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It has been variously labelled Language Poetry, Language Writing, L=A=N=G=U=A=G=E writing (after the magazine that ran from 1978 to 1981), and language-centred writing. It has been placed according to its geographical positions, on East or West coasts; its venues in small magazines, independent presses and performance spaces, and its descent from historical precursors, be they the Objectivists, the composers-by-field of the Black Mountain School, the Russian Constructivists or American modernism à la William Carlos Williams and Gertrude Stein. Indeed, one of the few statements that can be made about it with little qualification is that it has both fostered and endured a crisis in representation more or less since it first became visible in the 1970s. In Poetry & Language Writing David Arnold grasps the nettle of Language poetry, reassessing its relationship with surrealism and providing a scholarly, intelligent way of understanding the movement. Poets discussed include Charles Bernstein, Susan Howe, Michael Palmer and Barrett Watten.
Language poetry. --- American poetry --- Poetry, Modern --- Surrealism (Literature) --- Surrealism in literature --- Literature --- Poetry --- History and criticism.
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Language poetry --- American poetry --- History and criticism. --- History and criticism --- Theory, etc.
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American poetry --- Language poetry --- Poetics. --- History and criticism. --- Andrews, Bruce, --- Bernstein, Charles, --- Silliman, Ronald,
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Medieval Romance in Context is a clear, accessible and concise introduction to medieval English verse romantic texts and their wider contexts. It begins by introducing key issues and events that impacted on romance writing and its reception such as chivalric ideals, the Black Death, wars and 'Englishness' as well as key literary issues such as medieval manuscript production and its transmission. Close readings of key texts - including Sir Gawain and the Green Knight , Breton lays and Chaucer's The Man of Law's Tale - highlight generic features and issues like family drama, space and time, and
English poetry --- Romance-language poetry --- Romances, English --- Romance poetry --- Romance-language literature --- History and criticism. --- History and criticism
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'Dictionary Poetics' analyses book-length poems from a number of writers who have used particular editions of specific dictionaries to structure their work. The authors include Louis Zukofsky, George Oppen, Clark Coolidge, Bernadette Mayer, Tina Darragh, and Harryette Mullen.
American poetry --- English language --- Poetics. --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Poetry --- American literature --- History and criticism. --- Lexicography. --- Technique --- Dictionaries --- History and criticism --- Clark Coolidge. --- Dictionaries. --- George Oppen. --- Harryette Mullen. --- Language Poetry. --- Louis Zukofsky. --- Objectivism. --- Tina Darragh. --- Germanic languages
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This first translation of the complete poetry of Peruvian César Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volume, translated by National Book Award winner Clayton Eshleman, includes the groundbreaking collections The Black Heralds (1918), Trilce (1922), Human Poems (1939), and Spain, Take This Cup from Me (1939). Vallejo's poetry takes the Spanish language to an unprecedented level of emotional rawness and stretches its grammatical possibilities. Striking against theology with the very rhetoric of the Christian faith, Vallejo's is a tragic vision-perhaps the only one in the canon of Spanish-language literature-in which salvation and sin are one and the same. This edition includes notes on the translation and a fascinating translation memoir that traces Eshleman's long relationship with Vallejo's poetry. An introduction and chronology provide further insights into Vallejo's life and work.
POETRY / General. --- Vallejo, César, --- Vallejo Mendoza, César Abraham, --- Mendoza, César Abraham Vallejo, --- Vallejo, César Abraham, --- Valʹekho, Sesar, --- Valliecho, Kaisar, --- Vallejo, Cholo, --- 20th century poetry. --- award winner. --- christian. --- christianity. --- collected works. --- creative writing. --- emotional. --- faith. --- life story. --- mfa. --- national book award. --- peruvian poetry. --- poetics. --- poetry collection. --- poetry studies. --- poetry translation. --- poetry. --- realistic. --- spanish language poetry. --- spanish language. --- theology. --- translation. --- true story. --- world poetry.
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Between the Age of Innocence and the Age of Experience comes The Age of Huts. This book brings together for the first time all of the poems in Ron Silliman's Age of Huts cycle, including Ketjak, Sunset Debris, The Chinese Notebook, and 2197, as well as two key satellite texts, Sitting Up, Standing, Taking Steps, and BART. Each poem offers a radically different approach toward using language to explore the world. One of the founding works of Language Poetry, The Age of Huts is about everything, more or less literally, as each sentence, even each phrase, embarks on its own narrative, linking together to form a large polyphonic investigation of contemporary life. From Ketjak, one of the first poems to employ "the new sentence," to 2197, a serial work that scrambles the vocabulary and grammar of its sentences, The Age of Huts questions everything we have known about poetry in order to see the world anew.
American poetry. --- American literature --- 20th century american poetry. --- 2197. --- 21st century american poetry. --- age of huts cycle. --- american poet. --- american poetry. --- avant garde poetry. --- bart. --- bringing meaning out of work. --- contemporary life. --- disjunction. --- how to see the world. --- ketjak. --- language poetry. --- materiality. --- poems. --- poetics. --- poetry collection. --- poetry. --- polyphonic investigation. --- prose poetry. --- role of the reader. --- sitting up standing taking steps. --- sunset debris. --- the chinese notebook. --- the new sentence. --- united states poetry. --- vocabulary and grammar.
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"Because I am not silent," George Oppen wrote, "the poems are bad." What does it mean for the goodness of an art to depend upon its disappearance? In Being Numerous, Oren Izenberg offers a new way to understand the divisions that organize twentieth-century poetry. He argues that the most important conflict is not between styles or aesthetic politics, but between poets who seek to preserve or produce the incommensurable particularity of experience by making powerful objects, and poets whose radical commitment to abstract personhood seems altogether incompatible with experience--and with poems. Reading across the apparent gulf that separates traditional and avant-garde poets, Izenberg reveals the common philosophical urgency that lies behind diverse forms of poetic difficulty--from Yeats's esoteric symbolism and Oppen's minimalism and silence to O'Hara's joyful slightness and the Language poets' rejection of traditional aesthetic satisfactions. For these poets, what begins as a practical question about the conduct of literary life--what distinguishes a poet or group of poets?--ends up as an ontological inquiry about social life: What is a person and how is a community possible? In the face of the violence and dislocation of the twentieth century, these poets resist their will to mastery, shy away from the sensual richness of their strongest work, and undermine the particularity of their imaginative and moral visions--all in an effort to allow personhood itself to emerge as an undeniable fact making an unrefusable claim.
Poetry, modern --- Modern poetry --- Poetry --- History and criticism --- Theory, etc. --- Poetry, Modern --- A. R. Ammons. --- Anglo-American poetry. --- Bob Perelman. --- Discrete Series. --- Frank O'Hara. --- George Oppen. --- Language poetry. --- Leningrad. --- Robinson Crusoe. --- The Materials. --- William Butler Yeats. --- aesthetics. --- collective intention. --- collectivity. --- completeness. --- conversation. --- counterfactual identity. --- cultural determinism. --- ethics. --- eugenics. --- freedom. --- grammaticality. --- inattention. --- interpretation. --- judgment. --- literary life. --- love. --- minimalism. --- particularity. --- perfection. --- person. --- personhood. --- poem. --- poet. --- poetic agency. --- poetic community. --- poetic difficulty. --- poetic knowledge. --- poetic mastery. --- poetic politics. --- poetry. --- preference. --- reading. --- silence. --- slightness. --- social life. --- social recognition. --- symbolism. --- translation.
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