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In the summer of 1972, a group of young people in Bloomington, Indiana, began a weekly gathering with the purpose of reviving traditional American old-time music and dance. In time, the group became a kind of accidental utopia, a community bound by celebration and deliberately void of structure and authority. In this joyful and engaging book, John Bealle tells the lively history of the Bloomington Old-Time Music and Dance Group -- how it was formed, how it evolved its unique culture, and how it grew to

Country dancing --- Old-time music --- Contra dancing --- Contradancing --- Country-dance --- Longways dancing (Country dancing) --- Dance --- Country music --- Hillbilly music --- Mountain music --- Old-time country music --- Old-time mountain music --- Old timey music --- Folk music --- Popular music --- Bluegrass music --- History. --- History and criticism. --- Bloomington Old-Time Music and Dance Group --- Wednesday Night Dance

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Demonstrates how songs and dances are performative and contribute to performances beyond narrative. Challenges the view that musical theatre's songs and dances are integrated into a narrative. Broadens the perception of music theatre to embrace a wide range of performance forms.

Chant. --- Musique et danse. --- Musique --- Théâtre musical. --- Exécution. --- Music and dance. --- Music --- Musical theater. --- Singing. --- Performance. --- Singing and voice culture --- Vocal culture --- Beatboxing --- Throat singing --- Lyric theater --- Theater --- Musical performance --- Performance of music --- Dance and music --- Dance --- Performance --- Music theater. --- Théâtre musical.

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Fred Astaire: one of the great jazz artists of the twentieth century? Astaire is best known for his brilliant dancing in the movie musicals of the 1930's, but in Music Makes Me, Todd Decker argues that Astaire's work as a dancer and choreographer -particularly in the realm of tap dancing-made a significant contribution to the art of jazz. Decker examines the full range of Astaire's work in filmed and recorded media, from a 1926 recording with George Gershwin to his 1970 blues stylings on television, and analyzes Astaire's creative relationships with the greats, including George and Ira Gershwin, Irving Berlin, Jerome Kern, and Johnny Mercer. He also highlights Astaire's collaborations with African American musicians and his work with lesser known professionals-arrangers, musicians, dance directors, and performers.

Jazz musicians --- Dancers --- Motion picture actors and actresses --- Astaire, Fred. --- 1930s movie musicals. --- 20th century dance. --- 20th century film. --- 20th century jazz. --- 20th century musicals. --- 20th century. --- african american musicians. --- american choreographers. --- american film. --- american jazz. --- american music culture. --- american musicians. --- dance. --- easter parade. --- funny face. --- george gershwin. --- history of film. --- history of jazz. --- history of music. --- irving berlin. --- jazz and blues. --- jazz icons. --- jazz musician biographies. --- jerome kern. --- johnny mercer. --- music and dance. --- music and race. --- music legends. --- musicians. --- performing arts. --- top hat.