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Art --- Modern [style or period] --- moderne kunst --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969
Book
Year: 1970 Publisher: Otterlo Rijksmuseum Kröller-Müller
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Art --- Modern [style or period] --- art collections --- Concrete art --- Arp-Hagenbach, Marguerite --- anno 1900-1999
Book
Year: 1970 Publisher: Des Moines, Iowa The Company
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Art --- Modern [style or period] --- American Republic Insurance Company [Des Moines, Iowa] --- anno 1900-1999
Book
Year: 1970 Publisher: Bochum Museum Bochum
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Art --- Modern [style or period] --- art collections --- Kunstmuseum Bochum --- anno 1900-1999
Book
Year: 1970 Publisher: Mons Musée des beaux-arts
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Art --- fine arts [discipline] --- Modern [style or period] --- Léger, Fernand --- Belgium
Book
Year: 1970 Publisher: New York, N.Y. Praeger
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Painting --- prints [visual works] --- painting [image-making] --- Modern [style or period] --- prentkunst --- schilderkunst --- moderne kunst --- anno 1800-1999 --- Finland
Book
ISBN: 0262230437 9780262230438 Year: 1970 Publisher: Cambridge : Mass. : MIT Press,
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It has often been pointed out that twentieth-century painting and physics share a common tendency toward probing behind appearances into the underlying structure of things; that the 'retreat from likeness' in painting is akin to science's peering far within the surface of matter. The results of their probings are also significantly similar: extra-dimensionality connects Cubism and relativity; and random, indeterminate processes occur both in recent expressionist painting and in quantum physics. But although the common culture implicit in these parallels has often been remarked, not until now has it been studied in depth and in detail. The author provides a concise summary of those aspects of modern science that relate to his theme, including the development of a 'third science' that embraces information, communication, automation, and systems theory. He also provides in parallel a concise history of the modern movement in painting. Treating only those artists whose work clearly illustrates his viewpoint, he divides those active before the Second World War into two broad groups, the Geometricizers (members of such movements as Cubism, Constructivism, and the Bauhaus), who sought to make manifest the essential form of reality; and the Magicians (including Chirico, Kandinsky, the Dadaists, and the Surrealists), who transformed reality in accordance with their own internally developed laws. Postwar reactions, continuations, and new starts, including some very recent trends, are discussed....
Painting, Modern --- Art and science. --- Peinture --- Art et sciences --- Wetenschap --- Schilderkunst --- modern [stijlen en perioden] --- anno 1900-1999 --- Science --- Painting --- Modern [style or period] --- kunst en wetenschap
Book
Year: 1970 Publisher: Place of publication unknown Nederlandse Stichting Openbaar Kunstbezit
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Art --- art [discipline] --- Modern [style or period] --- moderne kunst --- Andre, Carl --- LeWitt, Sol --- Bengston, Billy Al --- Dibbets, Jan --- Armando --- Stella, Frank --- Hamilton, Richard --- Oldenburg, Claes --- Duchamp, Marcel --- Johns, Jasper --- Albers, Josef --- Newman, Barnett --- Fontana, Lucio --- Morris, Robert --- Weiner, Lawrence --- Engels, Pieter --- Vanderheyden, JCJ --- Beuys, Joseph --- Long, Richard --- Heizer, Michael --- Klein, Yves --- Louis, Morris --- Serra, Richard --- Lichtenstein, Roy --- Merz, Mario --- Rauschenberg, Robert --- Ruscha, Ed --- Schoonhoven, Jan --- Soto, Jesús Rafael --- Struycken, Peter --- Flanagan, Barry --- Dine, Jim --- Kelly, Ellsworth --- Nauman, Bruce --- Riley, Bridget --- Baer, Josephine Gail --- Dekkers, Ad --- Indiana, Robert --- Lohse, Richard Paul --- Maria, de, Walter --- Noland, Kenneth --- Poons, Larry --- Golden, van, Daan --- McCracken, John Harvey --- Raysse, Martial --- Elk, van, Ger --- Schippers, Wim T. --- anno 1960-1969 --- anno 1900-1999
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