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Malraux, André --- Malraux, André, --- 840 MALRAUX, ANDRE --- 929 MALRAUX, ANDRE --- Pictorial works --- Malraux (André) --- Malraux (André). --- Malraux, André, - 1901-1976 - Pictorial works --- Malraux, André, - 1901-1976
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Malraux, André, --- Notebooks, sketchbooks, etc. --- Malraux, André,
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Chaque époque à ses grands hommes. Ce ne sont pas forcément ceux que la postérité reconnaîtra. Pour l'Europe du XIXe siècle, le plus grand écrivain français était Paul de Kock. Qu'en reste-t-il ? Le général Boulanger est-il encore pour nous un grand politique ? Bouguereau un grand peintre ? Et nos grands à nous ? Dans cent ans, dans cent mois, feront-ils s'incliner ou rire aux larmes le public ? Tiendront-ils la distance ? Les statues sont-elles en marbre ou en plâtre ? Elles sont trop hautes, elles sont trop loin. Il s'agit simplement ici d'y aller voir d'un peu plus près.
Authors, French --- Ecrivains français --- Biography. --- Biographies --- Malraux, André, --- Malraux, André --- Malraux, André,
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Curvers, A. --- Franse letterkunde --- Littérature française --- Malraux, André --- Ponge, F.
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The two principal axes of inquiry are Malraux's ongoing quest for a dimension of transcendence within human life and, at lest as compelling, his search for the most appropriate and effective means by which to express a changing awareness of just what that dimension might be. Not surprisingly, in a world apparently doomed to languish in the spectral shadow of Death, there are certain constants: a yearning for some fraternity to combat man's essential solitude, a refusal to sink without effort into the vortex of the Absurd, a conviciton that life is to be lived fully and intensely. The human condition is what it is. The ways in which Malraux's characters, and of course Malraux himself, cope with this condition reveal a clear evolution, especially from the 1933 novel La condition humaine onwards. The reader follows Malraux from playful adolescence through the dichotomy of anguish and glorification in his middle years, towards the primarily interrogative utterances of the mature man. The often frivolous, sometimes sardonic, humour of youth gives way first to a painful recognition of the abyss, then to the discovery of a very tentative equilibrium in the philosophy of metamorphosis espoused by an older Malraux. André Malraux: Towards the Expression of Transcendence reveals the principal steps by which Malraux achieved that equilibrium.
Transcendence (Philosophy) in literature. --- Malraux, André, --- Malraux, André --- Malraux, Georges André --- Mālrū, Andrīh --- Ma-erh-lo --- Maerluo, Andelie, --- ʻAngdrē Mānrō, --- מאלרא, אנדרע --- مالرو، آندره،, --- Malraux, André Georges --- Colonel Berger --- Berger, --- Criticism and interpretation. --- Malraux, Andre,
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French literature --- History of France --- Malraux, André --- anno 1940-1949
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Malraux, André, --- Criticism and interpretation. --- Malraux, Andre --- -Criticism and interpretation --- Malraux, André, --- Malraux, Georges André, --- Mālrū, Andrīh, --- Ma-erh-lo, --- Maerluo, Andelie, --- ʻAngdrē Mānrō, --- מאלרא, אנדרע --- مالرو، آندره،, --- Malraux, André Georges, --- Colonel Berger, --- Berger, --- Malraux, André --- Malraux, Georges André --- Mālrū, Andrīh --- Ma-erh-lo --- Malraux, André Georges --- Colonel Berger
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Film --- Roger Leenhardt --- film --- filmtheorie --- filmkritiek --- Leenhardt Roger --- Frankrijk --- filmgeschiedenis --- filmmuziek --- Sovjet-Unie --- Trauberg Leonid --- Kozintsev Grigori --- Verenigde Staten --- Keighley William --- Ford John --- Duvivier Julien --- Wyler William --- Feyder Jacques --- Chenal Pierre --- Renoir Jean --- Malraux André --- Cromwell John --- Koster Henry --- Chaplin Charles --- Leonard Robert Z. --- Welles Orson --- Sartre Jean-Paul --- Lacombe Georges --- Bresson Robert --- Autant-Lara Claude --- Le Henaff René --- Prévert Jacques --- Grémillon Jean --- Godard Jean-Luc --- 791.471 LEENHARDT --- 791.41 --- Motion pictures --- CDL --- History --- History and criticism --- Leonard Robert Z
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