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This book explores how experienced authors repeat word forms in three different genres: research articles, short stories and political speeches. Methods from corpus linguistics are used to elicit all the repeated word forms in each text and then the material is analysed to establish the nature of the repetitions. The analysis seeks answers to the questions: in what naming complexes are the words repeated; is the same concept evoked; is the referential type repeated; are there metaphoric, prag...
Repetition in literature. --- Repetition (Rhetoric) --- Rhetoric --- Literary style
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Linguistics --- Literary rhetorics --- Stilistics --- retoriek --- Repetition (Rhetoric) --- Répétition (Rhétorique) --- Rhetoric --- Style, Literary --- Repetition (Rhetoric). --- Répétition (Rhétorique) --- Literary style --- Répétition [Rhétorique]. --- Herhaling [Redekunst]. --- RHETORIQUE --- REPETITION
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When students read Difference and Repetition for the first time, they face two main hurdles: the wide range of sources that Deleuze draws upon and his dense writing style. This Edinburgh Philosophical Guide helps students to negotiate these hurdles, taking them through the text step by step. It situates Deleuze within Continental philosophy more broadly and explains why he develops his philosophy in his unique way. Seasoned Deleuzians will also be interested in Somers-Hall's new, positive interpretation of Difference and Repetition .
Difference (Philosophy) --- Repetition (Philosophy) --- Philosophy --- Deleuze, Gilles,
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"Reformuler, c'est formuler à nouveau et ou formuler différemment, peut-on lire dans les dictionnaires : or, si le préfixe re- a bien pour une de ses acceptions celle d'itération, formuler, en revanche, engage toujours une situation d'énonciation singulière, forcément unique et distinctive. La reformulation s'inscrit donc dans un processus particulier qui, dans le même temps qu'il pose un dit nouveau, re-dit un propos antérieur. Ainsi, la reformulation impose-t-elle dans on mieux-dit du déjà-dit, et c'est ce phénomène langagier si partciulier qui a retenu l'attention des recherches présentées dans ce volume. De la paraphrase à la glose méta-énonciative, les études des années quatre-vingt/quatre-vingt-dix sont marquées par l'apport de nouveaux outils de description ; et ont vu la diversification des points de vue disciplinaires, ainsi que des champs d'observation du dire lorsqu'il est reformulé. Ainsi, qu'elle altère, corrige ou module le déjà-dit, la reformulation est à l'oeuvre dans tous les types de discours, oraux et écrits ; signalant un mieux-dire, elle oblige aussi à prendre en considération l'étude de la cohérence des textes et discours. Cet ouvrage veut donc faire le point sur les travaux les plus récents en interrogeant le concept de reformulation sous les deux angles complémentaires des marqueurs linguistiques par lesquels elle se signale et des stratégies énonciatives dans lesquelles elle se déploie"--P. [4] of cover.
Repetition (Rhetoric) --- French language --- Dialogue analysis. --- Wiederholung. --- Paraphrase. --- Linguistics --- Discourse analysis. --- Repetition (Rhetoric). --- Linguistics.
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Gaddis, William --- Repetition (Rhetoric). --- Fiction --- Postmodernism (Literature) --- Technique.
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Providing a stimulating, new perspective on early modern culture, the collection describes repetition's often peculiar demands, its surprising gratifications, and its contested interpretations.
Repetition (Aesthetics) --- Repetition (Philosophy) --- Repetition in literature. --- Repetition in music. --- Humanities --- Learning and scholarship --- Classical education --- Composition (Music) --- Literary style --- Philosophy --- Aesthetics --- History --- Somerset (England) --- Sources. --- Somerset, Eng. --- Somersetshire (England)
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"Music abounds in twentieth- century Irish literature. Whether it be the "thought-tormented" music of Joyce's "The Dead", the folk tunes and opera that resound throughout Ulysses, or the four- part threnody in Beckett's Watt, it is clear that the influence of music on the written word in Ireland is deeply significant. Samuel Beckett arguably went further than any other writer in the incorporation of musical ideas into his work. Musical quotations inhabit his texts, and structural devices such as the da capo are metaphorically employed. Perhaps most striking is the erosion of explicit meaning in Beckett's later prose brought about through an extensive use of repetition, influenced by his reading of Schopenhauer's philosophy of music. Exploring this notion of "semantic fluidity", John McGrath discusses the ways in which Beckett utilised extreme repetition to create texts that operate and are received more like music. Beckett's writing has attracted the attention of numerous contemporary composers and an investigation into how this Beckettian "musicalised fiction" has been retranslated into contemporary music forms the second half of the book. Close analyses of the Beckett- inspired music of experimental composer Morton Feldman and the structured improvisations of avantjazz guitarist Scott Fields illustrate the cross- genre appeal of Beckett to musicians, but also demonstrate how repetition operates in diverse ways. Through the examination of the pivotal role of repetition in both modernist music and literature of the twentieth century, John McGrath's book is a significant contribution to the field of Word and Music Studies."--Provided by publisher
Music and literature. --- Music --- Repetition in literature. --- Repetition in music. --- History and criticism. --- Beckett, Samuel, --- Criticism and interpretation. --- Beckett, Samuel
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Heidegger, Martin --- Heidegger, Martin. --- Contributions in concept of freedom --- Heidegger, Martin, --- Repetition (Philosophy) --- Philosophy
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Repetition and Race shows how texts by Theresa Cha, Susan Choi, Karen Tei Yamashita, Chang-rae Lee, and Maxine Hong Kingston use structures of repetition to register and respond to the widespread institutionalization of liberal multiculturalism.
American literature --- Repetition in literature. --- Multiculturalism in literature. --- Literary style --- Asian American authors --- History and criticism.
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These two complementary works give the reader a unique insight into the breadth and substance of Kierkegaard's thought. One reads like a novel and the other a Platonic dialogue but both concern the nature of love, faith, and happiness. These are the first translations to convey the literary quality and philosophical precision of the originals. - ;'The love of repetition is in truth the only happy love'So says Constantine Constantius on the first page of Kierkegaard's Repetition. Life itself, according to Kierkegaard's pseudonymous narrator, is a repetition, and in the course of this witty, pla
Love --- Time --- Identity (Philosophical concept) --- Christianity --- Repetition (Philosophy) --- Philosophy --- Identity --- Comparison (Philosophy) --- Resemblance (Philosophy) --- Philosophy.
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