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Beckett, Samuel --- Drama --- Technique. --- Beckett, Samuel, --- Dramatic works. --- Characters.
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Adamov, Arthur --- Beckett, Samuel --- Ionesco, Eugène --- French drama --- Beckett, Samuel, - 1906-1989 --- Ionesco, Eugène, - 1909-1994
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Authors, Irish --- Authors, French --- Biography --- Beckett, Samuel, --- -Authors, Irish --- -Irish authors --- French authors --- Beckett, Samuel --- -Biography --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Bikit, Sāmūʼil, --- Authors, Irish - 20th century - Biography --- Authors, French - 20th century - Biography --- Beckett, Samuel, - 1906-1989 --- Beckett, Samuel (1906-1989) --- Critique et interpretation
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"In The Plays of Samuel Beckett Eugene Webb first summarizes the western philosophical tradition which has culminated in the void--the centuries of attempts to impose form and meaning on existence, the failure of which has left experience in fragments and man a stranger in an unintelligible universe. Succeeding chapters take up the plays work by work, interpreting each individually and tracing recurrent motifs, themes, and images to show the continuity in the underlying tendencies of Beckett's mind and art."-- Provided by publisher
English literature --- Drama --- Beckett, Samuel --- Beckett, Samuel, --- Pei-kʻo-tʻe, Sa-miao-erh, --- Beḳeṭ, Samuel, --- Beckett, Sam, --- Беккет, Сэмюэль, --- בעקעט, סאמועל --- בקט, סמואל --- בקט, סמואל, --- بكت، ساموئل --- Dramatic works. --- Bikit, Sāmūʼil, --- Dramaturgy --- Authorship --- Playwriting --- Technique. --- Beckett, Samuel, - 1906-1989 --- Dramatic works --- Criticism and interpretation. --- BECKETT (SAMUEL), 1906-1989 --- CRITIQUE ET INTERPRETATION
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French drama --- History and criticism. --- Adamov, Arthur --- Beckett, Samuel, --- Ionesco, Eugène --- Criticism and interpretation. --- Dramatic works.
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Adamov, Arthur, --- Beckett, Samuel, --- Ionesco, Eugène --- Criticism and interpretation --- Criticism and interpretation.
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