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German literature --- Fiction --- anno 1900-1999 --- 82-31 --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Roman --- Philosophy --- Fiction. --- 82-31 Roman --- Hegel, Georg Wilhelm Friedrich,

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German literature --- Fiction --- German fiction --- Criticism --- History and criticism --- History --- 82-31 --- -Fiction --- -Criticism --- -Appraisal of books --- Books --- Evaluation of literature --- Literary criticism --- Literature --- Rhetoric --- Aesthetics --- Style, Literary --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Roman --- Appraisal --- Technique --- Evaluation --- Philosophy --- -Roman --- 82-31 Roman --- -82-31 Roman --- German fiction - History and criticism --- Fiction - History and criticism --- Criticism - Germany - History

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Fiction --- Space and time in literature --- Technique --- Space and time in literature. --- Technique. --- -Space and time in literature --- Space and time as a theme in literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Fiction writing --- Writing, Fiction --- Authorship --- Fiction - Technique --- Littérature américaine --- Histoire et critique --- Littérature américaine

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No detailed description available for "Time and the Novel".

Families in literature. --- Fiction -- 19th century -- History and criticism. --- Fiction -- 20th century -- History and criticism. --- Fiction --- Families in literature --- Literature - General --- Languages & Literatures --- History and criticism --- Family in literature --- Familles dans la littérature --- -Family in literature --- Familles dans la littérature --- 82-31 --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- 82-31 Roman --- Roman --- Philosophy --- History and criticism. --- Literature --- anno 1900-1999 --- Histoire et critique

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"Il est des solutions plus étranges que les problèmes. Car le problème du moins n'était QU'UNE question ; mais la solution en pose mille". Rien, sans doute, mieux que cette remarque de Jean Paulhan, qui puisse donner idée du quatrième ouvrage théorique de Jean Ricardou. Amplifiant un travail inauguré avec ses études sur le Nouveau Roman, le signataire de la "Prise de Constantinople" propose ici, en effet, à partir de textes de Flaubert, Proust, Robbe-Grillet, Claude Simon et lui-même, cinq longs chapitres dont l'élaboration aventureuse ou, si l'on préfère, digressive, a permis à mesure la venue, et peut-être la résolution, de nombre d'autres problèmes, dont certains incontestablement imprévus. On ne saurait donc en offrir un répertoire. A titre indicatif, précisions qu'ils permettent de construire plusieurs aspects de la complexité du texte, diverses péripéties des contradictions du texte, certaines conséquences du texte entendu comme production. Mettant en œuvre expérience de romancier moderne et rigueur théorique, Jean Ricardou élargit ici son registre en ce qu'il est conduit à faire paraître l'efficace spécifique du texte vis-à-vis de l'idéologie et de l'inconscient.

Sociology of literature --- Fiction --- French literature --- French fiction --- Roman --- Roman français --- History and criticism --- Histoire et critique --- -French literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Philosophy --- Fiction. --- History and criticism. --- -History and criticism --- Roman français --- -Fiction --- Analyse linguistique --- Analyse du discours littéraire --- Sémiotique et littérature --- Analyse du discours littéraire. --- Analyse linguistique. --- Sémiotique et littérature. --- Histoire et critique. --- French fiction - History and criticism