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Art --- sales catalogs --- allegory [artistic device] --- Boerner, Carl Gustav --- C.G. Boerner [Düsseldorf]
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German literature --- Thematology --- anno 1200-1499 --- Didactic literature, German --- Civilization, Medieval, in literature --- Allegory --- History and criticism --- 094:252 --- -Didactic literature, German --- -Allegory --- Personification in literature --- Symbolism in literature --- German didactic literature --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Sermoenen. Predikaties. Preekbundels --- Allegory. --- Civilization, Medieval, in literature. --- History and criticism. --- 094:252 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Sermoenen. Predikaties. Preekbundels --- German literature - Middle High German, 1050-1500 - History and criticism --- Didactic literature, German - History and criticism
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German literature --- anno 1000-1099 --- anno 1100-1199 --- Allegory --- Littérature allemande --- Allégorie --- History and criticism --- Histoire et critique --- Civilization, Medieval, in literature --- Littérature allemande --- Allégorie --- German literature - Middle High German, 1050-1500 - History and criticism
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82.09 --- Symbolism in literature --- Allegory --- Metaphor --- Parabole --- Figures of speech --- Reification --- Personification in literature --- Signs and symbols in literature --- Symbolism in folk literature --- Literaire kritiek --- 82.09 Literaire kritiek
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Folklore --- Iconography --- 76.041.7 --- Folk art --- Symbolism in art --- Visual communication --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Allegory (Art) --- Signs and symbols in art --- Art --- Peasant art --- Popular art --- Art, Primitive --- Decorative arts --- Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Land --- Folk art. --- Symbolism in art. --- Visual communication. --- 76.041.7 Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Land
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L'accueil fait au premier volume du Langage de l'Image au Moyen Age, signification et symbolique, ainsi que les demandes des chercheurs, des enseignants et du grand public cultivé, ont incité l'auteur à poursuivre ses recherches sur la signification des images médiévales. Plus la documentation photographique augmente, plus se révèle la richesse du code syntaxique constituant la " grammaire des gestes " utilisée par les imagiers de cette période. Le second volume, Le Langage de limage au Moyen Age II, grammaire des gestes, continue et complète le premier. On y trouvera, par exemple des chapitres sur la figuration du temps, les significations de la main placée sous le menton d'autrui, des deux mains posées sur les cuisses, ainsi que celles des relations avec des objets comme la boule, la ceinture, la colonne, le cornet, la fleur de lis, le phylactère, etc. Ces relations nouvelles constituent la partie la plus importante de l'ouvrage. Il a semblé utile d'ajouter à ces études syntaxiques, portant principalement sur les enluminures et les sculptures, deux catégories de documents qui intéressent directement le langage de l'image médiévale. En premier lieu, on a établi des parallèles entre des métaphores littéraires et les gestes qui leur correspondent dans les représentations ; une sélection de quelques textes montre à l'évidence que certains comportements plus ou moins conventionnels ont trouvé des formulations identiques, tenant compte de la spécificité des formes d'expression. En second lieu, on a remarqué que lorsque les graveurs illustrent les premiers livres imprimés, à défaut de pouvoir reproduire des scènes complexes de façon réaliste, comme cela devient l'habitude en peinture à la fin du XVe siècle, ils décrivent les faits et expriment les idées en utilisant le langage des imagiers des XIIe et XIIIe siècles. Leurs figurations simplifiées peuvent ainsi être riches de significations, grâce au caractère symbolique des signes. Cet ouvrage s'adresse donc à un public plus large que le premier puisqu'il aborde certains problèmes nouveaux qui concernent la littérature autant que l'histoire. De plus il traite du premier langage de la gravure imprimée.
Art, Medieval --- Symbolism in art. --- Themes, motives. --- Symbolisme chrétien --- Imagination --- Art chrétien médiéval --- Illustrations, images, etc. --- Signes et symboles --- Enluminure médiévale --- Gestes --- Mythologie --- Interprétation --- Dans l'art --- 091.31:7.04 --- 7.04 "04/14" --- 091.31:7.04 Verluchte handschriften: iconografie --- Verluchte handschriften: iconografie --- 7.04 "04/14" Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Middeleeuwen --- Iconografie. Iconologie. Onderwerpen van kunstzinnige uitbeelding--Middeleeuwen --- -Allegory (Art) --- Signs and symbols in art --- Medieval art --- Themes, motives --- Art --- History --- iconography --- Iconography --- gesture --- anno 500-1499 --- Symbolism in art --- Art médiéval --- Symbolisme dans l'art --- Thèmes, motifs --- Moyen âge, --- Symbolique /et Iconographie --- Iconographie chrétienne --- --1337 --- --Art, Medieval --- 1337 --- --Symbolique --- --Moyen âge, --- Symbolique --- --Themes, motives --- Art chrétien médiéval. --- Enluminure médiévale. --- Dans l'art. --- -Medieval art --- Allegory (Art) --- -7.033 --- Moyen âge, 476-1492 --- Art, Medieval - Themes, motives --- Art, Medieval - Themes, motives. --- 7.033 --- 7.033 Kunststijlen van de Middeleeuwen --- Kunststijlen van de Middeleeuwen --- figuurhouding --- pose
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Mauriac, François --- Drieu La Rochelle, Pierre --- Authors, French --- Ecrivains français --- Biography --- Biographies --- Drieu La Rochelle, Pierre, --- Mauriac, François, --- Heads of state --- Revolutionaries --- Chefs d'Etat --- Révolutionnaires --- Bolívar, Simón, --- South America --- Amérique du Sud --- History --- Histoire --- Sculpture, Greek --- Symbolism in art --- Mysteries, Religious, in art --- Allegory (Art) --- Signs and symbols in art --- Art --- Greek sculpture --- DRIEU LA ROCHELLE (PIERRE), ECRIVAIN FRANCAIS, 1893-1945 --- LITTERATURE FRANCAISE --- 20E SIECLE
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Allegory --- Learning and scholarship in literature --- Mercury (Roman deity) in literature --- Personification in literature --- Symbolism in literature --- Martianus Capella --- -Notker Labeo --- -Notker der Deutsche --- Capella, Martianus --- Martianus Mineus Felix Capella Afer Carthaginensis --- Marziano Capella --- Translations into German --- -History and criticism --- Contributions in translating and interpreting --- Latin language --- Translating and interpreting --- Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Interpretation and translation --- Interpreting and translating --- Language and languages --- Literature --- Translation and interpretation --- Translators --- Translating into German --- History --- Translating --- Martianus Capella. --- Notker, --- Notker --- Notker Labeo, --- History and criticism. --- Knowledge --- Language and languages. --- Mercury --- History and criticism --- In literature --- Marciano Mineo Félix Capela --- Capela, Marciano Mineo Félix --- Translating and interpreting - Germany - History - To 1500 --- Latin language - Translating into German --- Notker, - Labeo, - approximately 950-1022 - Knowledge - Language and languages --- Martianus Capella. - De nuptiis Philologiae et Mercurii --- Martianus Capella - Translations into German - History and criticism --- Mercury - (Roman deity) - In literature --- Notker, - Labeo, - approximately 950-1022 --- Mercury - (Roman deity)
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In a systematic overview of classical and modern contributions to aesthetics, Professor Sparshott argues that all four lines of theory, and no others, are necessary to coherent thinking about art.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Arts --- Philosophy. --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Psychology --- Radio broadcasting Aesthetics --- Aesthetics --- Academic art. --- Action painting. --- Ad hominem. --- Adage. --- Aesthetic Theory. --- Aestheticism. --- Allegory. --- Ambiguity. --- Anecdote. --- Animism. --- Antithesis. --- Aristotelianism. --- Art Express. --- Art as Experience. --- Art criticism. --- Art for art's sake. --- Art in General. --- Art of representation. --- Art. --- Artistic freedom. --- Avant-garde. --- Causality. --- Circumlocution. --- Classicism. --- Conflation. --- Consciousness. --- Consummation. --- Critical theory. --- Criticism. --- Culture industry. --- Deed. --- Dimensional analysis. --- Dynamism (metaphysics). --- Egocentric predicament. --- Emotivism. --- Empiricism. --- Explanation. --- Expressivism. --- Extrapolation. --- Figurative art. --- Fine art. --- Genre painting. --- Genre. --- Hedonism. --- Holism. --- Iconology. --- Idealization. --- Ideology. --- Illusionism (art). --- Imitation (art). --- Individuation. --- Inductivism. --- Inference. --- Invention. --- Irony. --- Jungian archetypes. --- Kitsch. --- Literary theory. --- Literature. --- Marcel Duchamp. --- Mental space. --- Metaphor. --- Narrative. --- Objet d'art. --- Opportunism. --- Originality. --- Philistinism. --- Philosopher. --- Positivism. --- Process art. --- Reality principle. --- Relativism. --- Romanticism. --- Scholasticism. --- Self-image. --- Sentimentality. --- Social practice (art). --- Social realism. --- Solipsism. --- Sophistication. --- Stipulative definition. --- Suggestion. --- Summa Theologica. --- The Artist's Way. --- The Conceptual Framework. --- The Philosopher. --- The Story of Art. --- The arts. --- Theory of Forms. --- Theory of art. --- Theory. --- Theurgy. --- Thought. --- Train of thought. --- Value judgment. --- Vested interest (communication theory). --- Work of art. --- Writing.
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