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Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays first published in The Guardian. These lectures on Plato were a product of Pater's teaching at the University of Oxford, but underwent several rounds of revision before being published in 1893. Pater analyses several aspects of Plato's thought, his relationship with Socrates, and his major works.
Art And Literature --- English Literature --- Aesthetics --- Art Criticism --- Art --- Literary Criticism --- Philosophy
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Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes of his major works with an additional volume of critical essays first published in The Guardian. The collection of Pater's articles on ancient Greek thought, poetry, sculpture and architecture presented in this volume had previously been published in 1895 under the editorship of Pater's friend and literary executor C. L. Shadwell.
Art And Literature --- English Literature --- Aesthetics --- Art Criticism --- Art --- Literary Criticism --- Philosophy
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Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. This collection of essays, first published in 1889, was Pater's only literary-critical work until the posthumous publication of his reviews from The Guardian (the ninth volume in this edition). His well-known essay 'Style', written from the perspective of a critic and a novelist, opens the volume. The other essays include his readings of Thomas Browne, Wordsworth and Coleridge, Shakespeare and D. G. Rossetti.
Art And Literature --- English Literature --- Aesthetics --- Art Criticism --- Art --- Literary Criticism --- Philosophy
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Walter Pater (1839-94) was the foremost Victorian writer on art and aesthetic experience. He brought his knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about our response to art. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes of his major works with an additional volume of essays first published in The Guardian. This volume reissues Pater's magazine articles along with his early essay 'Diaphanitè', a work that had been controversial for its homoerotic subtext. The collection was first published in 1895 as part of his literary executor C. L. Shadwell's aim to promote Pater's work. This version includes a chronology of Pater's writings.
Art And Literature --- English Literature --- Aesthetics --- Art Criticism --- Art --- Literary Criticism --- Philosophy
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