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Le diable au corps --- Scénarios --- Dialogues --- Histoire et critique --- Analyse filmique
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Television plays. --- Television plays --- Dramatiques --- Engelse drama. --- Plays, Television --- Scenarios, Television --- Television drama --- Drama --- Television programs --- Television scripts
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Motion picture plays --- Motion pictures --- Scénarios de cinéma --- Cinéma --- History and criticism --- History --- Histoire et critique --- Histoire --- Film --- Germany --- Scénarios de cinéma --- Cinéma
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Motion picture plays --- Scénarios de cinéma --- History and criticism. --- Histoire et critique --- History and criticism --- Cinéma --- Scénarios --- film --- filmtheorie --- narratologie --- 791.41 --- film en politiek --- film en geschiedenis --- documentaire film --- documentaires --- fictie --- Scénarios de cinéma --- Histoire et critique. --- Motion picture plays - History and criticism
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Motion picture authorship --- Motion picture plays --- Cinéma --- Scénarios de cinéma --- Technique --- Art d'écrire --- 798.63 --- film --- preproductie --- scenario --- scenarioschrijven --- verteltechnieken --- film, scenario --- Filmscenario's. --- CDL --- 791.44 --- Film authorship --- Film-making (Motion pictures) --- Film scriptwriting --- Filmmaking (Motion pictures) --- Motion picture scriptwriting --- Motion picture writing --- Motion pictures --- Movie-making --- Moviemaking --- Moving-picture authorship --- Screen writing --- Screenplay writing --- Screenwriting --- Scriptwriting, Film --- Scriptwriting, Motion picture --- Authorship --- Screenwriters --- Play-writing
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Motion pictures --- Motion picture plays, American --- History --- History and criticism --- Motion picture plays --- -Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- History and criticism. --- History. --- -History and criticism --- Motion pictures - United States - History --- Motion picture plays, American - History and criticism --- Cinema americain
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#SBIB:309H520 --- #SBIB:309H524 --- #SBIB:309H529 --- film --- filmtheorie --- kunst en film --- filmanalyse --- Griffith David Wark --- Murnau Friedrich Wilhelm --- Vigo Jean --- Capra Frank --- Delannoy Jean --- Bresson Robert --- Olivier Laurence --- Welles Orson --- Mizoguchi Kenji --- 791.41 --- 791.43.01 --- Motion picture plays --- -Motion pictures --- -Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Audiovisuele communicatie: algemene werken --- Audiovisuele communicatie: semiotiek --- Audiovisuele communicatie: andere benaderingen --- Filmologie. Filmtheorie. Esthetica van de film --- History and criticism --- Aesthetics --- -Audiovisuele communicatie: algemene werken --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- -791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Cinema --- Motion pictures --- CDL
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Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration.
Motion pictures --- Motion picture plays --- Point of view (Literature) --- Philosophy --- History and criticism --- Point of view (Literature). --- Subjectivity in motion pictures. --- History and criticism. --- Philosophy. --- Narration --- Point de vue (cinéma) --- Literary semiotics --- Film --- 791.43.01 --- #SBIB:309H523 --- Edward R. Branigan ; Foreword by David Bordwell --- film --- filmtheorie --- narratologie --- auteurtheorie --- film en literatuur --- film en semiotiek --- 791.41 --- -Motion pictures --- -Point of view (Literature) --- Subjectivity in motion pictures --- Point of view in motion pictures --- Subjective camera --- Fiction --- Narration (Rhetoric) --- Persona (Literature) --- 791.43.01 Filmologie. Filmtheorie. Esthetica van de film --- Filmologie. Filmtheorie. Esthetica van de film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film plays --- Film scripts --- Filmscripts --- Motion picture scripts --- Moving-picture plays --- Photoplays --- Scenarios --- Screen plays --- Screenplays --- Scripts (Motion pictures) --- Drama --- Audiovisuele communicatie: verhaalanalyse --- Technique --- Cinéma --- Film. --- Motion pictures - Philosophy --- Motion picture plays - History and criticism
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Film --- anno 1910-1919 --- anno 1920-1929 --- France --- 791.43 <09> --- 791.44 <44> --- #SBIB:309H1320 --- Filmgeschiedenis. Filmhistorie --- Filmproductie. Filmindustrie--Frankrijk --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Richard Abel --- film --- Frankrijk --- interbellum --- filmindustrie --- filmproductie --- avant-garde --- Gance Abel --- J'accuse --- L'Herbier Marcel --- Rose-France --- L'homme du large --- El Dorado --- fièvre --- La femme de nullepart --- Delluc Louis --- La roue --- Dulac Germaine --- La souriante Madame Beudet --- L'inondation --- Epstein Jean --- L'auberge rouge --- Coeur fidèle --- Mosjoukine Ivan --- Le brasier ardent --- Renoir jean --- La fille de l'eau --- Clair René --- Paris qui dort --- Entr'acte --- L'inhumaine --- Kirsanoff Dimitri --- Ménilmontant --- Cavalcanti Alberto --- Rien que les heures --- En rade --- L'invitation au voyage --- Feu Matthias Pascal --- Maldonne --- Grémillon Jean --- Napoléon --- L'image --- 61/2x11 --- La glace à trois faces --- Feyder Jacques --- La chute de la maison Usher --- La petite marchande d'allumettes --- La coquille et le clergyman --- Un chien andalou --- Bunuel Luis --- Dali Salvador --- Dreyer Carl Theodor --- La passion de Jeanne d'Arc --- Finis terrae --- Gardiens de phare --- L'argent --- 791.43 --- 791.44 <44> Filmproductie. Filmindustrie--Frankrijk --- 791.43 <09> Filmgeschiedenis. Filmhistorie --- Motion pictures --- motion picture industry --- Motion picture plays --- Experimental films --- Cinéma --- Scénarios de cinéma --- Films expérimentaux --- History. --- History --- History and criticism --- History and criticism. --- Societies, etc --- Histoire --- Histoire et critique --- Motion picture industry --- Societies, etc. --- Industrie --- Associations --- Cinéma --- Scénarios de cinéma --- Films expérimentaux --- Motion picture plays, French --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art
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