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Site-specific installations (Art) --- Installations (Art) --- Site-specific art
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Theatrical science --- anno 1900-1999 --- Site-specific art --- Arts, Modern --- Arts, Modern - 20th century
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Site-specific installations (Art) --- Installations (Art) --- Site-specific art --- Sigman, Jill.
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Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. While many of these venues operate independently, others are fully sanctioned by the state. Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief the extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi discloses the push-and-pull between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, this book provides entry into unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.
Arts --- Arts, Iranian --- Dissident arts --- Political aspects --- Alternative. --- Censorship. --- Contemporary Art. --- Critical Spatial Practice. --- Ephemeral Art. --- Improvisation. --- Iran. --- Site-Specific Art. --- Subversive Art. --- Underground Culture.
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A critical history of site-specific art since the late 1960s.Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of site specificity and changes in institutional and market forces. One Place after Another offers a critical history of site-specific art since the late 1960s and a theoretical framework for examining the rhetoric of aesthetic vanguardism and political progressivism associated with its many permutations. Informed by urban theory, postmodernist criticism in art and architecture, and debates concerning identity politics and the public sphere, the book addresses the siting of art as more than an artistic problem. It examines site specificity as a complex cipher of the unstable relationship between location and identity in the era of late capitalism. The book addresses the work of, among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson.
Site-specific art. --- Art, Modern --- ARCHITECTURE/Architectural History/General --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Site art --- Site-specific arts --- Arts, Modern --- 7.01 --- 7.039 --- Kunst ; in en op openbare plaatsen --- Urban Art --- Environments ; installaties ; in de stad ; 20ste en 21ste eeuw --- Environmental art --- Community Art --- Public Art --- Kunst in de stad --- Omgevingskunst in de stad --- Beelden buiten --- kunst --- kunsttheorie --- site-specific art --- twintigste eeuw --- Ahearn John --- Dion mark --- Fraser Andrea --- Judd Donald --- Green Renée --- Lacy Suzanne --- Manglano-Ovalle Iñigo --- Serra Richard --- Ladermann Ukeles Mierle --- Wilson Fred --- kunst en openbare ruimte --- 7.038 --- Kunst ; theorie, filosofie, esthetica --- Kunstgeschiedenis ; 2000 - 2050 --- Art --- anno 1900-1999 --- Landart
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Autobiography of a Garden details how Patterson Webster, a neophyte gardener, moved from copying the ideas of other people, to learning from them, to striking out on her own. Beautifully photographed and full of inspirational ways of thinking about gardens and gardening, this unique memoir blends history, horticulture, and art.
Gardeners. --- Autobiography. --- Webster, Patterson, --- Abenaki. --- Canadian history. --- Canadian women. --- Doucet-Saito. --- Eastern Townships. --- Estrie. --- Glen Villa Inn. --- Greek mythology. --- Lake Massawippi. --- North Hatley. --- Quebec anglophones. --- Quebec. --- Virginia. --- aging. --- art installations. --- art. --- creative process. --- creativity. --- family. --- flowering plants. --- flowers. --- foreigners in China. --- garden design. --- garden failures. --- garden history. --- garden photography. --- gardening. --- horticulture. --- inspiration. --- land art. --- landscape design. --- landscape. --- maple syrup making. --- memoir. --- memorials. --- memory. --- non-conformity. --- personal narrative. --- philosophy. --- relationship to nature. --- sculpture. --- shrubs. --- site responsive. --- site specific art installations. --- timelines. --- trees. --- water in gardens. --- women’s memoir. --- words in the landscape. --- yin yang.
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A visual map of the period in the form of an 8 page fold-out is followed by articles on 100 of the most significant movements of the modern period.
kunst --- negentiende eeuw --- twintigste eeuw --- eenentwintigste eeuw --- naslagwerk --- impressionisme --- arts and crafts --- Chicago school --- Les Vingt --- Les XX --- neo-impressionisme --- decadentisme --- art nouveau --- modernisme --- symbolisme --- postimpressionisme --- cloisonnisme --- Nabi's --- synthetisme --- Salon de la Rose+Croix --- Jugendstil --- Wiener Sezession --- fauvisme --- expressionisme --- Die Brücke --- Ashcan school --- Deutscher Werkbund --- kubisme --- futurisme --- Bubnovyi Valet --- Blaue Reiter --- synchromisme --- orphisme --- rayonisme --- suprematisme --- constructivisme --- pittura metafisica --- vorticisme --- Hongaars activisme --- school van Amsterdam --- dadaïsme --- purisme --- De Stijl --- Arbeitsrat für Kunst --- Novembergruppe --- Bauhaus --- precisionisme --- art déco --- Ecole de Paris --- internationale stijl --- novecento italiano --- Der Ring --- Neue Sachlichkeit --- surrealisme --- elementarisme --- Gruppo 7 --- M.I.A.R. --- concrete kunst --- magisch realisme --- American Scene --- socialistisch realisme --- sociaal realisme --- neoromantiek --- art brut --- existentiële kunst --- outsider art --- organische abstractie --- art informel --- abstract expressionisme --- lettrisme --- Cobra --- Beat art --- kinetische kunst --- Kitchen Sink school --- neodadaïsme --- Combines --- neobrutalisme --- funk art --- nouveau réalisme --- situationisme --- assemblages --- pop art --- performances --- GRAVt --- fluxus --- op art --- post-painterly abstraction --- minimalisme --- conceptuele kunst --- concept art --- body art --- installaties --- hyperrealisme --- antidesign --- Supports-surfaces --- Earth art --- land art --- site-specific art --- arte povera --- postmodernisme --- High-Tech --- neo-expressionisme --- neopop --- transavanguardia --- sound art --- internet art --- destination art --- Design art --- kunst en fotografie --- 7.036 --- Art, Modern --- Art movements --- M.I.A.R --- Movements, Art --- Art --- Modern art --- Nieuwe Ploeg (Group of artists)
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