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Missing is the story of Robert Khalipa, an ANC cadre living in exile, who is very senior in the organisation but is left out of the negotiations and almost forgotten in Sweden. Robert has a wealthy Swedish wife, Anna, and they have a daughter who is a practising doctor in a hospital in Stockholm. There is also Robert's protégé Peter Tshabalala, junior in the organisation, yet he gets the call to return to South African to join the democratic government. What follows is a story of conspiracies, lies, back stabbing and disappointments. Robert and his family are faced with the challenges of a South Africa that has changed radically from the one he remembers from more than thirty years ago. The government, in his opinion, does not seem to uphold the principles enshrined in the Freedom Charter. There is also conflict within his own family. Robert wants to stay in South Africa, while his wife and daughter want to go back to Sweden. Their love is tested to breaking point and difficult decisions have to be made by every individual. As with Kani's very successful and often-performed previous play, Nothing but the Truth, the ambiguities of freedom and of personal commitment are explored in this play.
Post-apartheid era --- Postapartheid era --- Apartheid --- South Africa
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Post-apartheid era --- Postapartheid era --- Apartheid --- Economic aspects --- Social aspects --- South Africa --- Africa, South --- Economic conditions --- Social conditions
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In Losing the Plot, well-known scholar and writer Leon de Kock offers a lively and wide-ranging analysis of postapartheid South African writing which, he contends, has morphed into a far more flexible and multifaceted entity than its predecessor. If postapartheid literature's founding moment was the 'transition' to democracy, writing over the ensuing years has viewed the Mandelan project with increasing doubt. Instead, authors from all quarters are seen to be reporting, in different ways and from divergent points of view, on what is perceived to be a pathological public sphere in which the plot - the mapping and making of social betterment - appears to have been lost. The compulsion to detect forensically the actual causes of such loss of direction has resulted in the prominence of creative nonfiction. A significant adjunct in the rise of this is the new media, which sets up a 'wounded' space within which a 'cult of commiseration' compulsively and repeatedly plays out the facts of the day on people's screens. This, De Kock argues, is reproduced in much postapartheid writing. And, although fictional forms persist in genres such as crime fiction, with their tendency to overplot, more serious fiction underplots, yielding to the imprint of real conditions to determine the narrative construction.
South African fiction (English) --- Post-apartheid era --- Postapartheid era --- Apartheid --- English fiction --- South African literature (English) --- History and criticism. --- In literature. --- Crime in literature.
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The end of apartheid in 1994 signaled a moment of freedom and a promise of a nonracial future. With this promise came an injunction: define yourself as you truly are, as an individual, and as a community. Almost two decades later it is clear that it was less the prospect of that future than the habits and horizons of anxious life in racially defined enclaves that determined postapartheid freedom. In this book, Thomas Blom Hansen offers an in-depth analysis of the uncertainties, dreams, and anxieties that have accompanied postapartheid freedoms in Chatsworth, a formerly Indian township in Durban. Exploring five decades of township life, Hansen tells the stories of ordinary Indians whose lives were racialized and framed by the township, and how these residents domesticated and inhabited this urban space and its institutions, during apartheid and after. Hansen demonstrates the complex and ambivalent nature of ordinary township life. While the ideology of apartheid was widely rejected, its practical institutions, from urban planning to houses, schools, and religious spaces, were embraced in order to remake the community. Hansen describes how the racial segmentation of South African society still informs daily life, notions of race, personhood, morality, and religious ethics. He also demonstrates the force of global religious imaginings that promise a universal and inclusive community amid uncertain lives and futures in the postapartheid nation-state.
East Indians --- Asian Indians --- Indians, East --- Indians (India) --- Indic peoples --- Ethnology --- Durban (South Africa) --- Chatsworth (Durban, South Africa) --- Chatsworth, South Africa --- Chatsworth Indian Township (Durban, South Africa) --- Durban, Natal --- eThekwini (South Africa) --- Religion. --- Social conditions. --- Race relations. --- #SBIB:39A73 --- Etnografie: Afrika --- Africans. --- Asiatic question. --- Bollywood films. --- Chatsworth. --- Durban. --- Hinduism. --- Indian life. --- Indian middle class. --- Indian township. --- Indian townships. --- Indian. --- Indians. --- Jacob Zuma. --- Muslims. --- Natal. --- Pentecostal Christianity. --- South Africa. --- South African Indians. --- South Africans. --- ambition. --- apartheid regulation. --- apartheid. --- autonomy. --- charou. --- church communities. --- colonialism. --- coolie. --- cultural economy. --- cultural intimacy. --- cultural mobility. --- culturally alien people. --- cynicism. --- diasporic imagination. --- disengagement. --- ethnoracial definition. --- kombi taxi. --- majoritarianism. --- minorities. --- neo-Hindu movements. --- non-African communities. --- policy makers. --- politics. --- postapartheid city. --- postapartheid freedom. --- postapartheid society. --- postapartheid. --- private taxi industry. --- public culture. --- race lines. --- racial practices. --- racial segregation. --- racialized identities. --- racism. --- religious identity. --- religious purification. --- representative politics. --- roots tourism. --- social activists. --- social mobility. --- spiritual purification. --- township politics. --- traditional conservatism. --- urban landscape. --- urban music. --- working-class Indians. --- youth culture.
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