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periodical (4)


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1922 (4)

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Periodical
Manomètre : Enregistre les idées, indique la pression sur tous les méridiens (ondertitel varieert: ... est polyglotte et supranational; Mélange les langues...)
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Year: 1922 Publisher: Lyon Émile Malespine

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Émile Marius Malespine (Nancy, 3 juillet 1892 - Paris, 25 mars 19521) est un médecin, psychiatre, écrivain, peintre, théoricien, éditeur, poète, homme de théâtre, de cinéma et de radio, concepteur de mobilier. Méconnu, il fait partie des figures qui véhiculent, à Lyon, le mouvement avant-garde du début du xxe siècle. Il dirige à Lyon la revue Manomètre de 1922 à 1928. (wikipedia)

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avant-garde


Periodical
Manomètre
ISSN: 02211688 Year: 1922 Publisher: Lyon

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Periodical
Contimporanul
Year: 1922 Publisher: Bucuresti Institutul de Arte Grafice Eminescu

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Contimporanul (antiquated spelling of the Romanian word for "the Contemporary", singular masculine form) was a Romanian (initially a weekly and later a monthly) avant-garde literary and art magazine, published in Bucharest between June 1922 and 1932. Edited by Ion Vinea, Contimporanul was prolific in the area of art criticism, dedicating entire issues to modern art phenomena, and organizing the Bucharest International Modern Art Exhibit in December 1924 (with the participation of Constantin Brâncuși).Several writers contributing to Contimporanul soon moved on to adopt more specific styles, including a literary form of constructivism (which was the dominant style of the magazine for a certain period),[1] Dada, and, eventually, surrealism.(https://en.wikipedia.org/wiki/Contimporanul)


Periodical
Veshch : Mezhdunarodnoe obozrenie sovremennogo iskusstva = Gegenstand : Internationale Rundschau der Kunst der Gegenwart = Objet : Revue internationale de l'art moderne
Authors: ---
Year: 1922 Publisher: Berlin Skythen

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This trilingual publication Veshch-Gegenstand-Objet was a collaboration between Russian artists El Lissitzky, who designed the striking cover, and Ilya Ehrenburg. Lissitzky had come to Berlin the previous year as representative of new Russian art and culture, and Veshch' begins by celebrating the renewed cultural contacts between Russia and the west after the years of war and revolution. The journal's manifesto goes on to explain that the name (meaning 'object') was chosen because, 'for us, art is nothing other than the creation of new "objects"'. The journal championed Constructivist and Suprematist works but was short lived - only one other issue was published. The Berlin publisher, Skythen Verlag, specialised in Russian publications - Berlin had a population of over half a million Russians in 1923. (bron: http://www.dada-companion.com/journals/per_veshch.php)

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