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Screen is the leading international journal of academic film and television studies. From video art to popular television, from Hollywood to Hong Kong, from art cinema to British film finance, Screen authors cover a wide range of issues, both contemporary and historical, from a variety of disciplinary perspectives. Each quarterly issue combines substantial scholarly essays with reports and debates on conferences and current research, along with book reviews.
Television play --- Educational sciences --- Film --- Motion pictures --- Television --- Audio-visual materials --- Video recording --- Cinéma --- Télévision --- Audiovisuel --- Vidéo --- Periodicals --- Périodiques --- Motion pictures and television --- Film criticism --- Identity (Philosophical concept) --- Critical theory --- Poststructuralism --- Télévision --- Cinéma --- Filmkunst. --- Rubriek serials: audiovisuele kunsten --- CDL --- Arts and Humanities --- Telecommunications Technology --- General and Others --- Human Rights, Women's Studies & Child Welfare --- Literature --- Performing Arts, Travel and Leisure --- Image Processing & Television Technology --- Vidéo --- Périodiques --- EJCOMMU EPUB-ALPHA-S EPUB-PER-FT OXFUNIPRE-E --- Post-structuralism --- Identity --- Motion picture criticism --- Moving-picture criticism --- Moving-pictures and television --- Television and motion pictures --- Criticism --- Philosophy, Modern --- Structuralism --- Philosophy --- Comparison (Philosophy) --- Resemblance (Philosophy) --- Evaluation --- Pedagogiek --- Televisieopvoering --- Periodicals. --- Cinéma et télévision --- Critique cinématographique --- Identité --- Théorie critique --- Poststructuralisme --- Critical theory. --- Film criticism. --- Motion pictures. --- Motion pictures and television. --- Poststructuralism. --- Television. --- Radio vision --- TV --- Artificial satellites in telecommunication --- Electronic systems --- Optoelectronic devices --- Telecommunication --- Astronautics --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Mass media --- Performing arts --- Critical social theory --- Critical theory (Philosophy) --- Critical theory (Sociology) --- Negative philosophy --- Criticism (Philosophy) --- Rationalism --- Sociology --- Frankfurt school of sociology --- Socialism --- Optical communication systems --- History and criticism --- Performing Arts.
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Vladimir Akimov was the leading spokesman for the 'Economists' in Russia in the early twentieth century. This group of Marxists rebelled in 1898 against Plekkanov, causing within the Russian Social Democratic Labour Party a schism which preceded the major split between the Bolsheviks and the Mensheviks in 1903. The two major works of Akimov included in this edition have not been republished since 1969. The first is an analysis of the Party Programme inspired by Plekkanov and Lenin as editors of Iskra. The second is a history of the Russian Marxist movement from the early 1890s to Akimov's day. This was the first history of the movement ever published. Dr Frankel has annotated the texts and provided an important introduction, tracing in general terms the development of Russian Marxism up to 1898 and describing in greater detail the forces which caused the dispute between Plakkanov and Lenin and the 'Economists'.
Socialism --- Socialisme --- Rossiikaia sotsial-demokraticheskaia rabochaia partiia. --- Rossiĭkai͡a sot͡sial-demokraticheskai͡a rabochai͡a partii͡a. --- Social Sciences --- Political Science --- Rossiĭskai︠a︡ sot︠s︡ial-demokraticheskai︠a︡ rabochai︠a︡ partii︠a︡. --- Marxism --- Social democracy --- Socialist movements --- Collectivism --- Anarchism --- Communism --- Critical theory
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