Narrow your search

Library

UGent (3)

KU Leuven (1)

ULiège (1)

UNamur (1)


Resource type

book (3)

article (1)


Language

English (2)

Dutch (1)

French (1)


Year
From To Submit

1868 (4)

Listing 1 - 4 of 4
Sort by

Book
The American printer : a manual of typography containing complete instructions for beginners as well as practical directions for managing all departments of a printing office : with several useful tables, schemes for imposing forms in every variety, hints to authors and publishers, etc. etc.
Author:
Year: 1868 Publisher: Philadelphia: MacKellar, Smiths & Jordan,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Keywords

Printing


Article
De boekdrukkunst in Antwerpen : verslag eener conferentie
Author:
Year: 1868 Publisher: (Antwerpen : Sermon,

Loading...
Export citation

Choose an application

Bookmark

Abstract

Keywords

Printing


Book
Monuments typographiques des Pays-Bas au quinzième siècle : collection de fac-simile d'après les originaux conservés à la Bibliothèque Royale de La Haye et ailleurs
Author:
Year: 1868 Publisher: La Haye : Nijhoff,

Loading...
Export citation

Choose an application

Bookmark

Abstract


Book
The Bewick Collector : A Supplement to a Descriptive Catalogue of the Works of Thomas and John Bewick.
Author:
ISBN: 1139542494 1108057241 Year: 1868 Publisher: Place of publication not identified : Cambridge : publisher not identified, Cambridge University Press

Loading...
Export citation

Choose an application

Bookmark

Abstract

The names of Thomas Bewick (1753-1828) and his brother John (1760-1795) are synonymous with beautiful, delicate and accurate woodcuts of the natural world. Their instantly recognisable style was to influence book illustration well into the nineteenth century. The antiquary and print collector Thomas Hugo (1820-76), best known as a collector of Bewick woodcuts, first published this two-volume catalogue of his extensive collection in 1866-8. It has since emerged that many of the items sourced from printers' offices and booksellers across the country - including Thomas Bewick's own publisher, Emerson Charnley - cannot be authenticated as the Bewicks' work. The collection was nonetheless a remarkable assemblage of valuable materials, including uncut first editions, woodblocks, handbills and broadsides (all regrettably dispersed after Hugo's death) which might otherwise have been lost. Lavishly illustrated throughout, this volume is the 1868 supplement to the catalogue.

Listing 1 - 4 of 4
Sort by