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This deeply engaging, historically and culturally informed book provides new perspectives on a wide range of writers, and at the same time provides a radically new development of many of the most pertinent issues in the field of postcolonial writing and theory. It constitutes a major new engagement between the 'postcolonial' and a conception of the literary which is richly innovative in its deployment of psychoanalytic, deconstructive and other approaches to the text.The book begins with some brief background to the issue of decolonisation and its contemporary effects. It is informed throughout by a clear sense of literary and political context, within which chosen texts - by well-known writers (Derek Walcott, Chinua Achebe, Edward Kamau Brathwaite) as well as less well-known ones (Joan Riley, Susan Power, Abdulrazak Gurnah) and writers not often seen in a postcolonial context (James Kelman, Seamus Deane, Hanif Kureishi) - can be situated. The chapters which follow are based around themes such as violent geographics; hallucination, dream and the exotic; mourning and melancholy; diaspora and exile; delocalisation and the alibi. This profoundly new approach to the complexities of the postcolonial allows the reader to appreciate some of the richness, but at the same time the political and cultural ambivalence, which underlies postcolonial writing.Throughout the book David Punter continually questions, as one would expect from his many previous books, the definition and scope of the 'postcolonial'. It is seen throughout as a phenomenon not restricted to the ex- or neo-colonies but as a key characterisation of all our lives at the beginning of the twenty-first century. It is an indissoluble part of the development of national imaginings and, at the same time, an alibi for the emergence of a violently assertive 'new world order' committed to the management or obliteration of difference. By juxtaposing texts from different cultural traditions and topographies, from Things Fall Apart to The Bone People, from Another Life to Feeding the Ghosts, from A House for Mr Biswas to The Black Album, David Punter points to the explosion of energy which characterises postcolonial writing while also raising crucially new questions about the relation between this literary energy, the professionalisation of Western literary criticism, the meaning of the notion of 'theory' and the wider global political and economic climate.Key FeaturesA new and polemical engagement with the principal theorists, writers and critics of the postcolonialA breadth of thematic approach through a radically new canon of linked studiesAn approach to the postcolonial which includes the effects on colonising societies as well as on the 'ex-colonies'An emphasis on the complexities of the 'postcolonial psyche' which brings together political and psychoanalytical approachesAn insistence on the 'phantomatic' and spectral aspects of postcolonial writing which constitutes a new critique of conventional notions of hybridity and the subaltern
Postcolonialism. --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization
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The Postcolonial Condition of Names and Naming Practices in Southern Africa represents a milestone in southern African onomastic studies. The contributors here are all members of, and speakers of, the cultures and languages they write about, and, together, they speak with an authentic African voice on naming issues in the southern part of the African continent. The volume's overarching thesis is that names are important yet often underestimated socio-politico-cultural sites on which some of the most significant events and processes in the post-colony can be read. The onomastic topics covered in the book range from the names of traditional healers and male aphrodisiacs to urban landscapes and street naming, from the interface between Chinese and African naming practices to the names of bands of musicians and mini-bus taxis. There is a strong section on literary onomastics which explores how names have been variously deployed by southern African fiction writers for certain semantic, aesthetic and ideological effects. The cultures and languages covered in this volume are equally wide-ranging, and, while some authors focus on single languages and cultures (for example Thembu, Xhosa, Shona), others look at inter-cultural influences such as the influence of the Portuguese and Chinese languages on Shona naming.Written by Professor Adrian KoopmanEmeritus Professor, University of KwaZulu-Natal.
Postcolonialism. --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization
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Postcolonial theory has enjoyed wide influence in the humanities but for social science, and in particular sociology, its implications remain elusive. This special volume brings together leading sociologists to explore the concept of "postcolonial sociology," with brand new postcolonial readings of canonical thinkers like Karl Marx, Max Weber, Emile Durkheim and Robert Park. Chapters consider whether or not postcolonial theory is compatible with sociology; explore the relationship between knowledge and colonial power; and offer critical perspectives on the sociology of race and the implications of postcolonial theory for global sociology. They also unravel the complex entanglements of sociology, area studies, and postcolonial studies; give creative deployments of postcolonial concepts such as hybridity; and critical excavations of sociological thought in India and Mexico. In sodoing this volume is among the first to craft newsociologiesinformed by postcolonial criticism.
Postcolonialism. --- Sociology. --- Social theory --- Post-colonialism --- Postcolonial theory --- Social sciences --- Political science --- Decolonization --- Political Science --- Social Science --- Colonialism & imperialism. --- Colonialism & Post-Colonialism. --- General.
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Hidden mutualities link the work of major postcolonial writers with Christopher Marlowe's drama of the Faustian pact - the manipulation of the material world in exchange for the soul - written as the 'scientific' world-view was emerging which accompanied the imperial expansion of Europe and has determined the economic and social structures of the colonial and postcolonial world. This fascinating study brings together researches in widely different fields to show how Doctor Faustus reflects a Gnostic / Hermetic tradition marginalized within the dominant European power structures. Rediscovered in the Renaissance, and combined with occult arts such as alchemy and magic, this living tradition informs the work of 'Magus' figures such as Pico della Mirandola, Marcilio Ficino, Trithemius, Johannes Reuchlin, Agrippa of Nettesheim, Paracelsus and John Dee, who are reflected in the Faust tradition and in Prospero in Shakespeare's The Tempest. The second part investigates the dual legacy of the Magus. A counterpoint between a law-governed objective material world and an occult visionary pursuit of the divine potential of the human imagination is traced through the examples of Johan Kepler, Robert Fludd, Isaac Newton, William Blake, Rudyard Kipling, Aleister Crowley, W.B. Yeats, Wolfgang Pauli and C.G. Jung. In the third part, textual analysis reveals how attention to these Faustian themes opens new and exciting critical perspectives in appreciating the works of postcolonial writers, in particular Dimetos by Athol Fugard, Disappearance by David Dabydeen, Omeros by Derek Walcott, and the novels of Wilson Harris.
Gnosticism. --- Hermetism. --- Postcolonialism. --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Hermeticism --- Occultism --- Cults --- Marlowe, Christopher,
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Published twenty years ago, Leela Gandhi's Postcolonial Theory was a landmark description of the field of postcolonial studies in theoretical terms that set its intellectual context alongside poststructuralism, postmodernism, Marxism, and feminism. Gandhi examined the contributions of major thinkers such as Edward Said, Gayatri Spivak, Homi Bhabha, and the subaltern historians. The book pointed to postcolonialism's relationship with earlier anticolonial thinkers such as Frantz Fanon, Albert Memmi, Ngũgĩ wa Thiong'o, and M. K. Gandhi and explained pertinent concepts and schools of thought-hybridity, Orientalism, humanism, Marxist dialectics, diaspora, nationalism, gendered subalternity, globalization, and postcolonial feminism.The revised edition of this classic work reaffirms its status as a useful starting point for readers new to the field and a provocative account that opens up possibilities for debate. It includes substantial additions: A new preface and epilogue reposition postcolonial studies within evolving intellectual contexts and take stock of important critical developments. Gandhi examines recent alliances with critical race theory and Africanist postcolonialism, considers challenges from postsecular and postcritical perspectives, and takes into account the ontological, environmental, affective, and ethical turns in the changed landscape of critical theory. She describes what is enduring in postcolonial thinking-as a critical perspective within the academy and as an attitude to the world that extends beyond the discipline of postcolonial studies. Ultimately, postcolonial thinking is committed to noninjuriousness as a way of life and as a basis for community.
Postcolonialism. --- Postkolonialismus. --- Theorie. --- Postcolonialism --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- History.
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This ground breaking collection of essays is the first full-length attempt to map out the relationship between Scottish literature and postcolonial studies.
Commonwealth literature (English) --- Postcolonialism --- Scottish literature --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- History and criticism.
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Strife is a rich and densely written novel that provides a dark expos? of the tension between modernity and tradition, and deep insights into culture in Zimbabwe in the 21st century. Chinodya explores the powerful draw that conflicting ideologies exercise over an emerging middle-class that at once yearns for autonomy and unconsciously desires the irresponsibility of an all-pervading destiny. Tracing the Gwanagara?s roots back over a century, Chinodya interweaves past and the present, juxtaposing incidents never forgotten or resolved, revealing how memory becomes an actor in lived time. A large
Families --- Social change --- Postcolonialism --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization
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The notion of the postcolonial metropolis has gained prominence in the last two decades both within and beyond postcolonial studies. Disciplines such as sociology and urban studies, however, have tended to focus on the economic inequalities, class disparities, and other structural and formative aspects of the postcolonial metropolises that are specific to Western conceptions of the city at large. It is only recently that the depiction of postcolonial metropolises has been addressed in the writings of Suketu Mehta, Chris Abani, Amit Chaudhuri, Salman Rushdie, Aravind Adiga, Helon Habila, Sefi Atta, and Zakes Mda, among others. Most of these works probe the urban specifics and physical and cultural topographies of postcolonial cities while highlighting their agential capacity to defy, appropriate, and abrogate the superimposition of theories of Western modernity and urbanism. These ASNEL Papers are all concerned with the idea of the postcolonial (in the) metropolis from various disciplinary viewpoints, as drawn from a great range of cityscapes (spread out over five continents). The essays explore, on the one hand, ideas of spatial subdivision and inequality, political repression, social discrimination, economic exploitation, and cultural alienation, and, on the other, the possibility of transforming, reinventing and reconfigurating the ‘postcolonial condition’ in and through literary texts and visual narratives. In this context, the volume covers a broad spectrum of theoretical and thematic approaches to postcolonial and metropolitan topographies and their depictions in writings from Australia and New Zealand, South Africa, South Asia, and greater Asia, as well as the UK, addressing issues such as modernity and market economies but also caste, class, and social and linguistic aspects. At the same time, they reflect on the postcolonial metropolis and postcolonialism in the metropolis by concentrating on an urban imaginary which turns on notions of spatial subdivision and inequality, political repression, social discrimination, economic exploitation, and cultural alienation – as the continuing ‘postcolonial’ condition.
Postcolonialism. --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Littérature postcoloniale. --- Capitales. --- Vie urbaine. --- Grande-Bretagne
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Autobiography, a fully-recognised genre within mainstream literature today, has evolved massively in the last few decades, particularly through colonial and postcolonial texts. By using autobiography as a means of expression, many postcolonial writers were able to describe their experiences in the face of the denial of personal expression for centuries. This book is centred around the recounting and analysis of such a phenomenon. Literary purists often reject autobiography as a fully-fledged literary genre, perceiving it rather as a mere life report or a descriptive diary. The colonial and pos
Postcolonialism in literature --- Postcolonialism --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- History and criticism.
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Postcolonialism --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Latin America --- History --- Politics and government
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