marthe Wéry garde le sentiment que l'intuition joue toujours un rôle dans la création, surtout en ce qui concerne les couleurs. Elle dit fabriquer elle-même ses couleurs, à partir de pigments et de liants de composés acryliques. Elle superpose quinze à vingt couches de peinture sur ses toiles, qui leur donnent un sorte d'intensité "terreuse". Elle dit encore d'elle-même qu'elle a quelque chose d'ascétique, mais "qu'elle désire également accéder à la jouissance de la matière". C'est la raison pour laquelle son oeuvre, qui peut paraître sévère au prime abord, resplendit à mesure qu'on la contemple d'un rayonnement intense, qui n'est sans doute que l'expression d'une "jouissance" de la matière.

Art contemporain --- Art minimal --- Monochromie --- 20e siècle --- Femme artiste --- Peinture --- Wery, Marthe

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art styles --- Sculpture --- Painting --- painting [image-making] --- Minimal --- sculpting --- Kelly, Ellsworth --- anno 1900-1999 --- anno 2000-2099

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art styles --- Sculpture --- Minimal --- sculpting --- Judd, Donald --- anno 1900-1999 --- anno 2000-2099 --- United States of America

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Since the mid-1960s, the American artist Richard Serra has been challenging traditional concepts of sculpture. He has experimented with process art, "casting" molten lead into the angle formed by floor and wall to create a series of Splash Pieces, and with constructed sculpture, leaning massive slabs of lead and steel against each other to make his Prop Pieces. His large outdoor installations - created for such diverse sites as a plaza in Barcelona, the New York exit from the Holland Tunnel, and three hundred yards of field in rural Canada - actively involve the viewer in a space-time continuum.

In this book, nearly 120 works are illustrated, from early rubber and neon-tubing pieces to late large-scale projects in steel. Rosalind E. Krauss, author of *Passages in Modern Sculpture* (1977) and *The Originality of the Avant-Garde and Other Modernist Myths* (1985), analyzes Serra's work and its intellectual and perceptual basis. Douglas Crimp investigates Serra's public sculpture and his redefinition of site specificity. Laura Rosenstock, Assistant Curator in the Museum's Department of Painting and Sculpture, provides an introduction, as well as a chronology, selected bibliography, and lists of the artist's exhibitions and his films and videotapes. This book accompanies an exhibition at The Museum of Modern Art, New York.

art [discipline] --- Minimal --- sculpting --- ruimtelijke kunst --- Serra, Richard --- anno 1900-1999 --- anno 2000-2099 --- United States of America