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Science and state --- Technology and state --- S06/0437 --- S19/0130 --- China: Politics and government--Policy towards intellectuals (incl. "thought reform", "brainwashing") --- China: Natural sciences--General works

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S08/0520 --- S12/0820 --- S08/0820 --- S08/1100 --- S11/0731 --- S11/0730 --- S06/0438 --- S06/0437 --- Human rights --- -Human rights --- Basic rights --- Civil rights (International law) --- Rights, Human --- Rights of man --- Human security --- Transitional justice --- Truth commissions --- China: Law and legislation--Civil law, human rights: since 1949 --- China: Philosophy and Classics--Comparative philosophy --- China: Law and legislation--Administration of justice: since 1949 --- China: Law and legislation--International law --- China: Social sciences--Childhood, youth --- China: Social sciences--Women: since 1949 --- China: Politics and government--Policy towards press, Internet --- China: Politics and government--Policy towards intellectuals (incl. "thought reform", "brainwashing") --- Law and legislation

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Arguing that cultural reform is a key aspect of political reform, Richard Kraus shows here that China's economic transformation has dramatically liberated the production and consumption of culture. In this original and provocative study, Kraus offers a political analysis of Chinese culture that includes all genres of art. Surveying the evolution of China's cultural politics between 1979 and 2003, this book explores the complex relationship between money and art as exemplified by declining state arts patronage, changing standards for painting nudity, censorship, and the professionalization of a

S06/0436 --- S17/0400 --- China: Politics and government--Policy towards literature and art --- China: Art and archaeology--Chinese art: general and history --- Art and state --- Art --- Arts --- Politics and art --- State and art --- Government policy --- Art and society --- Cultural policy --- Education and state --- China

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Visual Political Communication in Popular Chinese Television Series has been granted the EastAsiaNet 2014 Award ! In Visual Political Communication in Popular Chinese Television Series , Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today. Schneider shows that despite their often nationalistic stories of glorious emperors and courageous officials, such programmes should not be mistaken for official propaganda. Instead, the highly didactical messages of such series are the outcome of complex cultural governance practices, which are influenced by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. Schneider argues that these interlinking factors lead to a highly restrictive creative environment and to conservative entertainment content that ultimately risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate.

S11/1520 --- S06/0436 --- China: Social sciences--Television --- China: Politics and government--Policy towards literature and art --- Television programs --- Television and politics --- Television broadcasting policy --- Television broadcasting --- Television broadcasting and state --- Broadcasting policy --- Politics and television --- Political science --- Government policy --- Political aspects

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The "war on terror" has generated a scramble for expertise on Islamic or Asian "culture" and revived support for area studies, but it has done so at the cost of reviving the kinds of dangerous generalizations that area studies have rightly been accused of. This book provides a much-needed perspective on area studies, a perspective that is attentive to both manifestations of "traditional culture" and the new global relationships in which they are being played out. The authors shake off the shackles of the orientalist legacy but retain a close reading of local processes. They challenge the boundaries of China and question its study from different perspectives, but believe that area studies have a role to play if their geographies are studied according to certain common problems.In the case of China, the book shows the diverse array of critical but solidly grounded research approaches that can be used in studying a society. Its approach neither trivializes nor dismisses the elusive effects of culture, and it pays attention to both the state and the multiplicity of voices that challenge it.

Nationalism --- China --- Foreign relations --- S02/0200 --- S06/0240 --- S11/1100 --- China: General works--Civilization and culture --- China: Politics and government--Policy towards minorities and autonomous regions --- China: Social sciences--Immigration and emigration, Overseas Chinese (huaqiao) --- 21st century, China, Empires, Foreign relations, Modernity, Nationalism, Racism Russia.